ScoobyWell
Great visuals, story delivers no surprises
SpunkySelfTwitter
It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
Aubrey Hackett
While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.
Leofwine_draca
DR MORELLE: THE CASE OF THE MISSING HEIRESS is another early mystery/thriller from the team at Hammer Films, produced by Anthony Hinds with the usual crew visible in the credits. Plot-wise it's almost exactly the same as another Hammer film of the same year, CELIA, with the exception that a woman is missing in this instance, rather than kept locked in her bedroom. The film is a showcase for radio star Valentine Dyall, who also appeared in Hammer's THE MAN IN BLACK made in 1949 as well. This film is a little slow and a little creaky, but it has some good mystery elements and a little atmosphere. The female protagonist is somewhat goofy but this helps to make her human and thus sympathetic. Dyall has an extended cameo and does well with it. The film's climax fits the bill nicely too and makes up for some routine moments earlier on.
OneView
The entity that later became Hammer Films (the acclaimed House of Horror) started out as Exclusive Films, producing a mix of mysteries and thrillers, some based on popular radio and television productions of the time. The Case of the Missing Heiress is derived from a radio original and features Valentine Dyall as Doctor Morelle.Dyall had a unique sepulchral voice, deep and full of foreboding. It made him an excellent narrator and voice-over artist. His height also provided a commanding presence and he brings these actor's tools to the fore in this production bringing gravitas and assurance to the film.The plot is a traditional missing woman mystery but the climax provides more than one plot twist that uses the economy of characters present to advantage. Technical credits are also high with dimly lit, suspenseful scenes though the version I saw came from a very muddy print.A special note needs to be made about Hugh Griffith's performance as the butler. On paper this is a nonsensical role of a servant who is so deluded that he takes his ten-years dead dog for regular walks. As played by the talented Griffith the character is a figure of great empathy and sympathy.This was overall a surprising film that managed to overcome its low budget and limited resources.
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As a point of interest, the character of "Dr Morelle" was created for the popular Monday night BBC radio series "Monday Night At 8" that replaced the earlier prewar "Monday Night At 7" (which introduced us to Inspector Hornleigh) that comprised a miscellany of brief lighthearteditems aimed to put listeners into a relaxed state before hearing the latest (censored) grim war front events on the 9 o'clock news - de regeur for the whole nation. The programme usually included a short spoof spy tale and,of course,breezy Ronnie Waldman's "Puzzle Corner" and that deliberate mistake... The film,itself,was another B support of the late 40s that cashed in on popularearlier radio shows of the time,usually of moderately.if unexciting quality with acceptable production values. Others included Dick Barton,The Man In Black & Hi Gang!
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Often called the "British Vincent Price," Americans have heard Valentine Dyall, even if his name and face are unfamiliar. His voice was used in countless films, TV and radio programs where his face (though handsome) was not seen.Dyall's starring role as the hypnotist, Dr. Morelle, is the main reason to see "Dr. Morelle: The Case of the Missing Heiress." The plot is unexceptional, and the acting of most everyone else rather pedestrian. One exception is Hugh Griffith, (ten years before he won a Best Supporting Oscar for "Ben-Hur"), as the daft butler, Bensall.Greedy, wheelchair-bound Samuel Kimber (Philip Leaver) wants to bump off his stepdaughter, Cynthia (Jean Lodge) to gain her inheritance. She wants to marry a struggling young author, escape the clutches of her stepfather and keep her money.Heiress disappears between the old manor house she inhabits with her stepfather and Bensall and the author's humble cottage.And the story takes off from there. Dr. Morelle's secretary, the aptly named Miss Frayle (Julia Lang), infiltrates the old dark house to see what she can find out about the disappearance of her friend.Along the way, she makes an unlikely ally whose untimely demise hampers her effort to solve the mystery. Meanwhile, Dr. Morelle assumes several names and identities as he tries to ferret out the truth from Mr. Kimber and the young author.Everything is wrapped up neatly in just over an hour, with a predictable ending arrived at by slightly unconventional means.I've already given "The Case of the Missing Heiress" more cyber ink than it warrants, but there is something that sets this fairly ordinary late-40s Hammer thriller apart, and that is the commanding presence of Valentine Dyall.The London-born Dyall (1908-1985) conquered every medium in his nearly fifty-year career: stage, film, TV and especially radio where his mellifluous voice was most famously heard in Britain in the 1940s as the star of "The Man In Black." Dyall's voice was heard much later in "The Hitchhiker's Guide to the Galaxy" as that of Deep Thought.In between there were a lot of spears to be carried, manors to be lorded over, and dead bodies for the trench-coated Mr. Dyall to hunch over. If his work in this unprepossessing little film is any indication of the overall quality of his work, I'm apt to look for his name in credits from now on.
