Actuakers
One of my all time favorites.
Hayleigh Joseph
This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.
Beulah Bram
A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
Kinley
This movie feels like it was made purely to piss off people who want good shows
ernesti
This is relatively forgotten giallo and not very widely distributed. I was amazed by the image quality and high quality of production and the beginning certainly promises a bit too much. The long sequence in the moving bus is very clever and shows the early seventies city traffic. They used to film starting sequences like these in the 70's and 80's in Italy. The music's also very good.It's all downhill from there as the film just declines to an ordinary mainstream film pancake. The film also doesn't have twists and surprises as everything is told and explained which makes quite tiring movie experience. The plot is very linear and easy and also the dialogue is very tiring to follow as it's not very well written and translated and there's plenty of it and on top of that it's all dubbed. By far it's not the worst dubbing that i've seen but certainly having lots of dubbed dialogue in a crime drama certainly hinders any film.Also the group of the bad guys were very unbelievable and the final confrontation with them is really disappointing and beyond generic. Throwing a pile of dirty laundry on a villain who then suffocates and another one's head being pushed on a washing machine door who also suffocates. Looks too easy and stupid for the high production value this film has.Acting's actually good if compared with other giallos but it can't save this dreadful film. How can such a wonderful starting sequence end up in a such a disappointing film. It's amazing.
gaddgodd
Spoiler warning! This early 70s movie, as the previous comments have already pointed out, is a mix of drama and "giallo" (in Italy a crime story is nicknamed "giallo", that is to say "yellow", because a very successful series of detective stories published before WWII by Mondadori had yellow covers). "La morte risale a ieri sera" is marred by poor acting, silly dialogues and forced plot lines, but remains enjoyable as an overall view of the (north)Italian society of almost forty years ago. However, the title is incredibly meaningless: it doesn't allow the occasional viewer to tell this movie from thousands of other Italian crime stories of the 70s. The book which the movie is based upon was written by Giorgio Scerbanenco and entitled "I milanesi ammazzano al sabato"(=People who live in Milan kill on Saturday): it ironically refers to the fact that "milanesi" are people so hard-working that they kill only when they do not have to go to work! This attractive sociological touch is completely lost in the ultra-generic title "The death occurred last night".
mogweezer101
SPOILER WARNING - There is information in this post which may upset you if you have not seen the movie. If this troubles you = Please do not read on.. SPOILERS AHEAD...I couldn't agree more with the user aboves comments. This is a first rate giallo directed with clinical precision by Duccio Tessari. Raf Vallone's performance as the troubled father is incredibly moving. The plot isn't really typical of a giallo; A retired parent (Vallone) investigates the disappearance of his retarded daughter, last seen at home. As he searches for clues, so do the police, headed by the police commissioner (excellently played by American actor Frank Wolff, in one of his last roles). Both parties follow their own different lines of investigation meeting up in the final reel for the inevitable bloody conclusion.Aside from innumerable Italo-Westerns, Tessari only directed one other pure giallo 'Una Farfalla con Le Ali Insanguinate' (The Bloodstained Butterfly). Also a fine example of the genre and his talents, but it's nowhere near as well executed as 'La Morte...'. Whilst 'Butterfly' looks great and really does deliver the giallo goods the performances always seemed quite lacking to me. In 'La Morte..' it's the performances that hold it all together, rather than the other way around.If anyone has the chance to re-release this film (The Death Occurred Last Night) Please do! It was available in Italy on the CHV label during the 80's and 90's, sadly, now it is almost impossible to find in any format. 'The Bloodstained Butterfly' is readily available (in Italian language only) on DVD.
Wheatpenny
Part giallo and part drama, this movie's been overlooked by both the "mainstream" critics and the Italian-horror fans alike, and that's a shame, because it's one of Italy's more serious genre efforts of the 70's. The distraught father's race to find his kidnapped daughter before the police do, is both tense and poignant. It's free of the exploitative elements most genre films have, and along with Tessari's other thriller (Bloodstained Butterfly), one of the most mature Italian thillers of the decade. The ending is painful without being gratuitous, and well above something Hollywood could handle: compare the father's obsession to find the girl in this to Cage's in 8MM and be amazed at how crassly the latter is constructed. See this one!