Darker Than Amber
Darker Than Amber
PG | 14 August 1970 (USA)
Darker Than Amber Trailers

Professional beach bum and 'knight errant' Travis McGee goes up against psychotic body-builder Terry Bartell. McGee pulls out all the stops when he joins a Caribbean cruise to bring the killer to justice.

Reviews
Thehibikiew Not even bad in a good way
Spidersecu Don't Believe the Hype
Micransix Crappy film
Allissa .Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
mgtbltp This film is hard to pigeon hole into any preset category. Its based on the writings of John D. MacDonald a Pennsylvania native and a very prolific author of crime and suspense novels, many of them set in the South and predominantly the southern tip of the state of Florida. Between the years 1953 and 1964, MacDonald specialized in crime thrillers, considered now as masterpieces of the hard-boiled genre. Most of these novels were published as pulp paperback originals, with their attendant sleazy cover art. His noir/neo noir street creds start with his 1957 novel The Executioners that was brought to the screen in 1962 as Cape Fear, a very dark story of suspense and animalistic menace starring Gregory Peck and Robert Mitchum. Many of MacDonald's novels suggested a sinister presence just beneath the friendly patina of palm tree studded small coastal towns.The film followed McGee's back story very well. McGee was basically a Florida beach bum, a Korean War Vet, who won a large 52-foot barge-type houseboat in a poker game. His home base was Ft. Lauderdale, Bahia Mar Marina, slip F-18, but his life style enabled him to drift about the inter-coastal waterway, the Everglades, and the Florida Keys, beach combing, drinking, fishing. He named the houseboat boat the Busted Flush, and took his retirement in installments between jobs, when the money ran out he did "salvage consultant" work. The salvage work was retrieving things lost by people, in shady legal deals, scams, flimflams, skulduggery, etc., etc., usually things with no proper recourse for the victim. McGee's price was for half of whatever he recovered, and half was better than nothing. Occasionally McGee was asked to locate missing people in other Gulf States or foreign locals in Mexico, Central America, and the Caribbean. He is a sort of rogue PI without a license.McGee had a quasi partner/buddy Meyer, a retired economics professor, a brainy type that McGee could bounce problems and ideas off of, who lived on a cabin cruiser moored in a slip near by. The only other regular was the "Alabama Tiger" a millionaire, who had the "worlds longest running boat party" on a large yacht also in the Marina. In the film this is changed to the "Alabama Tigress" (Jane Russell). McGee also had an old Rolls Royce that had been in an accident and had been converted into a pickup truck that was called "Miss Agnes".The story of Darker Than Amber starts off very noir-ishly. As credits roll to a jazzy tune, a convertible speeds down a deserted highway, street lights whiz by overhead, a passing car highlights a driver (Robert Phillips), and a bleach blond goon (William Smith) sitting in the back seat with a honey-haired woman named Vangie (Suzy Kendall). A street lamp flash reveals that one of her feet is lashed to a dumbbell. The car passes over a long bridge a remote section of the Overseas Highway bridge (the highway that island hops its way to Key West) it reaches the far end and makes a U-turn. After a semi passes the car drives back onto the bridge. Cut to McGee (Rod Taylor) and Meyer (Theodore Bikel) fishing from a small rental skiff anchored at night under the ridge. The car pulls to a stop above them and the honey-haired woman strapped to the dumbbell is dropped off the bridge. As the car speeds off she sinks immediately from site and she's hooked on McGee's lure. McGee, with Meyer wielding a flashlight, dives in and brings her up. They resuscitate her and head back the Flush. She wont tell them her name, and she doesn't want them to go to the police. McGee heads back to the bridge in the daytime and dives to retrieve the dumbbell, (an 85 lb. weight for a 100 lb. woman) but is seen by a lookout who is staking out the "murder" site. As they cruise leisurely back up the Keys McGee slowly pries the story out of her. Her name is Vangie (Suzy Kendall), short for Evangeline she was literally a Femme Fatale, a high priced call girl working a cruise ship racket that lured drunk wealthy unattached men to a rendezvous at her cabin. The men were surprised by either Griff (Phillips) or Terry (Smith) and killed for their money then deep six-ed over the side. She was wanting out of the racket but the only way out is dead. By the time they reach Bahia Mar, McGee and Vangie are an item. But she decides to sneak off the Flush in another noir-ish sequence and go back to her bungalow and retrieve her stash of ill gotten loot. Her two murder racket accomplices Terry (William Smith) and Griff (Robert Phillips) tipped off that she is still alive, spot her while she is on her way. Terry grabs Vangie and while Griff speeds down the highway towards them Terry tosses Vangie into the cars path, the force blasts her through a plate glass window of an ice cream parlor.Ahna Capri delivers a good performance as Del, Vangie's co Femme Fatale partner in Terry's murder for money scheme. McGee is able to convince her that she is next to be eliminated.The hit-and-run murder of Vangie, sets McGee off on a revenge mission that culminates in a legendary graphically violent, savage, fight scene, between Rod Taylor's Travis McGee and the film's villain, Terry. This film needs a fully restored DVD release of the full Runtime: 96 min, the version I have was recorded off TCM and it is missing a few minutes of the legendary fight sequence (which can be see on YouTube in a Dutch release)A 9/10 for McGee fans (it could have been a tad bit longer for character development) and an 8/10 if you are unfamiliar with the material
morrison-dylan-fan When a friend of mine told me a year ago that there was a rare film,which had been made in 1970,that was based on the Travis McGee books with Rod Taylor playing McGee,I have to admit that I was very surprised to hear about the casting,since the only film that I had seen of Taylors before,was the very enjoyable adaptation of The Time Machine.Recently,I was at last able to surprisingly get hold of this film,with the added bonus of it being the full-uncut version!.Although,At the start of the film,I was unsure how it would be with Taylor,by the end credits,I was pleasantly surprised by how much fun this great film is.The plot:As Travis McGee sits on his boat fishing,he suddenly notices that a young woman has been thrown over board from a boat near by.After having risked his life by diving in to save he,when Travis gets the girl (whose real name is Vangie Bellamer,although due to her being an ex-prostitute she gives him a fake name)When he tells Vangie that she should go to the police,she keeps saying no to his idea,which leads to her running away from McGee.A day or two later,Travis finds out that someone has murdered the girl.When Travis starts investigating the people that lived near with Bellamer,he discovers that the pimp that Vangie used to work for was,trying to get her to return to "the business",due to the pimp having planned some very big cruise ship robberies,where the girls get rich loners to go with them on cruises,so that no one will notice when the loner has been killed,and has had his cash stolen.After McGee finds out that a robbery is going to happen on a cruise ship in a few days,he realises that he needs to get hold of a ticket right away.. View on the film:For his performance as Travis McGee,I feel that Rod Taylor does a very entertaining performance,with cleverly giving Travis a charming witty side,that really works well with the focused,invented investigating side of the character.With his performance as the evil pimp,William Smith gives a fun performance,which shows that whilst he is a bit of a slime ball,he is still able to use plenty of pressure,to get the girls to agree to working with him.Although director Robert Clouse (whose next film would be the Bruce Lee classic Enter the Dragon) keeps the film moving at a very pleasant pace,which includes a surprisingly extremely intense final fight between Taylor and Smith. (which it is was actually done for real!)The screenplay by Frank V.Phillips sadly gets the film a bit muddled,with the first half of the film,feeling like it is trying to set up a future series of films, (which I think would have been a lot of fun if they had been made)with some characters not being given a moment or two to introduce themselves to the plot,but instead just casually entering and leaving the story. Final view on the film:An extremely entertaining film,with very good performances,excellent fights and a fun second half,let down by a slightly muddled first half.
shai6935 I saw Darker Than Amber 34 years ago, and it made an indelible impression on me. Perhaps it was because the realistic fast paced action and suspense, which is commonplace today, was a breakthrough at the time. I would compare it with some of the action scenes in Steve McQueen's Bullitt. I was reading John D. MacDonald's Travis McGee novels long before this movie came out, and being a Rod Taylor fan, this was the icing on the cake for me. Taylor brought McGee to life, a no nonsense, tough as nails guy, a Bond without the gadgets and gimmicks. I certainly wish the Production Company/Distributors would put it out on DVD, so everyone else could enjoy it. It could most assuredly become a cult classic.
flynn1066 I've never read any of the novels by MacDonald so I can't comment on book to film accuracy.On the other hand,I'm a huge fan of both Rod Taylor and William Smith.It took me almost ten years to get my mitts on a copy of this manly movie masterpiece.It's got some foreign subtitles on it but who cares,this movie's climactic brawl lived up to every bit of it's hype.No goofy chop sockey stuff just good old fashioned, beat the living hell outta the other guy moves.Taylor and Smith use every thing but the kitchen sink on each other.It's true that the only movie fights that come close are From Russia With Love (who doesn't love seeing two football hooligans like Connery and Shaw trying to kill each other but I digress) and the final throwdown between Rod Taylor and Peter Carsten in Dark Of The Sun.This movie is a holy grail for manly movie fans but all the way worth it.Let's hope it finds it's way to DVD in it's pure,unedited form soon,hopefully with commentary by Taylor and Smith.