TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

DipitySkillful an ambitious but ultimately ineffective debut endeavor.

Humbersi The first must-see film of the year.

Mischa Redfern I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

JohnHowardReid NOTES: Charlton Heston's professional movie debut. Locations filmed in Los Angeles and Las Vegas. All songs rendered by Lizabeth Scott.COMMENT: Disappointing. The script seems so attenuated as to lose its promise of suspense and tension along the way of what turns out to be a long-winded yarn. Romantic interludes with first Lizabeth Scott and then Viveca Lindfors don't help. And when the killer is finally revealed, it turns out to be a familiar cinema friend. A lot of the initial promise is dissipated by songs - lots of songs - plus tedious and unbelievable romancing, and much talk (like the scenes in Jagger's office) to little purpose. More of the smart ripostes given to Jack Webb in the early sequences would have been most welcome. Also more action - what little we have is confined to the beginning and the climax.Scott's performance is superficial, but Heston impresses in his professional screen debut, whilst Morgan, Webb and DeFore contribute solid support. To sum up, Heston was fortunate to make his debut in such good company. Begley and DeFore give stand-out portrayals and the rest of the players are no slackers either. Although disappointing in many respects, the script was directed with characteristic expertise by William Dieterle.

Benoit Vanhees The description "Film Noir" still seems to cause lots of confusion: some people seem to think that every black & white movie with some cynicism in it is a Noir movie. By extension, Dark City is often labeled as Noir. It's OK with me to use jargon, but let's only use it correctly, shall we…Although Dark City certainly has elements of the Noir genre, there is a very simple reason why this movie really don't qualify as such: indeed the cynical main character Dan Haley slowly but surely turns into a better man, gradually allowing his conscience to play a more important role in his life, and taking several correcting steps after a life of causing sadness and anger. In the end, there's even the promise of a bright future for him with torch singer Fran. All this is very un-Noir ! That doesn't make it all of a sudden a bad movie. On the contrary !To me, Dark City actually has a very clever psychological plot. All along the way, we get bits of information about why Haley has become a cynical hoodlum. He has been a courageous soldier during the war, but the infidelity of his British wife led him to kill her new love interest. Charges against him were dropped, but it clearly left him quite cynical about interpersonal relationships. Still, he's not rotten to the core. We get first evidence of this, when he discovers that his poker game buddy Augie has been cheating in a game that left L.A. business man Arthur Winant penniless.Another indication of his double feelings about the world around him can be found in his relationship with Fran:Fran: Don't you ever need somebody Danny ? Danny: What for ? Fran: Just to need…Although he keeps on pushing lovesick Fran away when she's once more trying to get too close to him, he will remain -in his own particular way- loyal to her.So, if one of the reviewers complaints about the lack of chemistry between Heston and Scott, he seems to have completely missed the point this movie is trying to make. Of course there are no sparks flying around here !!! Heston's character is still too much influenced by his troubled past, by the betrayal of his love by his British wife and a friend. He's still in the process of adapting, of regaining some hope. In the end of the movie, he's only beginning to think about romancing again.Then, several small elements distributed cleverly along the storyline like Tom Thumb's crumbs will lead to big changes in Haley's life. His friend Soldier's remark that he's "Worse than the others" is one of these little seeds, that makes him reflect about his actions. Another one is dropped, when Swede tells him about the Irish boy he killed during a boxing contest. Swede brought all the money he could find to the mother of the deceased young man, but she spat him in the face. This element makes Haley review his reactions concerning Victoria. Victoria too has an important impact on his life, as he sees how she's taking care of Billy, protecting him against uncle Sidney, and how difficult she must have got it, after her husband came back from the war. (Unless he was boasting, he is supposed to have been involved in Special Operations, a kind of work that generally leaves no one without psychological changes. The man is a heavy drinker, and although he has a gorgeous wife and a young son, he's soon playing Casanova in Chicago, dating Fran). Fran too drops several little seeds in Haley's mind, and so does the Police Captain. Although he remains outwardly cynical, all these little drops soon find a way to his heart. The fact that he was upset when he discovered that Augie had been cheating during the poker game already made it clear he wasn't rotten to the core. There still was the possibility for him to change his life. The several meetings with people he has after the suicide of Arthur Winant all turn out to be guiding lights to the right path of life again. And in the end, the patience and extreme loyalty of Fran is rewarded. So, although this film starts as a Film Noir, this clever movie is in fact about how all kind of positive little events can set in motion important positive changes in someone's life. It's about hope, about starting all over again, about how something positive still can come out of sad events, such as a suicide. Real Film Noir isn't about optimistic at all. The main characters are cynical and self serving, and don't go through changes. Or if they do, it's only to become even more cynical at the end. See for ex. Fred MacMurray's character in Pushover, or Lizabeth Scott herself in Too late for tears. That's Noir with a capital N. I was extremely pleased by this movie. I'm still trying to find out who actually sung the songs Lizabeth Scott's singing in this movie. Although she took 2 ½ years of singing lessons in the 1950's, and even released an LP, she never reached a sufficient good level to leave an impact as a singer. But the female singer who sang the songs in Dark City surely did. It are haunting melodies such as "Letter from a lady in love" or "Old black magic", sung with a sultry voice. Globally: nice storyline, fine cast, a movie that's worth adding to your collection ! 9/10

sonny starr Dark City is a well crafted film. Most film noir fans will love it. It was released in 1950 and Stars Lizabeth Scott and Charlton Heston.Heston plays a gambler (Danny Haley) who along with two friends sucker a man from out of town into a game of poker. Only one problem...it wasn't his money to gamble with. He signs over his check with the knowledge, (I'm in big trouble!) It is later revealed that he hung himself.Now the story really takes off. The dead mans brother (who is insane), vows to track down those who were responsible for his brothers death, one at a time! This is a very intense storyline and will keep you on the edge of your seat.Heston is wonderful in this film as is Lizabeth Scott. Scott had been in the film business for a number of years by the time she made this picture. But remember, this was Heston's first film. To watch him, you would never know. However it didn't hurt to have so many veteran actors surrounding him. Names like Dean Jagger, Don DeFore, Jack Web, Harry Morgan, Walter Sande, and Mark Keuning. This was a solid cast! If you haven't seen it yet, I highly recommend it. You will need this for your film noir collection.

yarborough Being a huge "Dragnet" fan, I just had to see the two movies that Jack Webb appeared in with Harry Morgan before the two worked together in "Dragnet." "Dark City" is one of them and the other is "Appointment with Danger." Although "Dark City" was released in 1950, the year before "Appointment with Danger" was released, "Appointment with Danger" was actually filmed first (shot in the summer of 1949). "Dark City" was Jack Webb's final filmed feature before hitting the small screen with "Dragnet" in 1951. Truthfully, I was disappointed with this movie. It contains one of the thinnest plots I've ever seen, and it tries to convince the audience that Charlton Heston somehow doesn't deserve to die, but Jack Webb and Ed Begley do, even though all three of them took part in cheating the killer's brother out of money. Only Henry (Harry) Morgan really deserves to live because he didn't take part in the cheating. In the movie, Morgan even tells Heston "You're worse than the rest of them." The movie simply avoids that problem and we're supposed to feel happy for Heston when he survives. In addition, Heston's performance is somewhat flat (this is his first feature film), and the two romance situations (yes, both involving Heston) take away from the film noir feel this movie tries to have. Also, the torch songs that Lizabeth Scott sings aren't very powerful (though Lizabeth looks drop-dead gorgeous when she sings them). The best part of the movie is the colorful supporting cast (Webb, Morgan, and Begley). The bickering and joking that goes on among them is pretty funny (especially Webb's hole-in-one glass joke). Worth seeing for interest sake.