Danton
Danton
| 12 January 1983 (USA)
Danton Trailers

Danton and Robespierre were close friends and fought together in the French Revolution, but by 1793 Robespierre was France's ruler, determined to wipe out opposition with a series of mass executions that became known as the Reign of Terror. Danton, well known as a spokesman of the people, had been living in relative solitude in the French countryside, but he returned to Paris to challenge Robespierre's violent rule and call for the people to demand their rights. Robespierre, however, could not accept such a challenge, even from a friend and colleague, and he blocked out a plan for the capture and execution of Danton and his allies.

Reviews
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Art Vandelay The top-shelf movie is made up of scenes between the two principals. The Polish lead is as good a performance as I've seen in a long time. Dippy-do was speaking French so he didn't drive me nuts like he does when he's in English-speaking movies. The lower-shelf bowl of hambone soup is when everyone else has aline of dialogue, spoken earnestly, often in wild-eyed shouts. Plays like a high-school drama club performance of That Wacky Wacky French Revolution. Lots of thought-provoking things here, and it looks great, but too many sub-par actors to pull it off.
T Y The 33 percent of the nations nitwits that still support W. Bush would do well to see this movie, which shows the aftermath of the French revolution and the terror of 1794 as strikingly similar to the post 9/11 socio-political landscape. Maybe then they could stop worrying about saving face and take the a**-whupping they deserve. It's really a shame that when a politician ruins the country, those who voted for him can't be denied the right to ever vote again. They've clearly shown they have no sense of character.What really stands out in this movie is the ambiguity of a character as hopelessly doctrinaire as Robespierre; a haunted empty man who simplistic reductive ideology can't help him elucidate the boundaries between safety and totalitarianism. Execution and murder. Self-defense and patriotism. His legalistic litmus tests aggravate the hopeless situation he's helped create. Sound like any belligerent, overprivileged, retarded Yale cheerleaders you know of? Wojciech Pszoniak blows the slovenly Deparidieu off the screen. As sympathetic as Robespierres plight is, it's comforting to know that shortly after the film ends he'll have his jaw shot off and be sent to the guillotine.
MartinHafer Danton was a hero and one of the founders of the French Revolution of 1789. This movie is set five years later and the revolution has morphed into something ugly. While initially the revolution promised freedom, at this point the small committee running the country is extremely repressive and is a dictatorship. Danton and his friends were angry at how the country wasn't better off in 1794 than it was BEFORE they got rid of their king, so they begin criticizing the government. The movie begins as the printer who makes critical pamphlets concerning the government is beaten and his business is destroyed. So much for "liberty, equality and fraternity"! So, as a result of being silenced this way, Danton et al begin publicly criticizing the government. Eventually, Robespierre (the leader of the committee) and his cronies trump up charges, have a show trial and get rid of the dissent. Some have mentioned that the Polish director, Wajda, also intended this to be a criticism of his own nation--which, at the time, was Soviet-dominated and very repressive as well. This makes sense as you see the movie unfold--especially when the government destroys all dissent "in the name of the people".The acting is fine, the story compelling and I have no major criticism of the film. However, I really wish the ending had been handled differently. Especially because other than history lovers and French people, most probably have no idea that this execution helped to end the government. AFTER this purge of Danton in April 1794, Robespierre himself was executed in July 1794 because the country had just had enough--plus, those surviving Frenchmen knew that they, too, would face the guillotine sooner or later if this sick system remained in place. Some sort of an epilogue would have been nice--such as showing the soldiers coming for Robespierre. He responded by trying to kill himself first, but he only succeeded in blowing off part of his face--still alive, he was guillotined shortly afterward. This would have been a dandy little epilogue and could have been done in about five minutes. However, not showing a connection between Danton's death and the fall of the government is an odd thing to omit.
dr_salter I have read the pro & con reviews and wonder too about the cold disparaging comments of Manicheus? Why not let your students watch a movie and choose for themselves? I felt this was a well presented, well acted and well scripted film that told the story about a confusing time in history. It was a time when Britain was sending its criminals to begin a colony in Australia and the Enlightenment had reached its height. The French Revolution was a pivotal time in Europe's history and I realized that as the film unfolded, I was learning about the emotions and its inner workings of these great names- Danton and Robespierre. Robespierre was as desperate and dedicated to the Republic as any Fascist was to Franco's bloody vision for Spain. Robespierre's character showed his dedication to his ideals while being torn by moral considerations of stopping Danton by sending him and his friends to the guillotine... and it was this sense of being treated like I was intelligent that held my attention. I have often wondered about the French Revolution and the vying of the factions, and the violence of the guillotine... but the Hollywood versions make it a mindless bloodbath while Wojciech & Depardieu have brought some humanity and reasoning to the whole period. I am only grateful that I could see it on the big screen at a free showing at my local Art Gallery in Sydney, Australia.