Dangerous Moonlight
Dangerous Moonlight
NR | 20 April 1942 (USA)
Dangerous Moonlight Trailers

Stefan Radetzky, a Polish pilot and famous concert pianist, is hospitalised in England from injuries sustained while in combat, and having lost his memory. As Radetzky plays the piano in a trance-like state, the story moves back in time to war-torn Warsaw. During an air-raid, Radetzky meets American journalist Carole, and there is a mutual attraction. Following the fall of Poland, Radetzky and Irish pilot, Mike, escape to Rumania and then on to America. Radetzky continues his musical career in America and meets up again with Carole.

Reviews
Maidgethma Wonderfully offbeat film!
Flyerplesys Perfectly adorable
Jenna Walter The film may be flawed, but its message is not.
Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
Edgar Soberon Torchia It was inevitable that the piece of music Richard Addinsell composed for this film would become more popular than the movie itself, when it is heard over and over again in the 94 minutes original version or in the 82 minutes reduction made in the United States. Even at this shorter version, the movie seems overlong, because it takes too much screen time to tell a very simplistic patriotic tale. There is not enough passion transmitted by the Polish pianist and his American bride to carry on the movie, and on top of that, too much screen time is given to Derrick De Marney as an Irish suitor, who is supposed to be fiery and passionate but seems rather lame. Poor Sally Gray (25 years old) is trapped in the middle of Anton Walbrook who was 45 and De Marney, 35. The film is interesting up to the leading characters' wedding but after that, it becomes more routine than the previous first part. When Brian Desmond Hurt films the climatic concert as static and dull as he could manage, then you know there is not much to do, but wait for one air battle of the kind you have seen dozens of times. Only Addinsell was truly inspired when he worked in this production, so he deserves all the success of his «Warsaw Concerto».
margaras Wartime propaganda movie that was probably supposed to make people more kindly disposed towards Polish pilots in the RAF. I had heard about this film for years but never seen it; now however I recall that Spike Milligan in his memoirs (of a time when this was a brand new movie) describes it as something like "bloody awful." I wouldn't go that far but for a movie that is supposed to be about a fighter pilot it has a handful of minutes of flying and several hours (it feels like) of piano music + Sally Gray (who is not bad to look at I admit). Or closeups of Anton Walbrook's rabbit-like face as more orchestral music plays in the background.
ccthemovieman-1 This is another case where if this movie was available on DVD with English subtitles, I might enjoy it. As it was, seeing it on VHS I had to strain to understand half the dialog of Anton Walbrook, who plays a Polish man, "Steve Radetzky." His combination British-Polish accent was tough to decipher and it totally takes away from enjoying the film.Also a warning for those who read on the VHS box about the "great action scenes." Those don't take place until the very end of the movie! It's hardly a great film to begin with, with a very dated look to it with the hokey backgrounds scenes somewhat cheap production values.One thing that is not cheap or dated: the fine music. Our main character is a pianist as few people ever complain listening to someone play "The Warsaw Concerto." I've also never complained looking at Sally Gray's face! However, your best bet is to buy the CD for the music and skip the film, although at slightly over an-hour-and-a-half, it's not a long film one has to endure to get through....but don't expect a lot of excitement here.
gsanders Without a doubt, the very best film music ever composed. All Warsaw Concerto fans should purchase this movie because there are other musical motifs present in the film score which are not present in the printed score for piano and orchestra. You will be mesmerized by the music alone and won't be paying much attention to the film. The film is somewhat mediocre. Bravo to Richard Addinsell!