Lumsdal Good , But It Is Overrated By Some

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Casey Duggan It’s sentimental, ridiculously long and only occasionally funny

bkoganbing The Dancing Pirate which was released by RKO in 1936 was one of the last films done with an original score by Rodgers&Hart. They would be moving back to Broadway and had a string of hit musicals only interrupted by Larry Hart's death in 1943.As this was an RKO film watching it now it was fairly obvious that this film was created with Fred Astaire in mind for the lead. Had Astaire done it The Dancing Pirate might be better remembered. Certainly the two songs done by Dick and Larry aren't among the most memorable. In fact the best number in the film is a dance by lead Charles Collins to Yankee Doodle Dandy that had Astaire written all over it. In fact the main weakness of the film is Collins. A good dancer, Collins had a screen presence that was colorless, odorless, and tasteless. He plays a Boston dancing teacher who gets shanghaied by pirates and escapes the first chance he can when they put in to California for provisions.Still ruled by Spain, the local Alcalde is Frank Morgan at his decisiveless best. Morgan on loan from MGM is the best thing about The Dancing Pirate.Collins is sad to say guilty by association and the men want to hang him, but the women want to learn to dance so he's in legal limbo of sorts. He also has competition for the hand of Morgan's daughter Steffi Duna in the person of Captain Victor Varconi from Monterey at the head of a platoon of dragoons ostensibly there to protect the village from pirates. But Varconi has his own plans, Snidely Whiplash type plans.The Dancing Pirate won an Oscar nomination for the now defunct category of dance direction. I long for the day when musicals of all kinds were being churned out and a category like dance direction was warranted. Speaking of dancing Rita Hayworth is in this film as part of her family troupe of Spanish dancers, The Dancing Cansinos.The Dancing Pirate is an amusing enough film, but it really needed Fred Astaire to put it over.

davidgoldyn I got this out of the 50 musicals set. It said it was in Technicolor but it the print was curiously in black and white. The Plot-a dancing master gets kidnapped to be a galley worker on a pirate boat. He ends up in Calfornia near Monterey which at that time was populated with Mexicans. At first they arrest him, but he charms the whole town. This was an entertaining little musical. Not perfect and not a classic but definitely worth a look for Charles Collins and Frank Morgan.It had a lead I have never heard of... Charles Collins who was quite a talented dancer-singer-actor . He kind of looks like Kevin Kline. Amazed the man didn't have a more illustrious career as he had all the makings of what constituted a star back then. Quite an interesting discovery. Frank Morgan (the wizard of oz) is quite funny as the bumbling mayor. The film was quite enjoyable.

theowinthrop While I note that the other comments are positive about this film I can't be. I purchased a video of it in 1988 or so, and it was the only time I saw any store carrying a video of it. It is the first technicolor musical, and it is a Rogers and Hart score (one good tune: "Are You My Love?"), and Morgan and Luis Alberni try to do the best with their parts, and Stefi Duna is a good dancer. Unfortunately, the screenplay is weak, and so is Charles Collins. How Collins got the role is a mystery, although I suspect he was not the first person to be approached for the role: Judging from his height and build it is possible that the role was meant to be offered to the similarly slender and tall Fred Astaire. Astaire (if he was approached) wisely declined because the script is so bad. The central character never becomes interesting enough to involve ourselves in his life. Collins probably got the role because he is a dancer (his opening scene is demonstrating a dance to a music box he turns on). But he was a stiff, and boring, and timid actor. Maybe an Astaire could have colored the role properly, but Collins couldn't. And the story requires coloring. The> shanghaid dancer is mistaken for a pirate in California. He is treated well by Morgan (the local bumbling alcalde), until a squad of soldiers come to the town. They take over (quite literally - they are a squad of soldiers turned brigands under Victor Valconi and Jack La Rue), and are only stopped when Collins suddenly cannot take their taunts anymore and leads the peasants against them. It is just too much of a leap of faith for a viewer to accept. And the film fails as a result.When recalling Rogers and Hart for their musicals, think PAL JOEY or THE BOYS FROM SYRACUSE (on stage). Or remember their early musical films (experimental ones) HALLELUJAH I'M A BUM! and LOVE ME TONIGHT. Don't remember them for THE DANCING PIRATE

meberts The Dancing Pirate is worth watching for a several reasons: the over-the-top early Technicolor hues, the spectacular finale featuring the Royal Cansino Dancers (including a young Rita Hayworth) and a very small appearance at the beginning of the movie by Pat Ryan, later to be Pat Nixon. But more than these things, I like The Dancing Pirate as a forgotten movie about Los Angeles. The movie depicts a Boston dance teacher kidnapped by pirates who escapes into the sleepy Alta California village of La Paloma.This is an obvious adaptation of the real-life story of Joseph Chapman. Chapman, originally from Boston, deserted Hippolyte de Bouchard's piratical coastal raiding party to become the first yanqui resident of Los Angeles in 1818. Chapman, like the character in the movie, became a solid citizen of the little pueblo. Unlike the character in the movie, there's no historical evidence that Chapman could dance, however.