Incannerax What a waste of my time!!!

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Casey Duggan It’s sentimental, ridiculously long and only occasionally funny

film_riot Claude Chabrol uses a very unexcited style to show how corruption penetrates industry and politics in Western societies, in this film by the example of France, but applicable for all states. And he gives a portrait of a strong woman, played by the ever-fantastic Isabelle Huppert, who comes to clean up but soon reaches a point where she has to see how many people are in this system and defending it. You never really get warm with Huppert's character, firstly because the camera is very distanced and just observes, and secondly because of the character itself. She never has the chance to show emotions, every sign of it would be considered a weakness and would be exploited by her enemies. This being the way to survive in her job, it seriously harms her private life. Her marriage is destroyed by it, and friendship is hard to get with many sneaky one's trying to use her. Definitely worth seeing and an interesting look behind the curtains. But of course, this film "doesn't describe concrete events of the day."

Roland E. Zwick In November 2003, after a sensational trial that rocked the Republic of France for four scandal-soaked months, three key executives of that country's ELF oil company were found guilty of massive corporate malfeasance on a scale not seen in Europe since the turbulent days of World War II. The graft, money laundering, and granting of political favors for which these men were convicted extended into the upper reaches of the government as well, so the scandal served a concomitant salutary purpose of finally laying bare that nation's long-established practice of state-sponsored corruption."Comedy of Power" is famed director Claude Chabrol's very fictionalized take on the ELF scandal. Yet, while most of the names and many of the details have been changed or even fabricated for the movie, the themes and concerns are obviously very much in keeping with the spirit of the actual event. The always mesmerizing Isabelle Huppert plays a no-nonsense judge who is unrelenting in her pursuit of corporate corruption, obsessed with bringing the culprits - no matter their position or standing in the community - to justice. Refusing to buckle under to pressure from (equally corrupt) higher-ups who believe she is going too far in her investigations, Judge Jeanne Charmant-Killman zeroes in on her "victims," refusing to let go until she gets what she wants. Chabrol and Huppert together create a woman of conviction and strength who, nevertheless, knows her limitations and can even acknowledge what a strain her single-minded determination is placing on her personal life and marriage (whether or not she chooses to do anything about it is another matter).It's true that "Comedy of Power" feels a little underdeveloped at times, and the somewhat inconclusive and lackadaisical ending may well leave some in the audience feeling dissatisfied and cheated. For while there is a certain bravery in not succumbing to the need for a pat resolution, the movie leaves us wanting to know more about how everything turns out in the end. Yet, despite this drawback, this is an interesting, and, at times, even gripping little drama that gives us a chance to watch a beautiful, dynamic actress in action. It is Huppert's multi-layered portrayal of a moral crusader who is also very much a flawed and vulnerable human being that rivets our attention and helps us wade through all the arcane trivia of the corporate-world plotting. Chabrol keeps the film moving at an expeditious pace, with a tasty mixture of both humor and suspense thrown in for good measure. But it is in the confrontation scenes between Huppert and her various high profile targets that the film truly engages our attention.In addition to Huppert, Chabrol has elicited uniformly sharp performances from Francois Berleand, Patrick Bruel, Marilyne Canto, Robin Renucci and Thomas Chabrol (the son of Chabrol and the great actress Stephane Audran). As an ensemble, these gifted performers bring the larger issues into focus while keeping us thoroughly engrossed and entertained at the same time.

Andres Zambrano One of the main problems in "The Comedy of Power" is that, ironically, there is no comedy. If obvious little puns and predictable little jokes are comedy, then I am way out of it. This film, now playing at the IFC center, is Claude Chabrol in rotten 'fois-gras' and Isabelle Huppert in a rotten package of canned meat,and yes, it really is that disappointing. The film follows a chronicle that we all have heard of before, except this time, Chabrol thinks he can make magic out of Huppert. The story line, best as follows, is about a lazy french judge (A rotten Isabelle Huppert) who tries to bring down the corruption of a very powerful company. This one's a long, slow ride down an all too familiar road. One of the films main problems is the talkative dialogue; even though it's French, there are so many useless scenes of non stop talking, that you can go to sleep, wake up, and you would have missed nothing. While some of the scenes are easy to go along with, most of the film is pure familiarity. For Claude Chabrol and Isabelle Huppert, however, this probably could be named the funnest movie ever made in between them. But, unfortunately, the viewer is the one that suffers for their fun.

horacioreyes It is a good directed and impeccable acted.What I like the must is that it is an out of the box film.I always enjoy a french spoked film.However unfortunately my ignorance in the "Elf Affair" didn't allow me to fully enjoyed it.In certain parts I lost the track of the happenings.This a film where dialogs are above action or everything else.Location is in Paris which is always a plus.In any case I consider a good alternative option.Ultimately I enjoyed it.