Boobirt Stylish but barely mediocre overall

ScoobyMint Disappointment for a huge fan!

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Mandeep Tyson The acting in this movie is really good.

jbacks3 Henry Hathaway starts this seldom-seen WW2 drama off with some of the most effectively brutal executions seen in a wartime movie. Then there's the scene where hero George Montgomery and Victor McLaglen crawl through a ditch of dead Chinese. As if 1942 audiences didn't hate the Japanese enough in the year since Pearl Harbor... The problem with China Girl is the Ben Hecht (I can't believe it's possible to complain about Hecht) script (based on an idea prodded out of the prolific ghost-pen of Darryl F. Zanuck). Montgomery plays a faux-Clark Gable-ish newsreel cameraman suspected of being a spy, who in the midst of his escape snatches some intelligence seemingly vital to the Japanese. Now unfortunately, you can forget all that. It becomes a love story as Montgomery woos exotic (but not very Chinese looking) Gene Tierney. Except that McLaglen and his confederate moll (Lynn Bari, who also has the hots for George) have their own agenda. Except you can forget all about that too. The plot goes nowhere and serves as an excuse to show further Japanese atrocities against Chinese children. No spoilers here... it's just that the movie feels pointless plot-wise. Tierney was the hottest actress at 20th Century Fox from '41-44... her acting ability was respectably serviceable (best when playing a cold bitch from hell) but few ever melted a camera the way she did. I was astonished how Montgomery moved around on credit--- I think he still owed stereotypical-yet-now un-P.C. Bobby Blake at least $450 (in reality the kid probably would have cut him). The best part of China Girl is the set design, the worst part is how it manipulates the audience. Where'd the plot go?

wc1996 I'm a big fan of George Montgomery films--and he looks rugged & handsome, as always, in this one. Both Gene Tierney & Lynn Bari fall in love with him and, frankly, who can blame them. He plays an American newsreel cameraman in Burma & China just prior to the Japanese attack on Pearl Harbor. After escaping from a Japanese prison, he goes to Mandalay where he meets & falls in love with Gene Tierney. He has a booklet containing some vital military info--so there are spy's on his trail. George Montgomery had a long Hollywood career & he was always interesting to watch (and,frankly, I see little comparison between him & Mr. Gable

pzanardo Probably "China Girl" is a movie for cinephiles (I'm not one of them, though). Hathaway is a high-level film-maker, McLaglen, Montgomery, Lynn Bari, Ruman are gifted and nice actors. The black-and-white photography is beautiful: the scenes inside the colonial hotel are indeed very evocative. Even the plot is better than one may expect and presents a noble finale. At any rate, it is so pleasant to see a film with no beastly violence and trash talk which are routine in current movies. Of course, for us happy people Gene Tierney's fans, the main recommendation for "China Girl" is the presence of our Goddess of Love and Beauty. Beyond her incomparable beauty and loveliness, Gene shows her usual (underrated) talent as an actress: with her sad dreaming eyes, her rare sweet smiles, her refusal to give way to love, even her bravery in sharing her unhappy people's sufferences, she instills in the audience the foreboding of her bitter fate.

rfkeser Elaborate WW2 adventure follows a newsreel photographer's intrigues and romance in China and Burma. Although Ben Hecht's screenplay is lively with macho action and jingo dialogue, the women stand out: Gene Tierney looks ravishing , while Lynn Bari steals all her scenes by underplaying with a haunting edge. Much less successful is hero George Montgomery who apparently took Clark Gable lessons, projecting all the brashness but none of the humor. Victor McLaglen gives stolid support and Robert Blake is fine as an Indian child. The real attraction here is the production: exquisite Oriental decor, imaginative lighting, and some spectacular mayhem.