Cheap
Cheap
NR | 01 June 2005 (USA)
Cheap Trailers

Driven mad by his failure to sell a profitable film to the porn industry, a director decides to create authentic snuff films with the assistance of two teenage runaways and a perverted cameraman. When the films bring in a profit through an amateur internet production company, they begin to see the film industry for what it is: a world of backstabbing and double-crosses. The twisted filmmakers then extract their own form of graphic revenge on the people who made them successful.

Reviews
Phonearl Good start, but then it gets ruined
ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.
Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Sienna-Rose Mclaughlin The movie really just wants to entertain people.
TheExpatriate700 Cheap is a good low budget exploitation film focusing on snuff movies and the people who make them. Brought to us by Brad Jones, the man behind The Cinema Snob, it does a lot with what is obviously very little resources, becoming an effective entry in the film noir genre.Cheap follows the exploits of a washed up porn director who decides to revitalize his career by directing a series of underground snuff movies. He distributes his movies through the offices of a sleazy porn producer, who is unaware of the true nature of the films. When the producer takes liberties with one of the director's stars, all hell breaks loose.The film succeeds on a number of levels. It combines a reasonably good plot with decent acting and surprisingly good special effects given the shoestring budget. Brad Jones gives his character the charisma he brings to The Cinema Snob, while the other actors do well with their roles. Furthermore, although there is not much gore in the film, the gore that is there is effective. One scene in particular will have even serious gorehounds' stomachs turning.The main flaw is that the pacing, particularly in the film's first half, is rather slow. Too much time is spent establishing the sleaziness of the porn producer. (Isn't calling a porn producer sleazy basically redundant?) Still, the film becomes much more interesting in the second half, establishing a great film noir atmosphere.
Ken Hoover The camera-work in scenes like the at the beginning when the opening credits role is quite good and effective and let's you know exactly what it is your getting into, a really messed up movie. There are also many parts when the characters in the movie are filming something and the way the camera is angled and positioned keeps it from looking obviously fake, even though it clearly is especially in one film in particular that they make. Acting in a Brad Jones movie usually isn't the best in the world and most of the actors in this one in particular don't really seem like there giving it all they got, but with the exception of David Gobble as Max Force and Nick Foster as Manny who both give these characters a lot more personality and likability than two people as terrible as them actually need. Everyone else is either just okay or just totally let down by the movie's biggest weakness, the script.It seems as though Brad Jones is trying to be like other talented writers in a way, Tarantino especially. The dialog instead of sounding like actual dialog sounds more like the kind that you would hear from someone who you can tell is a big movie buff and is trying to make his movie's script sound more fictitious and original, when really you can tell that he is just trying a little too hard. It's hard to explain and other people who have seen it probably don't feel the same way, but for me personally it was very distracting and just got me thinking about other movies with dialog similar to this one.A pretty decent film overall that has it's highs and lows much like most movies out there. It's worth a watch, I've seen it twice already and I may need to see it again because every time a watch it I feel differently about it.
Stephen White (lordclaymore) Cheap is a film about an amateur porn director who decides that there is no more innovation in the world of erotic film. He has a stroke of inspiration--actual snuff films. The dialogue in this movie is spot on, but the acting is hit and miss. There are good actors, and there are bad actors in this movie. The picture quality is poor, but I think that lends to the charm and is thematically appropriate. The audio is a bit quiet and a little crackly and fuzzy. This again, is appropriate to the sleazy cheap film theme. It is explicit and sleazy and showcases the dark side of humanity unlike any pulp novel you may have read. It disturbed me a time or two and that is saying something. Likable characters are few, but that is of a necessity. We're not dealing with a mainstream film here.Overall, I was entertained throughout. I didn't get bored. I don't exactly like the movie though. I do not mean to say it is without merit, but it is not my kind of story. Were I the target audience, I would rate it higher. This is a movie by Brad Jones, a proclaimed lover of exploitation films, and it is made for fans of exploitation films. As it is, I'll break it down.Cinematography and camera work is solid. It does precisely what is needed. 3/5.Dialogue and writing is good. The characters behave in a believable fashion, and talk like real people talk. The dialogue is engaging, even though the characters are rarely likable. 4/5.The soundtrack is a very nice touch. The music is bubblegum 50s pop rock and it creates such a contrast to the story as to be downright jarring, yet at the same time it makes sense. People are achieving their dreams and you feel their excitement. 3.5/5.Overall, I give Cheap a solid 3/5. I recommend it, even if you only watch it once. Shadowdancer out!The World of Madness is gaining new residents daily.
mutiplepurpose It's rare to find a true work of art in the horror genre; typically the films in this category are all about content and not really about polish, deep feasible plots, and presentation but rather focus more on how they can just "shock" you and illicit reactions of of the audience.Brad Jones' film CHEAP is tastefully distasteful. It not only has substance and gets its point across, but it also keeps your attention, and can make you feel things for characters that you don't wish to have empathy for; not an easy task. In addition it still provides all the moral shredding that a horror movie can dish out without simply presenting a total "gross out gore fest" If wanton slaughter could be done tastefully, then this film is as close to that as you can get. Not to mention that for a film including the porn industry as part of its content and even having a scene of sexual content, there is no flagrant or needless nudity. This movie is about the story line and believe me it truly delivers. 10/10.