Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Hayleigh Joseph This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Wyatt There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

kz917-1 Doris Day and Gordon MacRae star in this film about a soldier coming back from war and the impending nuptials soon to follow. The nuptials get put on hold and from there the calamities begin. Everyone buts their noses into everyone else's business, wrongly assumes things and then spreads the falsehoods to more town folk. At some point this became an increasing annoying plot point. The music does save it, but the viewer will most likely get frustrated at some point.

dougdoepke If Day and McRae don't make the perfect G-rated all-American couple, I don't know who does. It's a generally delightful 100-minutes, though I could have used more of their glowing close ups—they do light up the screen. Musical highlights include the classic title tune and "Ain't We Got Fun"; plus, the just for fun "King Chanticleer" with its clever staging and the delightful "Be My Little Honey Bee". Of course there has to be a story line to hang the musical hats on. Here it's a love note that's mistakenly attributed to Day's father that undermines family solidarity. It's a little heavier than I like, but guess what happens by the end. Anyway, pesky little Billy Gray gets a lot of screen time along with his pet turkey. However, TV's "Father Knows Best" will soon civilize him and maybe his squawky turkey too. But pity poor Russell Arms as the inept extra man. But not to worry, he'll get a good singing role on TV's popular "Your Hit Parade". Then furnishing some bite amidst the happy people is wisecracking Mary Wickes as the cook. She also gets to break the proverbial "fourth wall" by speaking directly to viewers in a movie prologue.Anyway, even playing a tomboy Day has never been sunnier, whether fixing stubborn car engines or waltzing across a ballroom. Nor has small town America and its communal events appeared more ideal. In short, it's Technicolor 1950's America in fine musical form.

Paul Terry I saw this again recently on British TV. It's a great film, with plenty of nostalgia, nice period atmosphere, and the lovely Doris Day. One slight oddity, though: her boy-friend returns from World War 1 in time for Thanksgiving (23rd November?), and says the Germans surrendered the day his unit got to Paris (11th November), so he must have got on a boat back to the States & been demobilised pretty quick to be home in less than 2 weeks (unless it took a year for that to happen!). Nonetheless, I recommend this very much to anyone interested in the Golden Age of American film musicals, the decade from 1945 to 1955, and the wonderful stars who beguiled us with their gentle escapism.

zapkvrsc For about the millionth time and it's right up there with The Sound of Music. I love Doris and I love Gordon. There is such a chemistry between them that shines through on the screen it is remarkable. I really can't decide which is the better of the two, By the light of the silvery moon or On moonlight bay. Sheer brilliance.