WasAnnon Slow pace in the most part of the movie.

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Joanna Mccarty Amazing worth wacthing. So good. Biased but well made with many good points.

Richard Chatten Although it's based on a 1906 Broadway hit, by far the most substantial aspects of this film are the big screen trappings lavished upon it, including vivid location photography of Harvard itself and energetic and dramatic sporting footage of the real Harvard-Yale final. Titular 'hero' Bill Haines seems to be devoting hardly any time to his studies, life for him instead being one long round of hedonistic self-gratification. Mary Brian is required to do little but look cute, and Haines' courting of her (which characteristically takes no account of the fact that she's already spoken for) seems to motivated more because she's the ONLY girl around rather than because he discerns any particular individual qualities in her.

zardoz-13 The chief significance of "Red Headed Woman" director Jack Conway's sports saga "Brown of Harvard" now is the uncredited appearance of John Wayne as one of the Yale football players. You'll have to search very hard to spot the Duke, because he is terribly difficult to distinguish from the remainder of the team. Otherwise, this 85-minute opus qualifies as an entertaining, sometimes unpredictable, chronicle of a college student's life during his freshman and sophomore years. Tom Brown (William Haines of "Navy Blues") doesn't treat either life or college as seriously as his closest friend Jim Doolittle (Jack Pickford of "Burglar by Proxy") does. Not only does this prove to be Jim's misfortune, but also Tom's fortune. Fitting into Harvard College comes with trials and tribulations for our easygoing protagonist who quickly makes enemies of another student, Bob MacAndrew (Francis X. Bushman, Jr. of "Never Too Late"), as well as Bob's girlfriend Mary Abbott (Mary Brian of "College Rhythm"), the pretty daughter of a Harvard professor. Tom competes with Bob in virtually everything, including Mary, and Mary seems to find Tom annoying despite the time that she spends with it. Tom has other enemies, too. One of the worst is Hal Walters (Guinn 'Big Boy' Williams of "Santa Fe Trail") because he blocks Tom's entry into the Harvard Honor Society. Tom pursues Mary, but she rebuffs him, primarily because he behaves in such an obnoxious manner. Meantime, the rivalry between Tom and Bob escalates as Bob is chosen over Tom to row for the Harvard regatta team. Miraculously, Bob injures his hand, and Tom is tapped to replace him. Unfortunately, Tom learns too late about this sudden change of plans, and he is too "stewed" to handle his share of work. Consequently, Harvard loses to Yale in the regatta race. During his sophomore year, Tom tries out for the Harvard varsity football team, where he encounters Bob again. During the big game between Harvard and Yale, Tom's parents (David Torrence and Mary Alden) show up to root for their son. After enduring loud shouts about their son's 'quitter's' attitude, the parents reconcile with the other fan after Tom proves himself on the football field and Harvard manages an eleventh-hour victory out of the game. Moreover, although Tom got Harvard into scoring position, he changes his mind about carrying the pigskin into the end zone because he suspects that Yale will follow his moves too closely. Instead, Tom suggests that Hal hand the ball over to Bob, and Bob rushes into the end zone with little difficulty. Throughout the ball game, Tom has been anxious about the status of his Jim because his friend braved inclement weather conditions to notify him about his status with the football team. Incredibly, Jim dies and Jim's death finally convinces Mary that Tom is a decent, caring human being and she falls in love with him. At fade-out, not only are Tom's parents appreciative of his efforts, but also he has won over both Bob and Hal. This silent movie is an above-average movie, primarily for its sudden twists and turns and the changes that occur in Tom's character. Nevertheless, I had a tough time trying to spot the Duke.

broadway_melody_girl as to why this film has such a high rating on the IMDb. Sure, it's okay but it's not all as great as it's cracked up to be. At it's very best, BROWN OF HARVARD is a 7. It's about a college freshman, Tom Brown (William Haines) and his life Harvard. The movie was dragging a bit for a while, but it really picked up in the last 40-30 minutes. Jack Pickford was pretty good as William's nerdy best friend/sidekick, considering he was supposed to be a real ladies' man/ ne'er do well in real life. Mary Brian was fine as the girl Haines falls for. I think the script of Brown of Harvard could've been more interesting. The characters do not do much. William tries out for sports and hits on girls. Jack just good-naturedly listens to anything Haines has to say. Mary Brian stands around for most of the film smiling and occasionally looks slightly indignant. She hardly gets angry when William drops all her groceries on purpose, and doesn't even pay for replacements. If some fresh guy wrecked my groceries that I paid for and didn't even pay for them after he wrecked them I would be very angry, no matter how smooth and handsome he (thinks) he is. And for a while, William Haines' character seemed a bit annoying to me, and came across as a little too self-confident to me. But after a while you can see that the overflowing self-confidence is just something his character uses to hide his weaknesses. Haines was very good. If you are a William Haines fan then Brown of Harvard is really worth seeing. If you are looking for a worthwhile silent college flick I say skip this one for now and watch THE PLASTIC AGE (1924).

ereilly I found it difficult to watch this film with a critical eye, as I have limited experience with the silents. However, it was interesting to think that I was watching the heart throbs of the time, in one of the most popular movies of the time. The story of the relationship between Brown and his bookish roommate was, uh, interesting, but overall the story seemed so unrealistic (a partying slacker who happens to be accomplished at all sports, mysterious and unnamed life-threatening illnesses) that I wondered how such a storyline was accepted in 1926, or anytime. Tips from anyone who knows how to appreciate or analyze a silent despite the hamminess would be appreciated.