Tockinit not horrible nor great

SteinMo What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

JLRVancouver Admittedly, the list of blaxploitation westerns is not long, but 'Boss N-word' is actually a pretty good low-budget anti-hero western in its own right. The film is kind of a blend of Shaft and any of the numerous spaghetti westerns that came out after Leone's successes. The look is typical '70s western (including women's hairstyles that appeared a century out of date), the music urban bad-ass, and the dialogue an amusing mix of tough-guy menace and ironic wisecracking (frequently including the N-word - a hypothetical remake in the 80s would have probably starred Eddie Murphy as the deputy). Times have certainly changed: the actual title of the film was not used on TCM (where I watched it), despite the offensive second word (prohibited from this review), being featured prominently in the opening credits, the theme song, and the script.

Wizard-8 I had wanted to see this movie for a long time, but I could never find it in any video rental stores. The reason for that probably is the provocative title. I finally got a copy of it for a Christmas present and I sat down to enjoy it. I found some things about the movie enjoyable. As others have said here, the title song is very memorable, though the funk music score elsewhere in the movie is equally enjoyable despite not being western-flavor. Also, Williamson's performance here is great. He makes for a charismatic (and amusing) hero that you hope will succeed, and his abusing of the racist town citizens is good for some laughs.In fact, Williamson's performance comes close to saving the movie - but the movie ultimately disappoints. It's a low-budget movie, with frequent camera set-ups that were obviously set up quickly. As Williamson's sidekick, D'Urville Martin is mostly wasted. In fact, it wouldn't take very much rewriting to remove his character from the script. Speaking of the script, it is filled with scenes that seem to fill no purpose, and partly because of that the movie is VERY slow-moving at times. If all this fat were cut out, the movie would be much, much shorter-running.If you decide to watch this movie, a warning about the DVD. Although it's presented at its correct aspect ration (2.35:1), the print looks very crummy, and the audio is weak as well.

Michael_Elliott Boss Ni*ger (1975) *** 1/2 (out of 4) Boss (Fred Williamson) and Amos (D'Urville Martin) are bounty hunters who travel to a small town being ran by a corrupt Mayor. Boss is waiting on a bad guy to show up and in the mean time decides to make himself Sheriff, which doesn't sit well with the racist white locals but they're going to learn that there's one way to do things and that's up to the Boss. In case you didn't read the title, this here is blaxploitation 101 and without question the best I've seen from the genre. Director Arnold is best known for CREATURE FROM THE BLACK LAGOON but he handles this material perfectly and not only delivers the perfect blaxploitation movies but also a pretty good Western. What works best here is Williamson's screenplay, which clearly shows that he knows how to write dialogue but it also shows he's just as brave as the characters he plays because there are all sorts of rules broken here and this helps keep the viewer on high alert because you never know what's going to happen. Every racist remake ever made towards a black person are present here and played for laughs in how over the top they are but they then lead to some hard hitting action as Williamson really does lay down the Hammer. The racial slurs are downright hilarious especially one scene where a dumb redneck tells Williamson to "shine his shoes" and the Hammer goes up to him acting like a shoe shiner. The way Williamson plays this and eventually pays it off is just downright brilliant and is clearly a highlight of the genre. Some get shot while others are forced to keep handing money over in fines but the Hammer deals with them all. What I respect most about the film and its screenplay is that Williamson isn't afraid to not play by the rules and the reason I say this is because certain people are killed throughout and these are the type of people that never get killed in films like this. The action scenes are great as are the stunts and Arnold knows how to use the slow motion oh so well. In some ways this film spoofs BLAZING SADDLES, which is pretty funny considering that film was a spoof to begin with. The sensitive should probably stay clear but if you want brave and fun film-making than this here is the top of the blaxploitation genre.

zombizombizombi I love it I saw the trailer on a DVD I have 42 street forever and had to get this its a great blaxploitation/exploitation movie the DVD sucks and hopefully someday someone will put out a proper DVD.The story is about two black bounty hunters that take over a whit town with out a sheriff .The white folks are not happy Fred Williamson's character as the boss rocks he is so the boss ni**ger I will not spoil this do find it and yes like I said the DVD is not good the transfer is just OK bad color not framed correctly its put in full frame and is taken from a VHS master and put on DVD I will say this tho with the bad transfer it does give you that grind house feel my score a 8 its funny as hell!!!!!!!!!