Blow Dry
Blow Dry
R | 07 March 2001 (USA)
Blow Dry Trailers

The annual British Hairdressing Championship comes to Keighley, a town where Phil and son Brian run a barbershop and Phil's ex-wife Shelly and her lover Sandra run a beauty salon.

Reviews
Incannerax What a waste of my time!!!
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
SnoopyStyle The annual British Hairdressing Championship comes to the town of Keighley. Phil (Alan Rickman) and her son Brian (Josh Hartnett) run a barbershop. His ex-wife Shelly (Natasha Richardson) and her lesbian partner Sandra (Rachel Griffiths) run a beauty salon. Defending champion Raymond Robertson (Bill Nighy) dissuades Phil from competing. Brian is taken with Raymond's daughter Christina (Rachael Leigh Cook) and joins Shelly who secretly has terminal cancer. This is a British satire. Everybody is playing it up as wacky hairdressing. There are some great Brits but Rachael Leigh Cook and Josh Hartnett stick out as sore thumbs. They are obviously trying to get some buzz going with a couple of hot young Americans. The problem is that I just can't get over these two youngsters trying for a British accent. Sadly, it's unnecessarily distracting. Whereas the story itself is amusing at times. I didn't have any big laughs. It's more cute than funny.
manjodude Well, during the opening rolls of this movie, I wondered where would it go as it's mainly about hairdressing! But it took me by surprise. There are couple of fun moments however overall, the movie is kinda dry! I mean this movie could have gone below average if not for the presence of Alan Rickman and Bill Nighy(liked watching him in the Underworld movies). Just their acting lifts the movie from doldrums. Because, otherwise, I felt many of the scenes were handled too simple or plain. Nothing really engaging or memorable to hold your mind. And there was really no need for stars like Josh Hartnett or Rachael Leigh Cook. You could have put some newcomers in their place & the movie would have still run just fine. Talking about the hairdressing scenes if I must, they were handled quite well.Verdict: If you're a hairdresser(sorry I don't know what else to say), you may like this. Or else, just forget it.
steds Fairly average film. Fairly humorous but apart from that there was nothing else really going for it. The film doesn't really have much to keep you interested and it had the feel that I'd seen it a score or more time before. I'm sure there are films out there with the exact same plot but are about dancing or summat like. What really got my goat, though, was the worst Yorkshire accents I have ever heard in my life. Rickman didn't even bother to try and sound northern, whilst at times I thought Hartnett was trying to sound more like he was from Ireland, Italy or Kentucky than Keighley - sometimes all three at the same time!All in all, forgettable film, unforgettably dreadful accents. I wouldn't watch it again, but if I were, it would only be to stare wistfully at Rachael Leigh Cook.
gpadillo Despite a lot of Big Hair, this is not a big movie. Nonetheless, it is an enjoyable romp, with some affecting performances. There is nothing revelatory or even unpredictable about the story, but it works nicely and certainly entertains. The film does have a few rich moments, but seems mostly a vehicle for a group of talented actors (and it is a highly pedigreed bunch here) to take decent material and put out a fun and sometimes very moving film.While it may drag a little in the center, don't give up watching for the finale and Rachel Griffiths "total look" finish that is about as outrageous and breathtaking a "total look" as one can possibly imagine. The normally brilliant Alan Rickman here sometimes feels just a little bit on autopilot, American Josh Hartnett is vastly underused, but surprisingly effective in an important role and Natasha Richardson, as ever, positively glows on the screen and raises the emotional and dramatic stakes to a level that makes the whole affair worthwhile.Not great? Perhaps, but an immensely enjoyable little movie.