Stometer Save your money for something good and enjoyable

Btexxamar I like Black Panther, but I didn't like this movie.

Intcatinfo A Masterpiece!

Aspen Orson There is definitely an excellent idea hidden in the background of the film. Unfortunately, it's difficult to find it.

GL84 Wrongly convicted of a murder, a Victorian-era doctor finds himself in a prison overrun by a fanatical tyrant conducting strange blood experiments and once he finds the true cause if his stay tries to stop it from happening.This was a heavily flawed and really damaging effort. The most detrimental and wholly useless factor to this one is the fact that we're barely exposed to anything that can be considered pertinent to a vampire story. Beyond a fine and atmospheric opening of a staking ceremony being carried out, this one has virtually nothing to do with a vampire as this is more of a mad doctor imprisoning rather than anything supernatural. There's no aversion to crosses, Holy Water or sunlight, sleeping in coffins or even bearing their fangs at all, as all the participants here are human which makes this one tough to get into. This makes the beginning, where we're introduced to the prison's inmates and the different experiments being conducted take on a different air of boredom and extreme dragging of the pacing without having a deadly threat emerge from the story. This is also brought along by the rather lacking amount of action where hardly anything happens here, and that's there's only two real action scenes with the opening staking and a rather enjoyable escape attempt thwarted by ravenous guard-dogs. With the period time- span is where a lot of what to like about it comes, as being placed during that part allows for the old-school Gothic atmosphere to come creeping into the film from the central asylum. It's an old-fashioned, imposing type, where the place airs a really great atmosphere and really makes it seem that it's a hopeless, dreary location. The place is dirty and disgusting in it's holding cells while it's at least cleaner in the medical research facilities. This is what is precisely needed of the place, since there's always a need for a place like that to be a fearful location. Still, it's quite a downfall since it's really boring, and coupled with the switch around doesn't leave itself too impressive overall.Today's Rating-PG-13: Violence.

tedg We each have the experiences that brought us to the way we dream, and the forms we use in wrangling the world. My cinematic maturity is pretty traceable because the films and the watching were so self-ware.Going back before well-formed notions of self, this was one film experience that changed me. Or rather I should say that the first two minutes changed me. It was my first movie alone, and my first non-cartoon movie. Sent on a mission to get bread, this ten year old sneaked into a matinée with the 15 cents left over. Sitting virtually alone I knew that what I was doing would be costly, and that I would be crossing a boundary with my life never fully retrieved. This movie starts with some text that tells us about the curse of the vampire being the greatest evil ever visited on the earth and that we are entering Transylvania during what I assumed was its riskiest, spookiest time. The only way to kill a vampire, we are told, is by a stake through the heart. We are in an unkempt graveyard, Leni Riefenstahl's mountains in the background. If a church bell tolls it doesn't matter because I heard it. Tones are muted, the distance is far. We know it is the deepest part of night.Townsfolk carry a wrapped corpse on a stretcher, careful about their delicate business in managing the evil undead. They tip the corpse into the shallow grave, the only real space, and the covering comes off the body's face. We see not the artificial snarling teeth that we expect, but a regular bank president sort of guy.The camera now looks up from the grave at two hired executioners. One has a stake five feet long, the other a wooden mallet with a head as big as his, something I suppose actually existed. But it is huge and the wide lens makes it very much larger as we hear the crunch of the stake through flesh and see and hear the pounding just as if it were our heart. The camera then shows the stake, the palette effectively shifting from black and white to color.A quick title and then we see a hunchback skulking behind a rock. His right eye (the wrong color) drooping two inches too low. Even a ten year old cinematic virgin could see at once that the action we have witnessed we have seen through his eye and that of the corpse. I was out of that air conditioned theater like my life depended on it. The bread did not survive.Now, after more than 50 years I can sit through the entire film. The first sequence is still masterful I think. But the rest of the thing must have been created by another team. Boring. It has dogs, which together with the opening must have been all Sangster had in mind when he started.Funny how you build a life.Ted's Evaluation -- 2 of 3: Has some interesting elements.

Dave Hutchens I couldn't agree more with the positive comments on this much-overlooked Hammer-styled gem. The 2006 Dark Sky DVD double-feature (with "The Hellfire Club") is a *must-have* for any fan of the early Hammer films. A delightful drive-in double-feature program design, including concessions ads, trailers and even an intermission, really adds to the enjoyment of the these two classic films. The transfer on both is quite respectable, certainly much superior to anything previously available, and is in anamorphic widescreen. Kudos to Dark Sky for their outstanding work on this and many other rare genre classics!

BaronBl00d Blood of the Vampire is one of those films that suggests it is more than it is. There is no vampire in the film, and there were only two references to vampires at all in the entire film. The film is a story of a doctor who tries revolutionary surgery on a dying patient only to end up as a visitor(prisoner) at a remote castle-prison run by a wicked scientist-warden and some of the most depraved prison guards around. The warden is played by none other than heavy Sir Donald Wolfit in full regalia as a thick slice of ham. Wolfit is a pleasure to watch as he barks out orders and sadistic lines to his lazy-eyed hunchback assistant and other minions about the prison. It seems he needs a scientist to help him with a blood disease he has. Victor Ball does a credible job as the good-natured prisoner. Lovely Barbara Shelley plays his love-interest. Miss Shelley looks simply wonderful. I was fortunate to meet Miss Shelley recently, and she told me that the film The Dresser was based on the life of Sir Donald Wolfit. It isn't hard to believe after watching this film. The man has an enormous presence about him. He really blows into existence what little life this film has. The film has a Hammer look to it, although not nearly as well-made. The budget for this film was apparently limited. The gothic look is, however, pretty genuine. I particularly liked the castle used. The pace of the film would be viewed by many as plodding. I rather enjoyed it...campness and all. A good old-fashioned horror tale!