Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Grimossfer Clever and entertaining enough to recommend even to members of the 1%

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Sanjeev Waters A movie that not only functions as a solid scarefest but a razor-sharp satire.

Tss5078 This is not an original story, it seems that in recent years we have been flooded with stories that are very similar to this. It was very well done though, with an all-star cast, and a few twists in the story. Black Irish is another story about an Irish family living in Boston. Dad's an alcoholic, Mom is as strict as they come, the older brother is into crime, the older sister is facing a life changing decision, and Cole McKay (Michael Angarano) is stuck in the middle. The story chronicles a year in the life of the McKay family and features many changes that oddly happen all at once. The story wasn't anything special, but it was done in a way that wasn't as predictable as some of the other Boston family films, none of the characters are cops, and there is even some humor thrown in here and there. Being a lifelong baseball fan, that angle of Cole's life was the one I really related to and it helped the film to stand out even a little more. Oscar winner, Melissa Leo, does an amazing job and really puts the emotions into context. Everyone in the McKay family is a tough guy, they don't feel anything, and while she appears to be the strictest one of all, she's the one who really expresses the emotions that everyone must have felt. Angarano wasn't bad either, but I've seen him in things before and as usual, he lacks any kind of expression, he just always seems to go with the flow and do an adequate job, but nothing else. The big surprise of this film was seeing Tom Guiry, A.K.A. Smalls from the Sandlot as a tough, Boston-area, criminal. Seeing the sweet, innocent, kid I grew up know as Scotty Smalls, turn into a fowl mouthed, tough ass, drug dealer was pretty funny. Overall, Black Irish isn't a bad film, it's entertaining and it's unpredictable. There are a lot of different angles and the film moves quickly through the story, but the performances were a mixed bag, and a lot of aspects seemed to mirror similar films. If you don't watch a lot of movies, you'll love this film, but if you're a fanatic and you watch this, you'll probably be able to easily list a dozen films that are very similar.

jdeureka What makes "Black Irish" specially valuable is the quality of the protagonist, Cole McKay. He embodies a wonderfully believable, realistic, and valuable example of virtue. Popular psychomythology tells us that all teenagers are a mess; as even Anna Freud claimed: "to be normal during the adolescent period is by itself abnormal". The wholly credible figure of Cole McKay put the lie to this claim. He's a person with solid common sense who respects his family and community, who knows the difference between right and wrong -- and is willing to back up his knowledge up with hard, mature decisions. Studies show that 80% of American adolescents experience "generally positive moods and harmonious relations with their parents and peers" (see: D. Offer et alii, "Adolescent and Family Health" 2003). That's fact. That's Cole McKay who's factually & intelligently willing to fight for and to try to keep constructing this harmony with tough love for his messed-up, bad-seed brother, respect for his ambiguous mother, insightful care for his kind sister and, specially, for his wounded, Vietnam-veteran dad. Who's almost lost the best things he's ever achieved in his life. But not his son. Who binds the family with a love that releases, harmonizes, and illuminates those nearest and dearest to him. The poetry of baseball is the key to Cole's strength. Why? The game's coherence anchors his moral values; as Bill Veek once said: "Baseball is an island of surety in a changing world." And, for Cole, it provides that energy of decency which love of the game can still provide.

jmurraymeriden I'd heard about this movie in an interview Emily Van Camp did at the time she joined the show Sons And Daughters,so when I saw it at my local Hollywood Video store on sale used for $5.99,I decided to pick it up,and boy,am I glad I did! This is a powerful and moving film about the disintegration of an Irish-American family in South Boston.First time director Brad Gann also wrote the screenplay and did a remarkable job.The performances by the actors playing the family are excellent to a one.Brendan Gleeson is magnificent as the Vietnam vet father,whose loss of work and descent into alcohol-fueled despair make him a shadow of the man who was.Melissa Leo as the Irish born mother(her brogue is perfect)clinging to faith and tradition shines.Emily Van Camp is great as the pregnant daughter who decides to go it alone.Tom Guiry shows both love and menace as the thuggish older brother.Michael Angarano,as the center of the film,younger son Cole who has baseball dreams is a revelation.10/10

larry-411 I attended the World Premiere of "Black Irish" at the Hamptons International Film Festival. Initially, the blurb in the program guide suggested a fairly formulaic coming-of-age drama. But looks can be deceiving, and the synopsis just barely scratches the surface of what is, in reality, one of the most complex, rich, and heartwarming stories I've seen in quite some time. Remember those drawings in art class? The ones where the page is covered with black crayon and as you scrape off the outer layer you find multicolored wonders underneath? That's the most apt description that can be applied to "Black Irish." Because, as you'll discover, nothing is at it seems. And that is the singular achievement of Brad Gann, directing from his own script, with an ensemble cast that lends such passion to the material that I left the theater shaking my head in awe.Webster's defines "hero" as, "one that shows great courage, an object of extreme admiration and devotion." It's hard to grow up without one, especially as a teenager in hardscrabble South Boston. Often the father possesses the traits a boy needs to survive those difficult years and prepare for the world he's about to enter. An older brother will usually suffice in cases where Dad is absent or unable or unwilling to fit the bill. Many coming-of-age stories place a teacher or clergyman in this position. But someone always appears, the boy grows up, he moves on, and they all live happily ever after. But what if all fail or don't show up to the table? "Black Irish" poses that question, and more. So much more.Meet the McKays. Brendan Gleeson is Desmond, the father who doesn't quite qualify as hero due to years of heavy drinking and wallowing in self-pity, a legend in his own mind but not to his family. Tom Guiry is Terry, the older brother who's headed down a path of violence and self-destruction not unlike his father, giving up the hero role in the process. Sister Kathleen (Emily Van Camp), pregnant, wants little to do with the chaos around her. Amidst all this, Melissa Leo is Margaret, the mother who tries to hold it all together at the risk of losing her own somewhat sane self along the way. And our protagonist, 16 year-old Cole, is stunningly portrayed by Michael Angarano, as the boy who yearns for that moral compass that he needs to help guide the way into adulthood."Black Irish" takes us along on young Cole's search, and as we emotionally invest ourselves in his quest, we are at turns confused and occasionally amused, as is he, but mostly we hurt. To say that we feel his pain does not do justice to a story that is, at its heart, real life. And this is the true surprise of this film. These characters are far from one dimensional, the reality far from the clichéd impression even the paragraph above might suggest. There were audible gasps at the numerous twists and turns that Gann has infused into this shockingly brilliant script, no less than 12 years in the making and 30 rewrites along the way, as he indicated in the Q&A following the screening. And just when you think you know these people, just as you relax when the film seems to enter territory in which we feel comfortable, something happens. We discover that those we thought were cold and distant have a heart, a vulnerability and tenderness conveyed by Gleeson and Guiry that left me dumbfounded. Those we thought were soft and sweet, innocent and vulnerable, have a soft, fuzzy animal inside ready to turn vicious when backed into a corner, as Leo, VanCamp, and Angarano all exhibit along the way.In the Q&A, Gann mentioned VanCamp's long-running portrayal of Amy on TV's "Everwood" as the inspiration for her being cast in this role. Fans will not be disappointed, and those unfamiliar with this actor's ability to bring nuance to what could otherwise be a stock performance will be wowed. Guiry lends the film some of the most heart wrenching surprises, as his ability to turn moods on a dime is unparalleled. Leo carves out new territory, again, in a role that could have been tired and worn in the hands of a lesser actor. She truly shines. And Gleeson does a star turn in a magnificent performance that, and I rarely use this term, is Oscar-worthy. Finally, Angarano is perfectly cast in the role of the quintessential underdog, in what I believe is the performance of his career. No young actor today has the ability to say so much with his eyes and facial expressions, and as the boy who becomes father to the man he sets a new standard for others who follow to live up to."Black Irish" carves a new benchmark in the coming-of-age genre. Because it is so much more than that. The audience cheered at the end of the screening here. It was a response I've not heard at any of the 70+ films I've seen at 7 festivals this year. It is deserving of your time, and will truly touch your heart as it did mine.