Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Wyatt There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

ozged It is an okay film if you don't have great expectation.It shows a good portrait of the dull lower "class" Turkish people's life;their naive yet unreachable dreams,their hopes,their struggles,their obstacles.When they were supposed to go to college,two main characters were working for financial support.They desire the things that is normal for their peers.They feel trapped but they have no where to go,no money on top of those their families' expectations and society's prejudices have weigh on them much more and their struggle to escape in any way crashes into wall.But i didn't like the second half,unlike first half this part wasn't very well developed ,there were things i couldn't understand.End was okay but process could be better.Film made me think but when movie ended,first thing crossed my mind was it could have been better.

avzwam Araf begins with a shot of a giant pot on a train of what looks like sand tip over at a sluggish pace. At one point it becomes clear that it only seemed sand on the surface. In fact it is burning hot, orange glowing, molten metal that pours out of the pot.This pre title shot is a great idea for a beginning. One that is promising. It's like it tells you something about what you are about to see. But what I saw in the movie was only so interesting. The pot metaphor deserved a better movie.You get a peek into the lives of these characters but we don't see anything that is particularly surprising. For instance who doesn't know that a lot of people are longing for things out of their reach? Or that there is domestic violence? Or that there are unhappy marriages? What's the point of showing all these things?The miscarriage is a false note to me. It doesn't fit with the rest of the film because of the way the scene is filmed namely too shocking and uncomfortable. And the marriage in jail seems too much of a "fairytale" ending to me. I think it should have ended less brightly.But although it is far from a complete success as far as the script is concerned and I question the point of showing a lot of what the film shows, I do feel that it's a movie which has its heart in the right place and which a lot of the time does what it sets out to do rather well.

l_rawjalaurence Set in the small town of Karabuk, midway between Istanbul and Ankara, ARAF (Limbo) explores the empty lives of two young people, both of whom work in a roadside restaurant. Olgun (Baris Hacihan) has a drunken father and a mother who becomes so frustrated that she eventually abandons the family; he loves Zehra (Neslihan Atagul) but cannot find words to express his feelings. The teenage Zehra is looking for a way out of her monotonous life; she believes she has found it when she has an affair with trucker Mahur (Ozcan Deniz), but this soon fizzles out, leaving her pregnant and alone. Too scared to tell her family about what has happened, she has the stillborn baby in the bathroom at the local clinic. Once Olgun finds out about what has happened to Zehra, he embarks on an orgy of violence that lands him in jail. Yesim Ustaoglu's film is similar in terms of subject-matter to Pelin Esmer's recent GOZETLEME KULESI (The Watchtower); both explore the lives of young women growing up in rural societies, with little prospect for their futures other than marriage. Too frightened to confess their real feelings in front of their (traditional) families, they are left isolated and doomed to suffer. Rather disappointingly, however, Ustaoglu does not explore her characters in any great depth; while she incorporates several lingering close-ups of Zehra and Olgun in profile, she does not tell us much about their relationship to those closest to them. While understanding the frequent silences - as the characters cannot find words to communicate with one another - the narrative tends to sag in places. At just over two hours, ARAF is perhaps half an hour too long; the story would have been equally effective if it had been recounted more concisely.

Avery Hudson "Every moment that we haven't seen, heard, touched or smelled before will start to reverberate in us in a very different way and take another form once we experience it. In Araf, I tried to touch upon those fleeting moments and feelings that can occur." – Yeşim UstaoğluIn a disintegrating town midway between Istanbul and Ankara, two teenagers search for something better. A girl (in a luminous performance by Neslihan Atagül) starts to pursue the desire awakening in her body while the boy-next-door hopes that a TV show will change his life.Molten slag breaks forth. A windshield wiper does not stop rain. And nothing can be the same.