Comwayon A Disappointing Continuation

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Billie Morin This movie feels like it was made purely to piss off people who want good shows

Casey Duggan It’s sentimental, ridiculously long and only occasionally funny

Shakkhar What do you expect out of an escape plot? That it should be convincing. This is not achieved by getting a guy to say that no system is full-proof. Contrast this film with something like 'The shawshank redemption'. With minimal physical action, the latter convinces us that it is actually possible to escape from shawshank. Nowhere in the film I felt like the hero has really outperformed the authority.The plot seemed to be confused at best. This is an escape plot shot like a rescue film. It wastes too much time trying to answer "why" and in the end fails there too. The narrative pace never fully takes off and just when I thought its pacing up, the film ended abruptly. What I want to see in a rescue film is "how", where the film falls flat on its face.Very little effort has been made to explain why would the guy want to break her out of prison, what convinces him that she is innocent? I know that she's his wife, but she's not our wife - and in the end what matters is why WE want to see her out of prison. Do we sympathize with the victim? I couldn't. She is probably going nuts in her cell, but we never get to see what she is actually going through inside the prison. Being gorgeous is not enough to relate with the audience.I gave it four points for the craftsmanship behind the film - good cinematography and great editing. I hear Hollywood is getting it's own version of the film. I believe that film will benefit from cranking up the action slightly and tension a lot.

robert-temple-1 This is a badly conceived thriller. We have a situation where a man's wife is suddenly arrested and sent to prison for murder. There are enough subtle clues in the film for us to be certain of her innocence. Indeed, the murder was really committed by another woman whom we actually glimpse. Creepily, this same woman sits beside the wife in the park and they chat. But this film lets us down. Surely everyone who writes thrillers knows that people want to know whodunit. In this film, the question of what really happened is ignored, and the entire story is based upon the husband (Vincent Lindon)'s efforts to bust his wife out of jail. Really, that is not the way thrillers are supposed to work. Fred Cavayé wrote and directed this film and we should take him over our knee and give him a good spanking. It may be very watchable, but he shattered the canon of the thriller by allowing a mystery to go unsolved. You can't do that and get away with it!

davideo-2 STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning Julien (Vincent Lindon) is a french bloke who's about to settle down to have a nice meal with his wife Lisa (Diane Kruger) and son, when the police raid his apartment and arrest Lisa on suspicion of murdering her boss. She's innocent, but too much plausible evidence is stacked against her and she looks set to spend a long time in jail for a crime she didn't commit. With everything going wrong, Julien mounts a plan to spring her from the nick and is driven to desperate lengths to see his plan through.This small, independent film first took me by surprise during the opening credits which had french writing all over them. I had been looking forward to seeing Mesrine which is one of the more well known french films to have come out lately, but this looked like a normal American sort of lesser known film, but then I see it's all in french?!? Anyway, that shouldn't be a major problem and it isn't- and this is a decent thriller with quite a high concept idea behind the storyline which is driven with some solid drama and thrilling gusto. It's a bit too unremarkable to have much of an effect beyond that, but it's nice to know our continental neighbours can carry off their own legs. ***

nhenryv This is a terrific film ,and does exactly what cinema should do - it makes you think, and is very entertaining. You can't just slump in front of a film like this, shovelling popcorn down your front. You have to join in. What would YOU do if someone you loved so passionately was wronged by the law? This takes it to the full extent; taking the law into your own hands - its spaghetti era Eastwood - type storytelling, told with passion, humour and guile. Cinematically, its great - how come the French so seldom make bad looking films? The acting is fantastic, with both leads acquitting themselves with great style. Like most good thriller films, it goes close to stretching credibility at times, but never veers into the ridiculous or implausible. Also weaved into the film is a vein of good fortune which drives the story along and seems in the end to be their just dessert. One small criticism; it seemed set up for a sequel - surely film makers of such taste would not lead down that road? No sequel thanks -it stands as a great piece of work as it is.Leave well alone.