An Occasional Hell
An Occasional Hell
R | 31 October 1996 (USA)
An Occasional Hell Trailers

A former policeman-turned college professor of forensics, is asked by a widow to solve the murder of her unfaithful husband and the disappearance of his mistress who may have been linked to some drug dealers.

Reviews
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.
Skyler Great movie. Not sure what people expected but I found it highly entertaining.
Janis One of the most extraordinary films you will see this year. Take that as you want.
NateWatchesCoolMovies An Occasional Hell is one of countless cable TV crime melodramas that start to blur together if you've seen enough. They don't often have high budgets, and as such usually only contain a few elements: a handful of actors, a murder mystery, deception, eroticism and very little in the way of fancy special effects. This one has a solid lead in Tom Berenger, who can make anything watchable, and great supporting players who pitch in as well. The story, or lack thereof, is where the problem arises. Berenger plays an ex cop and forensics wizard turned college professor, who is hired by sultry widow Valeria Golino (remember her from Hot Shots? Lol) to solve the murder of her husband and his hot young mistress (Kari Wuhrer), who has vanished. It turns out the mistress may have been involved with drug runners (random) the state troopers get involved and it's all one big mess that neither Berenger nor the plot can seem to figure out. There's a cynical lead Trooper played by a snarky, laid back Robert Davi, and other assorted people including Richard Edson, Ellen Greene, Geoffrey Lewis and a kooky Stephen Lang, who shows up in flashbacks as Golino's eccentric civil war enthusiast husband. None of it makes all that much sense or seems to flow in a way that's believable, but Berenger makes it somewhat worthwhile, as do that other players. Just below average stuff.
Lisa M BUT - I wanted to thank John Gartner of Portland for his hilarious (and sometimes educational) comments! I'm not sure which Berenger film I saw first, but he has warmed the cockles of my heart (to be genteel) from the first. In this flick, the shot where he reveals to his lover the dirty little secret underneath his shirt was worth the whole movie! - See, we gals can salivate over just a hint of the rest of what's there - or maybe it's just me, I'm an easy mark for a certain type of... ahem... torso, shall I say? But I'll never understand why guys are even attracted to that Daisy Mae-type critter - so obvious, so over-the-top; and here, she was really, really annoying, and just wouldn't go away! I, for one liked Berenger's deceptively easy-going southern man characterization. It doesn't have to be revolutionary if it works. As for his crying scene, I didn't think it was bad at all, as it was sudden and unexpected. To me, it was his lover's reaction that came across as forced and unconvincing.What I like about this actor is that he often plays roles as what I consider a real man - he's a man's man, yet fully capable (sooner or later, often gradually) of connecting with a woman in a palpably tender way. If you think about it, there aren't many actors who can achieve this. They're either too intense at being tough to switch gears believably, or they're too obsessed with being proper at all times...sorta like a lot of actual people...So, I guess I'll not heartily defend the script or the plot, etc., but I will vouch for Tom Berenger. In my book, he reliably adds quality to any film.
bribabylk ... and that's about the main thing going for it, and even he has a flat butt. Seriously, the whole thing about the murder weapon being a Civil War era musket has been done to death on the mediocre detective shows filling space on the TV schedules today; and it's pretty obvious who the killer is within the first 20 minutes. The performances aren't bad; in fact they're too good for the B-grade material. Hope everyone was well paid. You should really only see the movie if you have to watch EVERYTHING with Tom Berenger, or Steven Lang, or Kari Wurher, or Valerie Golina, etc. Ellen Green from "Little Shop of Horrors" makes a very brief appearance, and it was nice to see her again - she doesn't really get the film / TV work she deserves; kind of like Celeste Holme's career, which should have been bigger than it was. I saw this on cable; maybe the DVD has some extra features that make it more worth the while.
Bjorn (ODDBear) Tom Berenger portrays a college professor who returns to his former line of duty as a detective when Valeria Golino hires him to investigate her husband's death. Berenger's character suffers from old wounds which inhibit his abilities and also induce some weird hallucinations. So so mystery-thriller benefits heavily from Tom Berenger's outstanding performance as the tragic lead character. Too bad the script and bland direction couldn't do better, this is standard mediocre fare all the way. Robert Davi does a good supporting job, as does Valeria Golino. They all deserve better.