All Things Must Pass
All Things Must Pass
NR | 16 October 2015 (USA)
All Things Must Pass Trailers

The explosive trajectory and tragic demise of iconic music retailer Tower Records, and the legacy of its rebellious founder Russ Solomon. Two hundred stores in thirty countries on five continents. In 1999 it made $1 billion. In 2006 it filed for bankruptcy. What went wrong?

Reviews
EssenceStory Well Deserved Praise
Joanna Mccarty Amazing worth wacthing. So good. Biased but well made with many good points.
Mischa Redfern I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
Leoni Haney Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.
bonsai-superstar Unlikeable men fall into a CANNOT LOSE business (baby boomer, rock buying generation) and milk the customer dry for decades. Despite making millions, and eventually billions, this is not enough for these offensive parasites. These supposed "businessmen" (actually simple-minded drunkards and coke heads), fail to see digital coming and greedily refuse to offer their goods at reasonable prices. Now that these people are exposed for the lowlife scum that they are, they can only weep at the loss of their jobs (and at the loss of a fellow drunk, a gentleman who hilariously, literally wears a lampshade on his head. What a cutup! This, and the David Crosby / walrus-mustachioed Cletus are these people's idea of interesting people. Despite each working for decades, adding up to centuries worth of experience, in a music-related field, it is notable that music - remember music? - is never a discussion point for these selfish greed heads, only the good times they enjoyed and the incredible profit they were making, both at the customer's expense. Tower Records was a good store in spite of these people. Everyone loves music, all you needed to do was sell it to them at a reasonable price. See the Beatles' Apple Records for a similar example of what happens when you put burnt-out hippies in charge of your business. It's a shame alright, shameful actions.
mikekozel 1. Entertaining, as it seems we do everything either for our entertainment or we do something to get something we can trade for entertainment, Like money or free time. 2. Informative, so we can come away thinking about something. 3. Well crafted, so the flow is not broken by subtext's material that may apply to a character, but not relevant to the subject.This documentary is very entertaining, and is a wonderful window into history, albeit a small one. It is human, and very honest. During the time of Tower, the world had space for crazy, human, amazing stuff. The documentary illustrates this very well. Right time, right place, right guy, right idea. It was about freedom then, doing your own thing, being and loving what you do, and the film displays this very well. RUSS SOLOMAN VS. STEVE JOBS...now there is food for thought, although the food might come in a paper sack. We want entertainment, and we are getting it in spades. Was tower depicted as a phenomenon of the times it flourished? Sure, and what evolved from that, and all those young people who had the power of Tower? Whoops.
clarkj-565-161336 They call it luck, but it takes a particular type of wisdom to be at the right place at the right time. Russ Solomon had this in spades, when he branched out from his entrepreneurial father to expand into records. This movie is a blueprint of how to start a great business. First of all, have the vision. Secondly, get great people, give them freedom and back them up. Sounds simple, but very few businesses actually do this. In the movie, various key employees are interviewed and they all basically tell the same story. That is that they were given a chance to prove themselves and they rose to the challenge. Russ also realized that he could tap into the collective wisdom of all his employees and this he also did, especially with advertising and the Tower Records publication Pulse! It is refreshing to see the 60s again, the hope and the freedom. Russ also realized that he was not a financial type, so he hired an excellent money manager in Bud Martin. The demise of tower records was quite sad, but technology replaces one thing with another, so it was a tremendous ride.
David Ferguson Greetings again from the darkness. I do not envy those experiencing their childhood in this modern era. Sure, they have far superior electronics and hundreds more TV channels, but they also have very little independence (most can't even walk alone to a friend's house or a park) and they likely will never experience the pure joy of perusing the stacks at Tower Records (or any other record store) for hours … experiencing the thrill of discovering a new artist or style of music that rips into their soul. OK, I admittedly suffer from a touch of "old man" syndrome, but filmmaker Colin Hanks (yes, the actor and son of Tom) has delivered both a cozy trip down memory lane and a stark accounting of good times and bad at Tower Records.With humble beginnings as little more than a lark, Tower Records began when Russ Solomon's dad decided to sell used 45 rpm singles in his cramped Sacramento drug store. He bought the singles for 3 cents and sold them for 10 cents. Within a few years, Russ purchased the record business from his dad, and proceeded to run it as only a rebellious kid from the 1960's could. From 1960 through 2000, the business grew each year. It expanded the number of stores (peaking at 192 worldwide) and constantly adjusted to the musical tastes and the delivery method – 45's, LP's, cassettes, CD's, etc.Using some terrific photographs and video clips, accompanied by spot on music selections, director Hanks brilliantly and generously allows the actual players to tell the story. The expected celebrity drops are present, and even the words of David Geffen, Dave Grohl, Bruce Springsteen and Sir Elton John carry emotion. However, far and away the most impact comes from extended interviews with the unconventional and charismatic Tower Records founder Russ Solomon and his devoted and forthright employee team. Their sincere recollections provide the roadmap through the phenomenal growth, as well as the devastating end in 2006. We understand how these stores became so much more than retail outlets … they were cultural hotspots for at least two generations. We also learn some things we probably shouldn't … like the definition of "hand truck fuel", and the reason Russ installed hot lighting in the listening booths.Mr. Hanks surprises with his ability to balance nostalgia and the harsh realities of the downfall of an iconic cultural business. The film captures the key role Tower Records, while also pointing out that the crash was due to more than just Napster and digital music delivery. An interesting case study for business majors highlights the importance of vision vs debt. For more insight from Colin Hanks, check out the interview from film critic Chase Whale: http://www.hammertonail.com/"No Music. No Life". The motto of Tower Records was somehow inspirational, and fit perfectly for stores that featured mammoth album artwork on their store fronts, their own "Pulse" magazine, and staff that couldn't fathom life without music … much less wearing a suit and tie to work. This was truly "a chain of independent stores", and trust me when I tell you that hanging out at Tower Records was more fun than having hundreds of cable channels.