GamerTab That was an excellent one.

ReaderKenka Let's be realistic.

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Sabah Hensley This is a dark and sometimes deeply uncomfortable drama

petroxar A film not so well known to the greek audience for reasons i cant explain.

Martin Bradley Ellie Lambetti's performance in "A Girl in Black" is one of the greatest performances by an actress in all of cinema and yet hardly anyone has seen it. Michael Cacoyannis made this film for virtually nothing on the Greek island of Hydra after achieving international success with "Stella". It's a beautiful looking film, (the great Walter Lassally was the photographer), and the simple island setting suited the simplicity of the style perfectly. Early in the film one of the character says that everything is exposed by the light, even men's sins and that is the theme of the film.When two strangers arrive on the island their presence arouses passions among the locals that were always there but kept simmering just below the surface. Eleni Zafiriou is the widow who bestows her favours a little too freely, (the islanders are a very unforgiving lot), Lambetti is the daughter tainted by her sins, Anestis Vlachos is the son who is shamed by her, the better-known Greek actor Georges Foundas, (he was in "Never on Sunday"), is the fisherman who wants Lambetti and Dimitri Horn, the man from Athens, who gets her. It's a contemporary Greek tragedy on a small, but no less terrible, scale and it's heartbreaking. In America the film won the Golden Globe but it is seldom revived. See it at all costs.

zetes Cacoyannis, best know for directing the film Zorba the Greek (aka Alexis Zorbas) in 1964, explored some of its themes in this 1956 film, which stars Ellie Lambeti. She plays a young woman who is constantly harassed by the young bachelors who live on the island of Hydra because she refuses to marry any of them. When a worldly Athenian comes by and rents a room in her home, the rumors begin to fly. In The Girl in Black and A Matter of Dignity (and even Zorba the Greek), Cacoyannis demonstrates a perfect and natural ability to explore moral issues within the culture, as well as create believable and moving tragedy. The earlier films came straight from his imagination (Zorba was adapted from a novel), and they are the works of a great screenwriter, one of the best of the era. Cacoyannis' direction in these two films is also flawless. He did really well in Zorba, too. One wonders why his abilities aren't more highly considered. I would guess it is because these early films are fairly obscure nowadays. I guess he's an artist who deserves to be rediscovered.

tedg Spoilers herein.A small drama, lots of contrasts. Cruel jokes, innocent deaths. Greek: a language designed for three people to speak over each other: the story told by the filmmaker of the writer; the implied story told by the writer, and the stories confabulated by the villagers and imposed on their peers. These three struggle for control over what is real, at least what we see as real. In the end, the differences are not clear -- who do we carry in our boat?Clue: the last scene is remarkably similar in staging to that of the later "Swept Away."Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.