2:13
2:13
NR | 25 April 2009 (USA)
2:13 Trailers

A police profiler has just returned from psychiatric leave only to find that he is caught up in a serial killer's rampage. Fighting to keep buried the trauma of his childhood, he must confront the all too-familiar flesh masks that the killer leaves on the faces of his victims. He must face his own demons along with the killer to save his small eroding existence.

Reviews
AniInterview Sorry, this movie sucks
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
GothDaddyX OK. Let me makes this plain and simple. I am not going to tell you who is the killer. You will probably, as I did, think you know because it seems rather obvious, but the plot-hole (big enough to drive a VW thru) comes down to age difference. Our protagonist is clearly Older than the Killer (a check with the cast index on IMDb has the protagonist- killer age difference as 10 years and it shows). Yet, when the protagonist was just 10, and they emphasize this again & again, they have the killer already an adult in their 20's. I have to surmise that they(the screenwriters) are basing the ages on the year the movie was released - 2009. Then they have very important plot issues happen in the late 60's. If the killer was an adult in the late 60's...say 20 for example, the killer would be right around 60 in 2009, and this is not the case at all. Sad, sad, sad, another movie gone bad. I really wanted to like this film. All the characters did a fine job with their roles, and it was taut and suspenseful. And as the Title of this review states...A Good Thriller, if you don't use too much logic.
Scott LeBrun Unless you're game for checking out anything you see in a store, or on TV, "2:13" is not really worth your time. It's really nothing we haven't seen many times before, in similarly themed "psychological thrillers". Leading actor / screenwriter Mark Thompson (better known as a radio personality) plays profiler Russell Spivey, with two predominant, oh so familiar characteristics: he's full of inner demons, and has turned to alcohol as a result. While he gets caught up in a serial murder case, in which the murderer has a personal connection to him, he makes frequent visits to a psychiatrist played by Kevin Pollak. Oh, and he just happens to have been romantically involved with one of his colleagues, played by the sexy Teri Polo of the "Meet the Parents" franchise. This is one of those scripts where one would swear the screenwriter was going down a list of popular clichés and ticking them off as he utilized them. Thompson does make some attempt at originality by using the Shakespeare comedy "As You Like It" (!) as a plot element, as well as some attempt at profundity, but it just doesn't come off. Oppressive atmosphere, and recurring use of disturbing / gory imagery can only help so much. The main cast features a number of familiar faces, who each bring some credibility to the production, and take their roles seriously, not that they can do much to raise it above an average level. Jere Burns ('Dear John', 'Something So Right') plays one of Thompson's colleagues (and, in fact, worked with Thompson and Pollak in a previous movie, "Mother Ghost"), Lyman Ward ("Ferris Bueller's Day Off") is the police captain, Ken Howard ('Dynasty', 'The Colbys', 'Crossing Jordan') is a sheriff, country music star & actor Dwight Yoakam is the character Sandy, and Mark Pellegrino ('Lost', "Capote") is a distraught husband. What "2:13" really can't overcome are the holes in Thompson's screenplay, chief among them the revelation of who the killer is; there are ways this could have been solved but as it is the whole thing is bungled. Too bad; this could have been at least somewhat better. Five out of 10.
Paul Andrews 2:13 is set in Los Angeles where alcoholic criminal profiler Russell Spivey (writer & producer Mark Thompson) has just returned to work after enforced leave for psychological reasons, on his first day back Spivey is called to a crime scene where a woman named Diane Stringer has been found murdered. Strapped to the ceiling of her bedroom, wearing a handmade mask & missing an arm the murder is similar to one just over a year previously & Spivey believes that a serial killer is on the loose. LAPD Captain Meyers (Lyman Ward) forms a task-force & Spivey is on it, Spivey examines the clues & cryptic messages the killer has left trying to reveal his identity. Soon the killer contacts Spivey & starts to target him & the people around him as the case turns personal, battling his drinking problem & feelings of guilt the killer strikes again. The killer is smart but Spivey has to be smarter or it's his life on the line...Apparently also known as Blood Redemption & Two: Thirteen this average serial killer thriller was produced & directed by Charles Adelman & is described in the IMDb's FAQ as Se7en (1995) meets Saw (2004) but is not as good as either of those, this is pretty standard fare to be honest. The script is full of clichés, the criminal profiler with personal issues & the killer that starts to target his profiler are the two that stand out though. For a largely character driven film 2:13 is lacking in depth, while Spivey is fleshed out quite broadly none of the other character's even register & merely make the numbers up from his personality free partner to his one dimensional therapist to his boring love interest who he rows with a lot. This is a really dull bunch of character's in a film which tends to focus heavily on Spivey & his personal problems rather than the murder mystery aspect, the problem is Spivey is unlikable & shallow & I found it impossible to care about him or anything that happens to him. The killer & their motives stretch credibility as far it goes, I just don't buy any of the coincidence's & reasons behind any of it & the murder plot is nowhere near as involving as similarly themed films such as Se7en & The Silence of the Lambs (1991). Sometimes a lack of logic doesn't help either, I mean how on Earth could the killer know that the poison that they gave Amanda a day or so earlier would take effect & kill her at exactly 2:13 more than twenty four hours later? Wouldn't the police have checked the backgrounds of any murder victim & soon find out that they all worked at the same hospital at the same time? I suspect all the loose ends, all the flashbacks, all the little details & events were meant to come together & form a cohesive & surprising twist ending but I found it pretty predictable, unsatisfying & dull.2:13 has a fairly slick look about it, the camera-work is hand-held but not too shaky & the editing is alright. 2:13 doesn't have a particularly strong look or feel about it though. There's a bit of minor gore, a woman has a large needle stuck through her breast, there are a couple of severed arms, a bit of blood splatter, a few stabbings & someone has a shard of broken glass inserted into their head.With a supposed budget of about $3,500,000 this had a decent amount spent on it compared to some low budget films, shot in Los Angeles. The acting is alright, I can't say I was amazed but most of the cast put in solid performances I suppose.2:13 is a pretty average serial killer thriller, it's nowhere near as clever as it thinks & one or two big lapses in logic & a lack of depth hurt it. Worth watching if you can see it on telly for free & there's nothing else on.
zt2112 To begin this film has exceeded my expectations by a landslide.I thought going in i would be watching a movie that i have seen a 100 times before with a different name.I am a sucker for the Horror,Thriller genre.I feel this to be more of a mystery thriller.That said the acting was great,well paced,edge of your seat(my kind of movie)in your face.The director did a fine job.I was especially impressed with the twist,mainly because i didn't see it coming.I usually can put my finger on the who dun it but i was really thrown for a loop here.I gotta say i thought it was going a different direction,and i love the fact that i was way wrong(that is so cool).So to sum it up if you want to see a great who dun it in your face mystery thriller (with a bit of horror thrown in)then i highly recommend giving 2:13 a look,you will not be disappointed.I am anxious to read your reviews.Enjoy.