Hellen I like the storyline of this show,it attract me so much

Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Vernal Gal I use to watch the Today show every morning rain or shine.. When it came to the presidential elections all they did is talk crap about about Trump. I was looking for some positive things to hear about him, but all there was bad things said. They did not say anything about Hillary Clinton's email scandal. She looked like a saint when it came to Donald Trump. They are still at it to this day. They have lost me and a lot of people that use to like this show. My god look at the reviews. I was a Democratic but this election has turned me Republican now. I know the news media is in the back of the Democrats pockets. Shame on you Today show, and all you negative news media channels.. I will stick with FOX news for now on. I give the Today show -0 .

chrlnmrry I actually love the Today show...but I hardly ever watch it since they are constantly rushing through segments..its uncomfortable to watch Natalie and Matt along with the others rush through each story or segment..I feel yucky watching it and i know the guests do too...I would much prefer to have less stories or highlights rather than everyone feeling stressed and rushing..the Today show staff look like they aren't listening and are merely trying to get through their bit as quick ad possible..its awkward for all and I think i speak for everyone when I say.. its embarrassing for the guests and the hosts..I cringe whenever i see it happen which is often..please stop that..

rasherer I'm not sure where you got your data about cast members, but someone needs to check it with NBC. Dave Garroway, the original host of Today, appeared on at least 2000 episodes during the first nine years of the run -- 5 days a week for at least 48 weeks a year for nine years -- but you credited him with 3 episodes. Jack Lesculie was an everyday regular on the show for at least 3 years in the beginning. To credit these men with fewer appearances than J. Fred Muggs, a chimpanzee who appeared on the show during that era, is an insult to their memory -- particularly since Muggs was biting them all the time! In those days, the program was live, so the human performers had to be careful how they reacted. Seriously, this was one of the most important programs in the early days of television, thanks largely to the work of Garroway, Pat Weaver and newscaster Frank Blair. It trained people to get up in the mornings and turn on their sets -- a habit we've continued to practice for more than half a century!

John Fernandez (kennelman) As you can imagine my opportunities for watching are limited to my all too infrequent trips to the US. But I did for one hectic week actually help produce this show, albeit in a very minor capacity. Apart from Wimbledon coverage for HBO this was my first real experience working for American TV, and it was quite an eye opener. In July 1989 the French 'celebrated' their bicentennial of their revolution, and while pretty much every British broadcaster ignored it, the 'Yanks' came over in force.Presumably the language barrier was thought to be too great for the French to overcome and so NBC hired a British truck, (bizarrely, staffed by Swedish technicians) and hired British operators and engineers of whom I was one. The shoot was on the banks of the Seine, opposite Notre Dame. Just a few yards down from us were ABC with their Good Morning America show, similarly equipped, and fortunately quite friendly as we had to borrow some lighting equipment from them! This was the swansong of Jane Pauley who turned out to be a real lady. Sadly she was about to be stiffed by NBC she was soon to be replaced by a younger, blonder presenter (who guested during the week with us) Shame, as Pauley was a hit with the audience, us, and the many, many, passers by who she treated with respect and courtesy. Bryant Gumbel in contrast, hid what charm he had under a steely, cold exterior, and left me at least in no doubt who was in charge of that particular production.We also had the pleasure of the company of Willard Scott, who turned out to be a laugh a minute and defused many a tense situation with his easy going humour. Scott has even less hair than I and confused the hell out of me when I saw him later on that year in the studio, with apparently flowing locks. It was only after watching for a few days I realised that he was expected to wear a hairpiece in the studio, but excused the wig, in the blustery conditions of outside work! The real star for me was the director. He's not credited here, but is elsewhere on the IMDb, but forgive me for not naming him. Those in the business will have heard of the $500K+ a year he was making then, and know who I mean. In contrast to the almost fawningly polite style of British Television (I still remember being told on my BBC induction course in the 1970's that we were expected to hold open the doors as we walked around Television Centre, for other members of staff) Americans were direct, and utterly ruthless. One mistake and you were bawled out, two and you were cut, no argument. Remarkable then that I survived the full week although I did learn one or two new swear words. Credit though, when the show was over he walked to every person on that crew and thanked them by name - something a few British directors could learn. I still have a tape we recorded of the show with the his tailback on an extra audio track - and it still makes me blush! The British claim to have invented TV, and well we might, but the Americans have largely perfected it - and they're at their best in this genre of live News and Features. The slick one-two presenter style with throws to specialist sports/weather/news headlines presenters is now adopted by all of our domestic channels, and we know what imitation is