Thehibikiew Not even bad in a good way

Comwayon A Disappointing Continuation

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

BrentCarleton This under-appreciated British anthology series, is, as many other posters have noted, a highly effective, beautifully produced and flashily photographed supernatural program of the first water.Produced by Hammer in association with Twentieth Century Fox, it features a bevy of well known American names in addition to solid British supporting characters.Though the series is not confined to London in setting, the overall look and feel of the program is very much Carnaby Street mod. Thus, we see a profusion of strobe lit discotheques, and mini-skirted Judy Geeson type girls, (though Miss Geeson herself doesn't appear).The real distinguishing characteristic of the show, however, is in the extremely daring, provocative story lines, with dialog and situations that amaze, given that these were shot prior to 1970, (some programs do exceed the boundaries of propriety--were the censors off duty?).Notwithstanding, these shows not only chill they often disturb--such as the Robert Reed program, the finale of which is genuinely unsettling, not to mention the terrifying, "Matakitas is Coming," in which Vera Miles is trapped in the public library with the ghost of a homicidal maniac.These are definitely not for the children! Performances are also of the first rank, and we would single out Mr. David Hedison who delivers a very layered and complex performance in the episode concerning a disastrous, (literally) sense of premonition. Episodes featuring Carol Lynley as a department store mannequin, Chad Everett as a house party guest, and Patty Duke as a nervous breakdown patient also merit honorable mention.The opening sequence in a deserted amusement park beautifully conveys the dislocated mood the series seeks to convey. Seek this one out!

armani2010 This series barely lasted one season, yet I still remember several episodes after nearly 40 years. It was intelligent, thought provoking and yes...a bit on the creepy side. The episode with Stefanie Powers is still my favorite of the series. It was well written and a bit on the sappy love story side, but again it lingers in my memory. Like the Twilight Zone, this series took ordinary people and put them in extraordinary situations. Also, like the Twilight Zone, The opening theme is very catchy and I still can "hum" it after all of these years.I hope it is available on DVD someday, as I would like to add it to my collection.

kuanyin The dark, empty amusement park. The roller coaster. The music. Chills up and down my spine! I honestly can't remember an episode (though seeing it over might jog my mind) but the intro to this tv program has NEVER left my mind. Given the number of episodes, this one seems perfect for release on dvd. I would LOVE to see that! If there is anyone I can email or anyway to generally support that happening, let me know.

mikec32001 This series has 3 very important things going for it:1. It has 17 episodes. "So what" I here you cry. Well, 17 must be magic numeral because The Prisoner is the only other classic 60s show to have that number of episodes and just like McGoohan's masterpiece, once bitten you'll not escape the charms of "Journey to the Unknown". These are 17 slices of classic telly folks...2. IT HAS THE BEST TITLE SEQUENCE IN THE HISTORY OF TELEVISION. PERIOD.3 "The New People" episode is the "Rosemary's Baby" of TV (only much better) It is, along with The Prisoner's "Girl Who Was Death", the single best televisual segment of the 1960s. You probably don't believe me. Seek it out, prepare to be amazed...It may have sprung from the Hammer horror stable, but this feels more like The (original)"Outer Limits" meets "UFO" meets, well, "The Prisoner"!. There's no silly costumes and Kensington gore here- this stunning batch of mystery thrillers, ghost stories and frighteners was a U.S. co-production produced by Hitchcock's close associate Joan Harrison (who produced Alfred Hitchcock Presents). Consequently, and uniquely, this TV production is of a markedly higher cinematic quality than any of the big screen outings Hammer produced. Indeed, many episodes were cut together for cinema distribution in the early 70s with linking narration from the likes of Joan Crawford and...Patrick McGoohan (umm..). Oh sure, the reliance on obligatory American guest stars in the (very) British settings is somewhat quaint, and the acting is often, ahem, variable. But the sheer force of imagination on display here commands your attention. A rare treat indeed.