Solidrariol Am I Missing Something?

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.

paul2001sw-1 Stephen Polliakoff's films are always interesting, even when they're not actually very good, because Polliakoff himself is interested in things that few other contemporary writers and directors are: time (he likes to tell his stories slowly) and space (they unwind in beautiful and unusual places). Unfortuantly, the specific content is often less interesting than the way that he explores it: the world he paints is aesthetically delightful, but sometimes doesn't resemble the real world very closely; 'Friends and Crocodiles', for example, is not his only film about a rich man surrounding himself with eccentric friends, in a way that seems more necessary for the purpose of the drama, than it does plausible. And this particular film is also let down by some clunky expositional dialogue (for example, when the heroine gets a new job, someone feels the need to explain that her new firm is "one of the country's largest companies"), a paper-thin satire of modern business practices, and the lack of chemistry between her character and her millionaire patron. Alan Rickman, who played a similar millionaire in his earlier film "Close My Eyes", had the charisma to pull the role off; Damian Lewis, by contrast, is flat in this movie. One weakness of both stories in the Polliakoff's tendency to centre his dramas on false (or at least, irrelevant) dichotomies, particularly that between new technology and aristocratic artifacts; but both his worlds are unreal, gorgeous and belong to the moneyed elite; I find it hard to draw any meaningful lessons from their pseudo-conflict. I suppose you don't watch Polliakoff for pure social realism, rather for the imagery as striking as shafts of light. But light has to illuminate something: in this film, it's not that clear what that something is supposed to be.

sirfire Finally a movie that doesn't spell it out in plane words so the intelligent can watch without feeling that the director was being condescending, while it has it flaws it leaves you coming to your own conclusions and that seems to be the problem with other reviews. I can honestly say due to meeting highly intelligent people that they can be self destructive to a point where they are about to touch infinite success only to destroy it with their own hands. This to me was the point of the whole story and while some of the business processes are clearly flawed if you can get over the details you can see how the story makes its point. The acting was good (especially Damian Lewis and Jodhi May) however a lot more could have been done to expand the characters around them so that the story was smoother or more understanding, the problem is that the movie would be too long and if it made you feel uncomfortable it wouldn't have made a difference. I guess you need to have experienced something similar to relate to this story perhaps just friends who you meet every now and then.The Metaphor of the crocodile was obvious to some but clearly missed by many to explain the story and i guess I'm happy that this is the case ;) Worth watching sure it has flaws and if you want a thinking movie that explores the eighties and nineties and have a friend who is on the road to self destruction you will perhaps even understand it.

kayleeser Being one of Thatcher's children myself, whose working life began with the start of her premiership, I found this a fascinatingly photogenic look at this era. I don't remember the time as quite so pretty, but I do remember the disparity between the rich and the poor, which I think is part of the intention here. I enjoyed the acting, but at the beginning found Paul too annoying and unsympathetic as a character, but I warmed to him by the end, especially as Damian Lewis portrays his hippy phase beautifully. Jodhi May was also excellent. I recognised the big company ethos; consultants, dot-com boom, out with the old and thought that was very legitimate- think Marconi, fellow Brits- living down the road from its Head Office I did rather cringe as the big beast was destroyed. All in all I feel this was a rewarding piece to watch and definitely worthy of further study, so have bought the DVD!

conniea1-1 I enjoyed Friends and Crocodiles and strongly suggest viewing it more than once. More nuances are then perceptible which fleshes out the story line that otherwise is convoluted and can be confusing. Both Paul and Lizzie demonstrate an extreme level of self control, although each of a different nature and each exhibited in vastly different ways. Lewis and May are exceptionally well suited for those two roles and do an excellent job of keeping the viewer focused on their personalities and the theme, rather than have attention wander off on other characters or subplots. The interplay between the two of them can easily be viewed as signifying human interaction in areas other than the business world.