Wuthering Heights
Wuthering Heights
G | 23 December 1970 (USA)
Wuthering Heights Trailers

A passionate and tumultuous love story set against the backdrop of the Yorkshire moors, exploring the intense and destructive relationship between Heathcliff and Catherine Earnshaw.

Reviews
Linkshoch Wonderful Movie
GurlyIamBeach Instant Favorite.
Freaktana A Major Disappointment
PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
Syl I do like this version of Wuthering Heights and I believe it would be appropriate for the schools since I'm an English teacher. It's funny because I loathed the story in the 8th grade when we were assigned it. I found the movie to have a great cast such as Timothy Dalton and Anna Calder-Marshall in the Heathcliff and Catherine roles. Judy Cornwell is perfect as the housekeeper Nelly. The other cast members include the late and wonderful Harry Andrews, Ian O'Gilvy, Morag Hood, and Peter Sallis. The storytelling is a bit different from the book. Some story lines were cut along with other characters but the thrust of the storyline between Heathcliff and Catherine was the basis for the story as well. Anyway, Dalton's Heathcliff is dark and mysterious. Calder-Marshall's Catherine is quite personable and realistic for the time. It's an okay movie for under 2 hours and moves along rather quickly.
decroissance Jennel2 and Rinoa3, I am with you. I also don't want to take too much time writing about this, but here goes: Why did the movie jump from one plot point to another with no development or connection? Was it trying to be the "New Wave" Wuthering Heights? Was it just the schedule? The script? Whatever, the jumping around made it fragmented and jarring.I liked Anna Calder-whatever, although she was screechy. She was playful and wild. I'm not sure what I thought about Dalton. He smoldered and pouted very well, but his character didn't seem full to me. It felt like he was playacting. Superficial. Also, as usual, he can't maintain a consistent accent. In the first half, there was one scene, in the stable, where he had a very coarse Yorkshire accent. Other than that, in the first half, he spoke pretty much the same as in the second half, with a refined, upper-class accent. It's lame.I have to agree with whoever said that this novel can't be dramatised well. I think I liked Ralph Fiennes better than Dalton. Might have to watch them both again. And did anybody else think that Heathcliff, in the first half, bore a resemblance to Nigel Terry's Prince John in The Lion in Winter? Well, I did.All the same this movie had undeniably poignant and moving moments. Can't totally knock it. I would have liked to have been there to hear the audience gasp.
pkspringstocker I first saw this film in 1970 and it had such an effect on me I saw it three times and cried all the way home each time.In fact it still has the power to make me cry now. I remember in the cinema the gasps from the women in the audience when Heathcliffe returned to Wuthering Heights. Wow! The whole movie was so atmospheric right from the beginning with that fantastic scenery and haunting music. Timothy's portrayal of Heathcliffe is by far the most passionate and sensitive I've seen and I would have liked to have seen him in other similar roles. Naturally I have bought the DVD and also the music on vinyl-both are played regularly!One of my daughters is now a huge fan of the movie.
hamilton_eva This particular rendition of Wuthering Heights is truthfully not as faithful to the novel as it could have been. Yet, I believe that this film expresses the bleary tone of the novel with the most stylistic level of credit. I think that any time a novel is translated into film it loses a certain amount of credibility due to the fact that the mediums of film and literature are interpreted by an audience in very different ways. But having read the novel, I prefer this version to any other that I've seen on film. Heathcliff and Cathy are cast astounding well in the film. Dalton is brooding and flawed without compromising his dark good looks while Calder-Marshall is waifishly emblematic of the heroine of the novel. I only wish that the film had delved more into the novel instead of offering merely of survey of it.