TrueJoshNight Truly Dreadful Film

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Salubfoto It's an amazing and heartbreaking story.

Cristal The movie really just wants to entertain people.

Leofwine_draca This excellent revenge-themed Shaw Brothers epic is the kind of film they did so well. My favourite Chinese director, Chang Cheh, is on hand to choreograph the mayhem in this brutal tale of bloodshed and murder, set in 1920s Peking. In many ways this is a familiar film; we saw almost exactly the same type of antics in the later BOXER FROM SHANTUNG, but that doesn't stop this being thrilling.The film is headlined by two leading action stars of the day, David Chiang and Ti Lung. Lung has a small role here, playing a guy who falls foul of some gangster types and finds himself murdered in a particularly vicious fashion. His brother is Chiang, who isn't about to let things rest. As usual, our hero finds himself working his way through the enemy, starting off with lowly henchmen before facing the inner circle of tough crime bosses and a sniper thrown into the mix too.There isn't a slow moment in this movie, which really focuses on the lean, mean storyline. The cast are excellent: the bad guys slimy, the good guys stoic and stony-faced. Chiang has never been more stylish and stone-faced than he is here. The various chase and action sequences are all expertly staged, with a highlight being some fighting amid the high balconies above a theatre performance. Inevitably the movie is book-ended by a couple of huge one-vs-many fights, with the outcome pretty much inevitable in both; still, these are without a doubt the finest moments of the film and I'll never get tired of watching this sort of mayhem. A real classic, this.

rightwingisevil if compares SB's martial arts films with the Japanese samurai films, the SB's films and all the other similar genre films produced by other HK movies companies were nothing but child's play and big laugh. everything was shot indoor with artificial lighting, all the actors got so many shadows in 360 degrees on the ground. the screenplays usually were ridiculous, no specific time frame or historical supporting facts. actors wore funny costumes, modern hairdos, funny make-up. all the fighting scenes were played out like ballet, just looked so phony and at the same time, so childish. acting were non-exist since everybody was just acting. the ridiculous screenplays screwed up every possibility that could make a memorable film. there's no art value whatsoever in them, just laughable child play.in this film, the brother who seek revenge for his brother was a willowy young actor, wearing oiled modern hairdo and most ridiculous of all, wore custom tailored white suit, while all the other goofballs wore some traditional clothes, all the bad guys never wore their shirts buttoned up. the performances of all the actors in this film were so poor and so unreal further ruined by horrible dialog. the fighting scenes were all looked so heavily staged.there was nothing worth recommendable in this film, just shameful and disgust feelings. horrible yet at the same time, very laughable.

qatmom I can understand younger brother's distress at the loss of older brother by way of murder, but it was almost impossible to keep track of all the bodies that piled up on the way towards killing the parties responsible.So many goons biting the dust, their only crime choosing the wrong guy for whom to be a goon. Is there a Goon's Widows & Orphans Society? I hope there is.This is not to say I disliked the movie, far from it. It is very dark, certainly not something to see on a down day. I had a pretty good idea how things would end, given that every David Chiang movie I've watched recently his characters croak, but they take a LOT of killing from a lot of bad guys before they actually die.Blood flows, spurts, seeps through clothing, furniture is broken, bad guys get zorched [& they don't always see it coming -- are they ever surprised!], guys crash through railings--it's all there.

Brian Camp VENGEANCE (aka KUNG FU VENGEANCE, 1970) was one of the earliest collaborative efforts of director Chang Cheh and his star team of David Chiang and Ti Lung. It is more of a traditional gangster film than a kung fu film and offers a dark, atmospheric feel closer to Hollywood film noir than to similarly themed Hong Kong crime films. The film is, in fact, a loose remake of John Boorman's crime thriller POINT BLANK (1967), itself an adaptation of Richard Stark's novel, 'The Hunter.'In 1920s-era Peking, Chinese Opera performer Ti Lung confronts his boss (Ku Feng) over the boss's attentions to his straying wife and takes on a room full of hatchet-wielding henchmen before dying a bloody death after a valiant fight. As Ti's brother, David Chiang, who shares no scenes with his frequent co-star (other than a brief flashback), comes to town seeking revenge and eventually fights it out with all the crime bosses and their minions, culminating in a big fight in which David helps one gang beat another only to have the winning gang turn on him. Although the film is generally slow-moving, it has a number of compelling scenes and expert use of cramped interiors in well-designed period settings.The film has little in the way of actual kung fu, with more of an emphasis on knife fighting, slashing and judo flips in its three major fight scenes than on hand-to-hand Chinese boxing, yet it is clearly a lead-in to subsequent gangster-style kung fu films by Chang Cheh such as DUEL OF THE IRON FIST, which also starred David Chiang and Ti Lung, and BOXER FROM SHANTUNG, which starred Chen Kuan Tai, who appears in a bit part in VENGEANCE.