CrawlerChunky In truth, there is barely enough story here to make a film.

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

ma-cortes This well characterized Western from Pulitzer award winner A.B Guthrie monumental bestseller deals with an ambitious cowboy (Don Murray) will stop at nothing to achieve his aims , and paying a heavy price to get a wealthy ranch full of cattle . As he arrives in Montana , to get what he wishes , fame and fortune by creating a powerful ranch , including using the affections of two attractive girls . Helped by a rich banker (Albert Dekker) and an old friend (Stuart Whitman) , both of them antagonise a flashy rancher/gambler (Richard Egan) . Meanwhile , the stubborn cowboy falls for two beautiful damsels (Lee Remick and Patricia Owens). A simple and excessively romantic Western drama with little action and not much shooting . It is more a loving drama than the typical Western . Don Murray gives a lively acting as an upright but extremely ambitious young who to get his objectives falls for two women , the prostitute Lee Remick and the niece of a wealthy banker , Patricia Owens. Murray grapples rather unsteadly with his role once it has progressed to become an US senator. A young and gorgeous Lee Remick is pretty good as a whore who attempts to take a honest way on her thunderous life . Richad Egan also takes advantage from a rare villain character , as he often plays good guys . Satisfying support cast plenty of prestigious secondaries such as : Stuart Whitman , Harold J Stone , Royal Dano , Robert Adler , Jean Willes , and the veteran Albert Dekker . Interesting and well structured screenplay by Alfred Hayes and Guthrie , based on a successful bestseller by A.B. Guthrie . It contains a colorful cinematography by Charles Clarke , including wonderful landscapes . And a sensitive and rousing musical score by Leigh Harline , adding marvelous songs performed by Ned Washington .This modest drama/romance/Western picture was professionally and firmly directed by Richard Fleischer , though slowly filmed, as I miss more action and shots . Richard was a prolific craftsman who made a lot of films in all kinds of genres throughout a long career in which he was able to endow with a wealth of personal detail . As he directed adventures: Vikings , 20000 leagues under the sea , Red Sonja , Conan the destroyer , Mandingo , Ashanti , Doctor Dolittle , The prince and the pauper ; Thrillers: Mr Majestick , The Don is dead , The new Centurions , Million dollar mystery ; Historical : Barabbas ; Terror : Amityvile 3 the Demon ; Musical : The jazz singer ; Wartime : Tora tora tora ; Sci-Fi : Soilent Green ; Crime : 10 Rillington Place , The Boston strangler , Compulsion , See no evil ; Noir film : The narrow margin , The clay pigeon , Armored car robbery , Follow me quietly , Trapped . Rating : 6/10 acceptable and passable . Well worth watching .

inspectors71 On the cheesy, moralistic front, there's Richard Fleischer's These Thousand Hills, an almost-grown up oater with Don Murray, Lee Remick, Richard Egan, and Stuart Whitman. Murray is a young cowpuncher who wants to hit it big ranching in Montana. Unfortunately he's too damned handsome and Wonder Bready for my tastes and he gets started growing awfully big for his britches, especially after he borrows stake money from the only prostitute in town who doesn't look like a 50s movie tramp (that's the always luminescent Remick we're talking about here). Murray proceeds to torque off or become a political pawn to just about everyone in town.Except the reptilian Egan, an actor I love to watch because he oozes a sort of John Huston in Chinatown vibe. I guess he doesn't like Murray because he sees a shred of good in him.Anyway, you'll notice just how nearly raunchy the plot is. Murray and Remick have s-x, and it's really obvious because he looks happy, gazing off at the wallpaper and she brushes her hair, staring off at how many brushes she's up to. There's talk of tramps, political chicanery, somebody getting a bullet through his face, and after Murray grows a pair but before he settles a score with Egan, we dopes in the audience are reminded--using reverse-psychology--that the establishment's morality is pretty-well fubar. Almost, almost edgy stuff there. Remember, 1959 wasn't that long before the end of the Production Code, and Hoary-wood was experimenting with heroes that weren't squeaky-clean. It was interesting watching how immoral our hero becomes before he pulls his head out. I can just see Joe and Jane Suburbia, going with the kiddies to the movies, and walking out in a kerfluff over how dirty These Thousand Hills was. I personally thought it was quaint, cheesy, and morality-wins-uber-alles, which, believe it or not, made this reject from the Lifetime Movie Network actually satisfying.Plus, the scenery was pretty and Remick, with a split lip and blackened eyes (guess who did that to her, folks!) is still breathtaking.

jpdoherty "All the beasts in the forest are mine and the cattle on these thousandhills". THESE THOUSAND HILLS was a Fox western made in 1959! But calling it a western in the true sense is something of a misnomer! For although it is set in the west in the 1880's it contains little or no familier "western" action to speak of. In fact you could count on one hand the number of shots fired in the entire picture! That said, and despite all of its western trappings, it is still a reasonably good drama well played by a good cast. Based on the best selling novel by A.B.Guthrie Jr. a decent screenplay was fashioned from it by Alfred Hayes and it also had some beautiful Cinemascope location Cinematography by Charles G. Clarke. The solid direction was by the gifted Richard Fleischer for Davis Weisbert's glossy Eastmancolor production.An ambitious cowboy (Don Murray) longs to make something of himself and his dream is to have his very own ranch. A dance hall girl Callie (Lee Remick giving the film its best performance) who falls for him gives him the money to get started. This together with some help from the bank sees him becoming one of the biggest cattle ranchers in the territory. But he wants to become more. He begins to avoid Callie. He is elected to the school board and woos and marries the banker's niece (Patricia Owens) and now he is well on his way to becoming a senator. But when his good friend (Sturt Whitman) is lynched and Callie is beaten up by her boyfriend Jehu (Richard Egan) he realises his ambitions now mean little. In the picture's climactic set piece near the end he confronts Jehu for a well executed fist fight.Don Murray is fine in the lead! Although he didn't make a lot of them Murray was an acceptable western hero! His best one was "From Hell To Texas" (1958)! His shy reticent persona could be likened to a young Glenn Ford but the actor never really distinguished himself in film. His senator Brigham Anderson in Otto Preminger's brilliant political drama "Advise & Consent" (1962) is probably the best thing he did! Hard to believe he celebrated his eightieth birthday in 2009.Despite a couple of appalling indoor exteriors for night camp scenes and stock footage of cattle drive sequences from the studio's earlier "The Tall Men" (1955) THESE THOUSAND HILLS is an absorbing enough tale well told and well played. The film is also well buoyed by a marvellous score by the underrated Leigh Harline. A haunting title song by Harry Warren and Ned Washington is sung over the opening and end credits by Randy Sparks. Harline interpolated the song into his score which orchestrally is quite beautiful...............THE MOON WHEN IT'S PALE LIGHTING THE TRAILTUGS AT HIS HEARTSTRINGSHE LEARNED TO LIVEAND LEARNED TO LOVETHESE THOUSAND HILLS.

Slim-4 Don Murray plays Latt Evans, an ambitious cowboy who puts himself in the fast lane for success in Montana's cattle country. There is a very good supporting cast in this story with Stuart Whitman as his friend, Albert Dekker as a banker and Patricia Owens as the banker's niece. Lee Remick plays her usual strong role as Callie, another friend of Evans. Richard Egan plays an uncharacteristically villainous role and does it pretty well."Remember", Evans' trail boss tells him, "people change. They don't turn out like they started." He realizes that people make decisions and that these decisions have implications for them and others around them. The boss knows Evans better than he knows himself.In his desire to get ahead Evans loses sight of what's important in life. He works two jobs on the cattle drive that brings him to Montana. He spends a hard winter poisoning wolves. In the end it is a friend's generous loan which gives him what he really wants, his own ranch. Almost too late, he realizes in a scene reminiscent of "The Virginian" that it is friends that really matter.There are two women in Evans' life and both Remick and Owens do well in their roles. Remick's character is much better developed in the script. She is more than slightly tarnished woman in the traditional Western morality. Albert Dekker advises Evans to stay away from the bordello if he is serious about making something of himself. Callie appreciates her status in the community. "I'm not worth it," she advises Evans at one point when he is about to pick a fight for her. Although she loans Evans the money to get him started she expects nothing for it. The loan is repaid and he owes her nothing more. Even the note Evans receives at the end asking for help was written by someone else.Patricia Owens plays the banker's niece and eventually becomes Evans' wife. Her character is respectable compared to Callie. She doesn't understand Evans' friendship with Callie, but she tries to do so. Unfortunately, the film does not do her character justice. Evans says that he loves her, but her character gets such short shrift that it's hard to tell why. Is it because she's respectable and Callie's not? I'd like to think there's more to it than that and Owens' role certainly hints at some depth to her character.The fight at the end probably ranks in the top ten in screen fist fights. It is reminiscent of "The Spoilers", except that this time the mud is in glorious color.The ending is only partially satisfying. There are too many loose ends. The relationship between Evans and his wife is clarified in the ending, but Callie's fate is left to the imagination. Evans will testify at her trial. "Will it be the truth?", his wife asks. "Yes", he responds. "Then you testify", she says. What happens to Evans' position in the community and his political aspirations in light of his support for a prostitute? The viewer can reach his own conclusions about these issues, too. Perhaps that's appropriate. Evans does what he thinks is right. Who can argue with that?