Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Billie Morin This movie feels like it was made purely to piss off people who want good shows

Stephanie There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

vchimpanzee At the start of the movie, a large bald man is beating up Jay Miller, whose name we don't know yet. Mina witnesses this and is nearly attacked herself, but Jay, despite his injuries, goes after him.In her father's former law office somewhere north of Chicago, Charlotte has taken over her father's practice, and she's doing okay with various types of cases. Her mother died when she was young, and she lost her father while in law school. Jay barely makes it into the office and Charlotte can see he needs help. She takes him to the hospital, where she finds out he has no identification and doesn't seem to know who he is.Mina comes forward to say this man saved her life. He is honored by the town and called an "angel", given the name Gabriel. He moves in with Charlotte, who lives in her parents' big house, and goes to work as a volunteer at the hospital. Charlotte hasn't had good luck with men, but Gabriel seems very nice and, although Charlotte sort of has a boyfriend, it becomes obvious what's really going on.Then the ex-wives show up. Not one but two. Gillian is beautiful but spoiled, and Alicia is just plain nasty. We finally learn the man's real name, and we learn he worked at a travel agency. With all his traveling, it seems he was able to convince both women he was only traveling when, in fact, he was with one wife when not with the other. This is bigamy. The women want justice. Charlotte reluctantly agrees to serve as Jay's lawyer.The prosecutor looks almost exactly like Lauren Bacall but of course is much younger.This isn't really a romantic comedy, but the first half is so light-hearted and the music is perky. The second half seems more dark but can't really be taken that seriously.The ending is great.Molly Ringwald is all grown up. In this role she almost makes one forget about the cute teens she used to play. Almost. In some scenes it's still obvious she used to be cute. In others she looks so old ... well, let's say mature. And she's not exactly slim. She looks like real women look. And she does a pretty good job. As a male, I don't particularly care for her scenes with Charlotte's friend Gwen, who is attractive but has the attitude "Men are pigs and Oprah is our queen". And of course Charlotte gladly joins her in feeling this way, the only time I can't really like this character.Mark Humphrey does a good job as the mysterious Gabriel.Other than that, this is just a Lifetime movie, with a silly mystery. It's sort of enjoyable.

notmicro I'll second, third, or whatever the notion that this thing is amusing to watch just for Ringwald's performance; having a "real" movie actress in one of these formulaic vehicles kicks it up several notches. But in addition the whole thing is kind of a subversive self-parody of this genre that doesn't take itself too seriously, with some "knowing winks" thrown in by the writer. For example at one point when they are home for the evening, lawyer Ringwald's way-too-good-to-be-true "house boyfriend/client" says something improbable like "shall we see what's on Lifetime" and she comes back with something like "no I've got to work". There are a lot of courtroom scenes where Ringwald is an amusingly klutzy defense lawyer, including scenes with the "evil queen" prosecutor where the jury is comically sympathetic to over-emoting prosecution witnesses; its a bit like a low-rent "Legally Blonde" at times.

moonspinner55 Molly Ringwald (looking a bit heavy and unhappy) is a general practice lawyer in a seaside town who defends a handsome amnesiac on trial for bigamy and tax evasion. TV-made mystery has a lightly comic, frisky side and a direction with some imagination. Ringwald is well-cast as a somewhat-kooky modern working woman who can't find a good man, although her frumpy clothes and hairstyle make her appear much older than she is--and older than her character has to be. The movie ends up scrambled like an egg, with a cartoonish version of a courtroom trial in the second-half and an iffy final tag that leaves the whole thing feeling a bit pointless. Molly has some choice scenes, and it's good to have her carrying a film again (TV or otherwise), but she's wound up too tight, and might've benefited from some improvisation, a looser director, or just some breathing room to control her tics and exaggerated facial expressions. The flick is a fun time-filler, though a wispy-thin one, without even one foot grounded in some kind of reality. **1/2 from ****

caa821 The majority of these Lifetime "Made for TV" movies can be placed into two broad categories, for those involving the trials and tribulations of the adult lead(s): the actor/actress is menaced by somebody or some evil organization or group, and the story reveals these, usually in multiple crises at every turn, until resolved one way or another in the last 5 or 10 minutes; or, the story has the hero, or heroine (usually the latter) duped by a spouse, lover, or someone else who appears on the scene. In these instances, sometimes with murder or physical harm threatened during the proceedings, sometimes not, again the crises are resolved in the last minutes of the story. There is another aspect to these movies: you can usually see the big "revelation" coming, occasionally not. Here the former is the case.In this movie, Molly Ringwald has a bit more impressive "large screen resumé" than most of the female leads. And in this story, Molly is not threatened physically, but you know that this man who entered her life is not simply destined at the conclusion to begin visiting real estate brokers with her, to find a vine-covered cottage with a picket fence. Still, the actors are engaging, and this movie rates a 6 or 7 (mark it the higher). Depending on you other alternatives for an afternoon or evening, if you don't have an alternative program on t.v., or other activity, within the 8 - 10 range, give it a look.