Borgarkeri A bit overrated, but still an amazing film

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Married Baby Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Lars Bear Judging by the low reviews that most movies based on Lovecraft's writing achieve -- on this site and elsewhere -- it must be very difficult to make a movie that works. On the whole, I don't think that Lovecraft's stories lend themselves well to visual presentation -- they rely for their effect on their (often rather overblown) descriptions of characters' mental states and experiences. Such things are notoriously difficult to translate into film.Whisperer in the Darkness does not really try to replicate the emotional tenseness and claustrophobia of the stories. It isn't particularly scary, or even disturbing. It is, however, amusing and engaging, and tells a Lovecraft story with reasonable fidelity. Mostly, I think, it works because it's presentation -- 1930s writing and acting, but made with modern cinematography -- is so unusual.The movie is made by the same folks who gave us the "Scary Solstice" album, containing such Christmas favourites as "Rudolf the Red-Nosed Mi-Go." So we know that the movie isn't going to be too self-important or pompous. I get the impression that it was made by people who love Lovecraft's work, but aren't in awe of it.I suspect that Lovecraft would have hated this movie -- he seems to have been a relentlessly gloomy, self-interested man, with no sense of humour whatsoever. The idea that anybody would make a light-hearted, gently mocking adaptation of his stories would have appalled him. Still, his loss is our gain, I think.To appreciate this movie I suspect that the viewer needs to be a fan of Lovecraft's work, but not an acolyte, if you see what I mean. An interest in early 20th-century science-fiction/horror cinema certainly helps as well.

millsge When I was 10 to 14, I stayed up as late as my mother let me to watch "Friday Night Creature Features." I began doing this during the summer after my father died. I guess I found some sort of solace in these films where nasty things happened to good people. I projected myself onto the characters and I projected my father (who died of oral tongue cancer) onto the creatures as well. I loved "The Wolfman" and "The Mummy." I liked some Frankenstein films and others like "The Thing" and "The Creature from the Black Lagoon." They were not monsters, until the world took them from where they should have been and put them where the should not have been. This movie took me back to those days, in a good way, and provided me with a hint of the catharsis I was looking for when I was young.

robertguttman One cannot help but give full marks to the H.P. Lovecraft Historical Society for their efforts to bring H. P. Lovecraft's eerie stories to the screen in a manner in keeping with the texture and mood of the original material. Although there have been other attempts to film Lovecraft stories, most have generally been unsatisfying failures due to misguided attempts to modernize or glamorize them. Not so with HPLHS, who have gone out their way to keep faithful to the period and locales in which the tales were set, even going so far as give the film the feel of an early-1930s black-and-white movie. Even their logo is an homage to the the old Universal Studios logo of the early 1930s (the studio which produced such classic horror movies as Frankenstein, Dracula and The Mummy), replacing the familiar airplane-circling-the-earth with a dirigible.The plot involves Albert Wilmarth, a college anthropology professor specializing in folklore, who becomes intrigued by a series of unusual newspaper stories reported from a rural part of Vermont after a period of particularly heavy rains. It seems that bodies have been observed washing down from the mountains in the swollen rivers, bodies which are, reportedly, neither human nor animal. The bodies apparently also recall, among the older inhabitants, old tales of strange beings that live in remote parts of the hills, beings that are neither human nor animal, and possibly not even of terrestrial origin. Wilmarth begins his investigation into these stories on the basis that they are nothing more than mere interesting folklore, but soon finds himself dealing with something far more sinister. Admittedly, the producers of the movie added some material and characters not present in the original story. In fact, the short story actually ends at a point only about one hour into the film. However, the original version was, after all, only a short story, and I suppose the makers felt that they had to add some material to the plot in order to expand the short story into a full-length movie. nevertheless, the movie still does a far better job of evoking the feel of H.P. Lovecraft's writing than any other movie versions of his works, with the only possible exception being the resent silent film version of The Call of Cathulhu, which was made by the same producers.One addition to the film is a debate staged between the protagonist, Professor Wilmarth, and Charles Fort. While that was not a part of H.P. Lovecraft's original story, it is interesting period touch because Charles Fort was actually a real person, a celebrated and controversial author of the early 1900s who was known to contemporaries as "The Mad Genius of the Bronx". Fort, who died in 1932, wrote about what are now called paranormal phenomena before that term was even invented, and is credited, among other things, with coining the word "teleportation".

btdie4 Really enjoyed the clean look of this film in black & white, and also the sound editing. This is probably the classiest example of what can be achieved with a limited budget when the filmmakers obviously have a love of the material which shines through. The script is faithful to Lovecraft yet it does cuts down on a lot of the excessive verbiage to make it somewhat more palatable to a modern audience. The pace progressively builds and does pay off. The standout performance is from the adorable Autumn Wendell "Hanna Masterson" who embodies the film and is very effective at being terrified, yet innocent at the same time. A perfect fit to a film which achieves the same things.