In Andrei Mertvyi's movie "The urine crazed corpse catchers" a boy is standing next to an adult peeing in a flush toilet. A rotting corpse is haging from the ceiling. The image of youth next to an abundance of physiological liquids does not convey any organic feel of revivification; otherwise, nothing but existence, in which juices of both life and death are equally worthless, is prepared for the youth.