Interesteg What makes it different from others?

StunnaKrypto Self-important, over-dramatic, uninspired.

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Kodie Bird True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

morrison-dylan-fan Despite being a big fan of his work,I have somehow not gotten round to seeing auteur film maker Russ Meyer's 5 final works for the last year or so! Preparing to write my 800th IMDb review,I felt that it was the perfect time,to at last count down Meyer's minutes.The plot:Going undercover,2 cops raid a bookstore where they find a book called The 7 Minutes being sold.With the book being banned over "moral decay",the cops tell the bookstore owner that along with facing a huge fine,he also faces jail.Making out with his girlfriend,lawyer Mike Barrett finds his fun get rudely interrupted by a call requesting for his skills on a case involving The 7 Minutes.Due to him having been involved in a number of cases related to the case,Barrett gives the store owner directions over how he should plead in court in order to avoid serving time.As he prepares to notch up another successful 7 Minutes case, Jerry Griffith brutally rapes a girl,who is later found dead.Being a big power player in the city,Jerry's dad Frank decides to take advantage of The 7 Minutes being found in his sons car,by turning Jerry's murder case around,into being a battle of "morality",as Frank makes the count for the final 7 minutes.View on the film:Filming over 24 hours worth of usable footage, (good to see that he did not waste any stock!) directing auteur Russ Meyer closely works with editor Dick Wormell to keep each take lasting no longer then 3 or 4 seconds.Along with making the 2 hour running time glide along,Meyer & Wormell also give the film an excellent zany atmosphere,thanks to the rapid-fire editing raising all the tension in the trial to an over the top melodrama.Whilst Fox (who after this flopped,ripped up Meyer's 3 picture deal) put tough restrictions on how much skin he could show, (with there only being the odd peak at Meyer's beauties)Meyer makes sure to still leave a mark that is clear to see,by splashing saturated colours over the most violent scenes,and superbly using extremely stylised close-up,to give the most dramatic scenes an underlying comedic tone.Although Meyer stayed away from the writing room, Manny Diez & Richard Warren Lewis adaptation of Irving Wallace's novel offers a tantalising mix of off-beat private eye sleuthing with a warped court room showdown.Holding back the court for the first hour,the writers make Mike Barrett's search for defence one that takes the film in a number of fantastic detours,which goes from Barrett trying to get the book dealt with by the book,to searching round for a long lost Hollywood star.Unleashing the court room setting with Wormell's razor-sharp editing & Meyer's fast-pace close-ups,the writers make sure to keep up with Meyer's stylised filming by making the case one that appears deadly serious,but slowly reveals itself to be a delightfully exaggerated affair,as Meyer's clock strikes 7.

Red-Barracuda The Seven Minutes was Russ Meyer's follow up to his big studio debut, Beyond the Valley of the Dolls. That one made a lot of money for 20th Century Fox but also caused it a fair bit of embarrassment and flack due to its salacious content and X rating. The Seven Minutes was the second film in his two picture deal and it went down a much less controversial route. It takes the form of a courtroom drama and perhaps unsurprisingly, unlike its predecessor, it bombed at the box office. But as is the way, despite the unfamiliar subject matter, it's still pretty obvious as a Meyer movie and is ultimately quite a strange film.On the face of it, The Seven Minutes is a serious drama but Meyer seems incapable of playing it straight. His distinctive camera-work and super-fast editing are still in abundance. While he still makes space for a bevy of buxom women who appear throughout, such as Shawn 'Baby Doll' Deveraux. In truth, Meyer had no interest adapting the Irving Wallace novel that the film is based on but the studio insisted. In the end he figured the subject of freedom of speech and censorship was something he knew about from past experience and could make something interesting with it. But Fox felt battered by the publicity that they had attracted with Beyond the Valley of the Dolls and the similarly X rated Myra Breckinridge, so they made it clear that The Seven Minutes must make an R rating. Consequently, it is easily the most restrained outing he ever released.The story boils down to a court case about a book called 'The Seven Minutes' which is considered obscene, so much so that it is accused of inspiring a vicious rape. The title refers to the average time that a woman takes to achieve orgasm. To be honest, going into this film I didn't have very high expectations. Its reputation sort of goes before it and the very idea of Meyer directing a film not based around buxom women set off alarm bells, seeing as they always seemed so integral to the success of everything else he did. As it turned out, I was very pleasantly surprised with this flick. Despite being a courtroom drama it still retains enough Meyer madness to ensure it's fascinating. In truth, his fast editing style is wholly inappropriate for such a film, the twists and turns of the plot end up coming at us so fast that it's very hard keeping up with plot developments, while the appearances of the pneumatic women that punctuate the movie are completely incongruous for a film trying to make a serious point! But ultimately, its aspects like these that makes it more interesting at the end of the day. The extreme melodramatic tendencies and bizarre tone and presentation are what mark it out. Make no mistake, it's not up there with Meyer's best movies but who in all seriousness would expect it to be? It's his least typical film though that's for sure and its one I am pleased to have finally seen. It's notable too for featuring a young Tom Selleck as well as a cameo from veteran actor John Carradine; it also features Meyer regulars Charles Napier, Stuart Lancaster and his then wife, Edy Williams.

renovargas To my dismay the previous review was off. This movie is not for box office, that's the problem. It should have been a TV movie of the week, it would have done better which is where I saw it. It is like Perry Mason. The twist is who the author turned out to be since it was authored as a pseudonym, a male's name.The book in the movie was hot it's for modern day audiences. To be made in that time frame goes to show that it was way ahead of its time. I would re-release it, I had no idea it was a Russ Myers film that's what surprised me. He needs to be rediscovered. Russ does a great job. This is not one of his T&A movies. It has a story which is why fans of him were disappointed back in the day.Too much brain power for the people who want video game like movies like the Matrix. Watch it if you can.

secragt The odds of Russ Meyer helming an intellectual courtroom drama think-piece on freedom of speech and civil rights are almost as long as his helming the number one grossing box-office movie the year before (BEYOND THE VALLEY OF THE DOLLS), but both occurred in a two-year period in the early 70s. Obviously one begat the other, but the cycle never repeated. Still, a case can be made for FOX assigning this movie to Meyer given his experience with censorship from his earlier forays into soft porn, which always ran the gamut between "guilty pleasure" and "good-humored raunch of dubious taste." Whatever your opinion of his sensibilities, Meyer always knew what his public wanted and he supplied it in copious quantity. With the possible exception of THE SEVEN MINUTES, that is.What is THE SEVEN MINUTES? Well, it's Russ Meyer's lone attempt to Get Serious and Topical. While Meyer is intellectually up to the task, and halfway accomplishes the tough goal of laying out the controversies convincingly, he's not up to resolving things in a credible manner. The first half is a bit amateurish and thin but it is the second half where the bottom really falls out. In particular, Meyer tries to cram so many twists into the wacky denouement that any commentary he has previously made is lost. Perhaps all of this is satire of the politicization he is documenting, but if so, it's too uneven. Worse, it's not entertaining. In one movie Meyer single-handedly alienated serious moviegoers, who stayed away merely based on his name. At the same time, he turned off his core audience, who could not have possibly been prepared for the utterly non-Russ Meyer product he delivered in THE SEVEN MINUTES. The trademark titillation, violence and bawdiness of his entire prior filmography is absent, replaced by sensationalized but strangely static courtroom dialogue. Meyer was never quite the same afterward and subsequently only made three or four more movies in the next 33 years after having made 18 in the preceding 11.Still, if you like to see the Seventies at its most excessive and overly indulgent, this is a precious cautionary time capsule showing how someone successful in one area could not harness his skills in another. It's so breathtakingly, in-your-face bad that you might find it amusing. 1.5 / 10