2hotFeature one of my absolute favorites!

Spidersecu Don't Believe the Hype

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

simonasidorin Well first of all I like the title : it is very suggestive , very theatrical . This movie is a needed change of rhythm in the Romanian cinema because it is depicting an episode of pioneering cinema in Romania . The year is 1912 but INDEPENDENCE WAR do not forget : is not the very first Romanian movie , maybe it is the first historical movie , even from the historical point of view the real UNION came in 1918 with Basarabia and Transilvania joining Valahia and Moldova ...but we are getting too much into national history .That era depicted in film is when Bucharest was opening more to European influences and especially french culture , it later became LITTLE Paris and it was not an exaggeration at all. French was spoken by aristocrats , intellectuals , artists and even common people. Of course the movie is got a lot of comic moments , we are Romanians N'EST CE PAS ? Do not forget also that haughty people they despised cinema , they preferred theater . I know they we're right but , let's get over it . Cinema was incredible cheap , even in those days , it was a sort of entertainment for low social classes , for the mob . But of course in time people they changed up minds , it is to admire the passion the people involved in this project they sacrifice to see their dream come true . Also it is showing us how VOLATILE and transient the films are ......they burn so easily .I enjoyed watching this movie , and is a nice feeling to know that they are still people who cares about CINEMA .

jazzzyro An absolute masterpiece of Romanian cinematography and a solid quality picture. Its romantic and humorous atmosphere, its gorgeous reconstruction of Romanian belle epoque is fantastic (since that time, beginning of XX century, Bucharest was named 'Little Paris', due to many resemblances to the original city), the acting is impeccable and scenario is well-paced, humorous and inventive. The story is the making off of the making off of the Independence War that Romania, along with Russia took part against Otoman Empire in period 1877 - 1878. A must see picture, remarkable for the new spirit in Romanian cinematography.

marius_em È pericoloso sporgersi, Asphalt Tango, Filantropica... The ingredient are the same: lots of humor on a tragic background. 'Restul e tacere' has the same Caranfil style, and more... Without a doubt, his best work. It's a story about the making of the first Romanian movie in 1911, the age when Bucharest was still 'little Paris', and the national identity feelings were probably at the highest level of all times. Although as a Romanian i felt really close to this movie, i must say there is no over - nationalist propaganda, just a simple decent story with a little bit of history as background, telling us how talent met with business to do the "War of independence" film. The humor is great, the story is a must know, the acting is extraordinary, especially the two main characters (Leon Negrea played by Ovidiu Niculescu and Grigore Ursache played by Marius Florea Vizante), the music is right on cue, the 'little Paris' atmosphere is greatly recreated and the rest is silence...

Raul G The latest hits of Romanian cinematography are all movies which show Romania in gray tones. So far they've been successful and i really appreciate those movies but it's about time that a director does the normal thing, to change the pace of Romanian films a little. Through the magic of Nae Caramfil and the help of a consistent budget, we have a film good enough to compare with Hollywood productions and who still keeps his artistic integrity and doesn't fall into commercialism. The script is brilliant and fearless, with cleaver lines and a language to suit the depicted times. Marius Vizante has a great performance as a frustrated but proud young director, and Ovidiu Niculescu's unlikely (Niculescu having neither the age, neither the stature of Leon Negrescu) cast in the role of Leon proved to be a really good choice. I sincerely believe that this movie will be a milestone in Romanian cinematography and i hope that many as good as this one will follow.