Pacionsbo Absolutely Fantastic

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Billie Morin This movie feels like it was made purely to piss off people who want good shows

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Ben Stabile This has just become one of my favorite all-time movies, and I have seen almost ALL of them.I may not opt to repeat-watch this the way I do, say, "Gravity", but I highly recommend this to people who appreciate a story that examines the moments in real life under a microscope, with a bit of romantic license thrown in to keep it interesting.After all, what is this life all about, if not a series of decisive moments, with lessons learned, replays of how it might have been, and the deep regret that we didn't always learn the lessons quite soon enough.This movie poses the question of what an alternative life could be like if we simply practiced personal "Acts of Random Kindness" ("ARK", ala "Evan Almighty"), in the humanistic sense. In other words, should we react to situations with our brain stems (sense) or our higher intelligence (sensibility).Wikipedia Definition: SENSIBILITY - Sensibility refers to an acute perception of or responsiveness toward something, such as the emotions of another.BStabile

Reno Rangan I have no idea why I chose to watch this, but in the end of the day I was glad that I saw it. One of the critically failed movie of the years and who care what critics says, especially definitely not me. But you have to ask movie buffs because they loved it, probably except Chris Nolan fans. It was not made by a popular filmmaker, though it was almost perfect to be a masterpiece. He missed the big opportunity due to the inexperience to sculpt such a scoped script and failed to get best cast except Christopher Walken. Still the movie was at its best and I enjoyed it thoroughly.A story presentation in the multiple perspective is not a new to us. I am sure you had seen plenty. Well, it is the subject and the characters all that matters in the concept like this. This movie had those at its best and so original. Each character and their stories were developed awesomely in a short period of time. Remember, there's no going back, all of them brought together in the last quarter at the story's vanishing point. In which it's going to reveal the sensational twist.In some way its better the movie is not so popular. The main reason is that the some of the contents were too sensitive based on religion. It could have ended in a controversy like the movie 'The Da Vinci Code'. In the movie they are not trying to explain those, in fact you have to find it yourself or you are going to miss them without knowing like everyone else. But I liked it because it carried a worthy message about the non-violence. No matter what materials they used to deliver it though it was the right thing as I believe.You get no time to draw your stat on each story. They come and go before you presume something. One thing that makes us urge towards prediction is that how all the story networks are going to join together. Pretty nicely welded end, more importantly indulges. If it does not meet your expectation, then you should try second viewing otherwise forget it is not for you.

SnoopyStyle The movie takes the story of an eventful New Orleans afternoon from five different point of views. The first is a robbery at a small drug store. The second has Dom (Jesse Bradford) on the run and Alexa (Q'orianka Kilcher) rescues him with her moped. The third has agents Marti (Nicky Whelan) and Clyde (Christian Slater) hunting down a mark who may be transporting lethal material. The fourth is two homeless guys Doke (Christopher Walken) and Brown (Jordan Prentice). The fifth is a black girl named Few (Tione Johnson). She rides along with Junkshow (Anthony Anderson) and Shamu (Juvenile) as they hunt down Dom.The first 2 stories are a slow start to the movie. The third story with Whelan and Slater takes a turn into the ridiculous. The tone is completely different. It left me scratching my head. The fourth one has Walken trying hard to be quirky especially with a midget sidekick. It's more stupid than funny. The fifth story is much more connected to the second story. It's the best one of the lot.I was intrigue about the talented actors in this movie. Writer/director Leone Marucci is a relative novice. This movie is maybe too ambitious for this guy. The message in the end is effective, but most of the rest of the movie isn't up to snuff.

Rodrigo Amaro One of those circling stories destined to connect different characters from different situations, surrounded by strange events where the small of movements might cause the butterfly effect, changing their lives forever. The hyperlink is a terrific formula when presented in many films but it only works with brilliancy when the speech and the message are truly important, when the cast is fantastic, and when all the elements put together makes total sense, even in its wildest absurdity. Altman, Iñarritú, P.T. Anderson and many others have tasted from this source and made remarkable masterpieces with the hyperlink. "The Power of Few" goes to show that the power of making such movies is really in the hands of few. The cast was good, the situations given to the characters went from relatively good to miserably dull. The message at the ending almost saves the film, after many bumps and pointless conversations and scenes.It revolves around the robbery of the decade happened in Vatican (plot given so little detail and almost irrelevant to the rest of the movie) and a crime drama involving drug dealers, inexperienced thieves, a delivery messenger, two hobos, some secret agents and one smart kid. They're all gathered in one impactant moment, played repeated times each time new characters are introduced in the plot, very similar to the presentation given in "Vantage Point". That's when the movie started to become predictable. Those encounters always to revolve around deaths, accidents and unbelievable schemes. There's no time to care for the characters because they're so brief on the screen, so when they start to get killed, you don't feel anything for them. I only liked the kid (Devon Gearhart) who was trying to rob a drugstore to get medicine for his young brother. All the others were plain annoying, slowing down the movie with their gibberish and small talk. Respect and importance could be given to this project if treated as a serious drama instead of an action flick filled of thrilling moments with a defining purpose only given in the ending. By that time it's so shallow, pretense and hollow. It tries to show how powerful we are (or can be) in moments of weakness and despair, and how everything changes with just one small step, one small action, one mistake. The plot twist comes when it finally uses a retroactive mode to show how things could be for those characters. The tragedy goes off, the good possibilities walks in. So simplistic that hurts. To name a similar (and better) experience I suggest "Blind Chance" (1981), which focus on a man whose life is presented three times to us, with one turning point repeated to us several times, altering a few things. It was a great philosophical film about how small things can affect everyone's lives and how sometimes there's no greater change on the other side, it all leads to catastrophe. Comparing both films is ridiculous since it's not the same kind of audiences who watch them, but I insist you to watch it, and skip "The Power of Few".To quote the smart kid, this is about biting your cheek really hard and having to live with the pain. There's no turning back, you wish it didn't happen but now you're gonna have to live with it. Yes, the pain of having seen this and endure the great Christopher Walken acting in a movie that doesn't deserve his talent. 4/10