The Possibilities Are Endless
The Possibilities Are Endless
| 04 March 2014 (USA)
The Possibilities Are Endless Trailers

Scottish musician, Edwyn Collins' world was shattered by a devastating stroke. After fighting back from the brink of death, he discovers that life, love and language mean even more to him that he could ever have imagined.

Reviews
Matcollis This Movie Can Only Be Described With One Word.
Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
Brennan Camacho Mostly, the movie is committed to the value of a good time.
Cissy Évelyne It really made me laugh, but for some moments I was tearing up because I could relate so much.
beresfordjd I am watching this and wondering why. I have never been a fan of Edwyn Collins - he is a typical pop star of his time. Talentless and simplistic music which appeal to the sort of people who do not like to think about their music. His lyrics are trite and awkward. He does not look particularly good and has zero charisma. How the hell anyone thought him worthy of a documentary like this escapes me totally. Of course it is a tragedy for anyone to suffer a catastrophic brain injury which Collins did but his importance in the music scene is far too much emphasised and the scene has not suffered one jot from his absence. This film is inept in almost every respect - it puts his medical event into no kind of context -we have no idea of how he was before the incident and the viewer becomes disinterested before the story even begins.
valleyjohn Most people of a certain age will know who Edwyn Collins is even if it's just because they know the 1994 song "I've never met a girl like you before" but not everyone will know his recent life story and a very sad one it is. in 2005, Collins said he felt unwell , two days later he suffered a major cerebral haemorrhage to his brain and his life completely changed . This documentary follows him and his wonderfully supportive partner Grace on part of the long hard road to recovery. Although the story is sad it's quite an uplifting documentary. It's obvious that due to the massive brain injury that Collins will never be the same as he was but that isn't stopping him doing what he loves best. Playing music. This does suffer from being a little bit too arty at times but nonetheless is still a film you should see.
Red_Identity The first twenty minutes are this really work in an atmospheric, lyrical, poetic sort of way. The same sort of way that Malick films work. Really ambitious and inspired for a documentary. And the whole documentary refuses to bow downy os sentimentality of misery and pain, and instead really highlights the beautiful moments. This film is definitely going to test many people's patience, but considering how bad some films get these days, nor expect for the audience, this is a very, very welcome little surprise and I hope many people are able to seek it out. It's a really grand testament with how it approaches its subject and the subject matter, and definitely recommend it.
Ian Robinson Scottish musician Edwyn Collins is best known (if at all) for his hits "Rip It Up And Start Again" (with Orange Juice) and "A Girl Like You" which became a worldwide smash in 1994. Despite only having the two hits he was a constant presence in the UK music industry and his witty and opinionated views made him a radio regular. It was after an appearance with Andrew Collins on BBC6Music that he suffered a brain hemorrhage and entered into a coma. This film charts his recovery, his relationship with his partner, and his attempts to make new music.The problem is it's hard to see who it will appeal to: the film is far too wishy-washy and fails to pin down it's subject. While we watch atmospheric visuals and listen to amazing sound design we drift merely around the edges of the man himself, who barely appears for an hour.If you've never heard of the man, there is no context. Nothing to say why you should care, and barely anything to show what he was like before the coma. A few brief clips from "Conan O'Brien" and "Top of the Pops" aside, the film remains stubbornly in the etherworld of Collins' coma.The first hour is dreary, insubstantial indulgence by the film-makers. The last 20 minutes goes some way to redeeming itself by showing more of Edwin at work and with Grace, but the whole thing is lacking. It needed more voices, more history. You learn much more, and are moved more, by the BBC Radio 4 programme "Mastertapes" that features in this film and can still be heard on the Radio 4 website.