Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?

Thehibikiew Not even bad in a good way

Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Boba_Fett1138 It's not a movie with many spoken lines in it. After all the two main characters hardly speak the same language. The movie allows its images to mostly tell the entire story. I sort of always like this, since after all that's also how movies were intended to be in the first place. The great camera-work and compositions of course help with this. It also makes the movie a slow going one but this works beautiful and effective for the movie its story and storytelling. Still, because the movie is rather short, it tends to rush things a little, especially toward the end. It's also the reason why the movie ends sort of on a false note.This movie is a real character movie. Almost the entire movie focuses purely on just the two main characters. The characters don't explain anything to each other about how and what. They just accept things as they are and don't look back, even though the both of them, as implied, had issues in the past. They are definitely not at love at first but they also most certainly don't hate each other. They slowly and steadily grow- and open up toward each other and also learn from each other, in many different ways. It doesn't make this movie 'just' another unusual love-story but something that goes deeper and therefor also gets more effectively shown on the screen.The movie gives a good portrayal of the farm life and the empty flat real peaceful nature. I think it's a real missed opportunity from Dutch film-makers to not shoot more movies there. It's cheap to make, also since you don't have to close down any roads or shops or stuff like that and it's of course beautiful looking, which really gives the movie a lot of atmosphere without having to manipulate or set up anything. And abroad, people always seem to like these type of movies and these movies, with this kind of atmosphere, have a fair chance at the international market and festivals. After all, this movie even received a Golden Globe nomination for best foreign film.I never thought I would hear an Ede Staal song in a Dutch, or just any movie. Ede Staal and his music are unmistakably connected to the entire province of Groningen. His songs are often about the province and they perfectly capture the life, feeling and atmosphere of the province. So, one of his most famous songs 't Hogelaand' totally fits within the movie, captures its atmosphere and what it tries to tell.Jaap Spijkers is a good actor, although I admit that he is a better actor now then he used to be 10 years ago, at the time of this movie. Or perhaps it's just that he isn't really the sort of actor for the leading type of roles. Same goes for Monic Hendrickx by the way, who at the time still was a rookie in the movie business. He did a fairly good job with his accent, although people who are actually not from Groningen but play a Groninger character always tend to make the accent sound way too thick.The movie is about some relevant issues, such as Polish woman being forced to work in the prostitution in Western countries, the hard financial situation and time for Dutch farmers and the slinking population, amount farms and shops in the rural areas.The movie is currently getting an Australian treatment as well, named "Unfinished Sky", again with Monic Hendrickx in the same role. The story will probably work the same but will the atmosphere as well? Doubtful, which is a negative thing, since it mostly was the atmosphere that carried the movie and almost entirely told the movie its story and emotions.A really great and also certainly unique and a one of a kind movie. The Australian version won't change that.8/10http://bobafett1138.blogspot.com/

Hokusai I love this movie, but for slightly different reasons than mentioned here. I'm from the Netherlands, and I grew up in a village in the eastern part of Friesland, which is very similar to the countryside of Groningen.Halfway during the movie I noticed there were tears in my eyes. Oddly enough, it wasn't during an emotional scene between the main characters. It was a shot of the countryside of Groningen. The scenery wasn't extraordinarily beautiful or anything. Yet somehow, it had managed to perfectly capture the feeling the Dutch countryside gives me whenever I'm visiting my parents.And then I realized it wasn't just the scenery, it also was the slow pace of the movie, the lack of dialogue between the two main characters, or the lack of much happening at all during most of the movie. The solitude of the farmer's life, the gentle moments between the main characters, the two of them being all alone in their own little world.That one of the characters was a Polish woman on the run from pimps is just a McGuffin, this movie really isn't about that. It's about the feeling of living on the north-eastern Dutch countryside. If cinematography feels a little odd now and then, it's because it's completely focused on capturing the feeling of being on a Dutch farm, the story and it's characters being less important.People are remembered. Exciting events are remembered. What movie is about remembering the feeling of living at a certain place at a certain time? OK, and what if we're not talking about someone's memories of growing up? Yeah, those kind of movies are rare, aren't they? This movie is one of them, and one of the best.When people are going to watch this movie in a couple of decades, if they're still capable of investing themselves into a slow paced, technically inferior movie with an unexciting storyline compared to whatever they'll be used to by then, they're going to experience what it's like to live the the sobering, lonely yet somehow also magical and sometimes beautiful life of a Dutch farmer and his Polish bride.

nqure Anna, an abused Polish immigrant forced to work as a prostitute, is rescued by Henk, a taciturn and reclusive farmer. Gradually, as Anna recovers, Henk slowly wins her trust.The film is a subtle, tender love story. Anna, in turn, affects Henk's life bringing a sense of vitality (she sings in the empty house) which brings the emotionally repressed farmer out of his shell. Clearly, this is a man with much love to give but who has retreated himself for one reason or another.It's a very slow paced film, perhaps too much so, but then it is more a character study of two very different, but equally lonely people falling in love.My major criticsim of the film is its ending. Anna's 'employers' return and are brutally murdered; I thought this was quite well done resolving the thriller element of the plot quite effectively. However, Anna & Henk, finally consummate their love immediately after the murders. This seemed out of place and harmony with the rest of the film. It might have been better if the lovers had consummated their passion first before the return of the dreaded pimps, thus adding to the tension of whether their relationship would survive.An interesting film and I think one of the Dutch reviewers was a little harsh on his nation's recent film output. 'Antonia's Line' and 'Character' are very distinctive films; they may not be huge 'hits' or garner many plaudits, but they are original. In a cinematic world which is highly derivative, that is no such bad thing.

dilbert A lonely farmer falls in love with a woman who literally falls into his life. I knew what was going to happen, as would anyone who's ever been to the movies before, but I was riveted by the journey to the inevitable conclusion, and that's what made this film so enjoyable. Only one element mars the believability of this love story, and you'll know it when you see it.