The Matchmaker
The Matchmaker
| 23 July 1958 (USA)
The Matchmaker Trailers

Thornton Wilder's tale of a matchmaker who desires the man she's supposed to be pairing with another woman.

Reviews
Linbeymusol Wonderful character development!
Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.
Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.
Wyatt There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
passingview There's a lot of back and forth on this one, comparing the cast, comparing movie to stage, a lot about Streisand being too young. Even on the Hello Dolly reviews, you get that. I wonder if people didn't know how old Barbra Streisand was if they would still say that. I also wonder how different people's reviews would be if they didn't have the chance to read others'. And, just because someone's been on stage, doesn't make them a demigod. When I saw Hello Dolly, it was love at first sight, along with a lot of other people. Probably those who didn't know all the background and about other productions. Ignorance can be bliss maybe. Probably more like too much information is just confusing. There's even some outrage that someone dared remake their little gem. Well they dared and did and kicked it up a notch, which was needed. The musical version rocked the house from start to finish. The songs stay with you. The scenes come alive and have greater interest. Mathau was a fine curmudgeon, really funny. Streisand was that Levi woman, age immaterial. She had a full figure and easily passed for a middle aged widow. She came up to what is a strong part. Her outrageous handling was sheer delight. Her more alive and youthful aspect was much better than that rather tired old lady. If you're going to pick on age, I think it's more like Shirley Booth seemed too old for the part. This current movie under review seems kind of tired to me in general, like players doing their umpteenth performance at the end of a run. Phoned in. I never saw Shirley Booth on Broadway, and with what I see here, no regret. She's better cast as Hazel on television. Streisand stood up and put some bump into this grind. Whoever did Hello Dolly was a real movie maker who took the same stuff to another level. In my view, it made a much more solid contribution to the movie world than Match's rather slow and odd mix of things.
moonspinner55 Thornton Wilder's play about a matchmaking busy-body named Dolly Levi in 1880s Yonkers, New York who has been hired to find a mate for a wealthy, grumpy business owner; she comically attempts to keep him for herself, while the gal he admires is quickly falling for one of his own employees. The later stage (and film) musical "Hello, Dolly!" actually improved upon this scenario--there are pauses here which practically call out for a song--but there's evident charm in Shirley Booth's lead portrayal; at times addressing the audience directly (with many of the players following suit), Booth sounds a lot like Thelma Ritter (and has some of Ritter's spunk), but she doesn't get her share of the good lines. Scenes of Dolly getting a wedding ring stuck on her finger or delightedly finding men hiding in Shirley MacLaine's hat shop don't really come off. Booth is friendly but frivolous, and we never quite become involved in her quest to have a man--this man--in her life (in the film-version of "Hello, Dolly!", Barbra Streisand was much more persuasive about her need to share her life with a mate--even if it was Walter Matthau!). The film flutters about in a jolly, folksy way, but some of its gags (such as Anthony Perkins and Robert Morse having to dress in drag) are just silly. It begins and finishes on an upbeat note, but the leaden handling drags its midsection down, even though the cast is quite good. ** from ****
whpratt1 This a great film with outstanding actors and is a take off on, "Hello Dolly". Shirley Booth, (Dolly Gallgher Levi) plays the role as a matchmaker who is always broke but manages to get by one way or the other. Dolly has her eyes set on Horace Vandergelder, (Paul Ford) who is a very rich man and is very tight with his money and pays horrible wages to his employees at his General Store. Cornelius Hackl, (Anthony Perkins) is the chief clerk in the store along with another male co-worker who are very under-paid and actually are given no time off and work seven days a week. This story takes place in Yonkers, N.Y. in the 1800's, and one day, Dolly decides to find a young girl for Horace in New York City who sells ladies hats and is very pretty. Horace says he will go with her and meet this young woman named Irene Molly and possibly ask her to marry him. This is a very romantic and great comedy from 1958 and Paul Ford and Shirley Booth give outstanding performances, don't miss seeing this film.
jackmagicjck2 I enjoyed this much more than it;s musical counterpart 'Hello Dolly'. The cast is so much more likable. They have high energy but are not phony. Shirley Booth is like the lovable grandmother and not the diva like Barbra Streisand was. She kind of reminds me of Aunt Clara from 'Bewitched' she is not dopey but she is just so sweet lovable and gentle. While Streusand just kind of had this thing as if to hey look at me!!!!'Anthony Perkins is cute, and likable not dopey like Micheal Crawford. and Paul Ford, is a much more convincing portrayal of Horace Vandergelder then Walter Mathau. 'Hello Dolly' was too stagy and phony while this is just cute and upbeat. I would chose this over 'Hello Dolly' any day.
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