The Masquerader
The Masquerader
NR | 27 August 1914 (USA)
The Masquerader Trailers

Charlie plays an actor who bungles several scenes and is kicked out. He returns convincingly dressed as a lady and charms the director, but Charlie never makes it into the film.

Reviews
Salubfoto It's an amazing and heartbreaking story.
Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.
Phillida Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
guisreis The spoiler is already present in the synopsis; therefore, don't worry that there is no additional spoiling information.Funny! Off course this is not one of Charlie Chaplin's best films, as none of his short films for Keystone Studios (1914) or Essanay Studios (1915) is, but it is nice, possibly his best from 1914. There are two elements extremely interesting here: 1) First of all, Chaplin portrays ans actor that is a tramp-like version of himself (a lot of slapstick in spite of having his real appearance), without mustache, and the little tramp is a character played by that actor! 2) Besides that, it is impressive to see Chaplin disguised as a woman in order to charm the director. In addition, it is worth mentioning that some minutes from the film show a scene in which Chaplin acts together with comedian Fatty Arbuckle. They have been together other times (like in "The Knockout", which is much worse than "The Masquerader"), but here the partnership has a better outcome than in other situations, although not an exceptional one. This is the 10th film directed by Chaplin but only the 2nd written by him.
OldAle1 Watched from an old VHS tape of 5 1914 shorts, the quality on this as with the others is rather poor and there are dropouts -- not from the tape, but from the film elements -- sometimes enough so that the action is hard to follow though less so in this case than most of the others. Not that it matters a whole lot, as this is for the most part like the other shorts very simple films with lots of knockabout action, broad humor, and very little else."The Masquerader" might be the best of the five, with the action taking place in a film studio and Charlie as an incompetent actor -- so an early example of the self-reflexive nature of film at work here -- only to return after being canned as a beautiful, dolled up actress. Chaplin's mimicry and makeup is really quite amazing here -- he had me fooled, anyway. The film also features Fatty Arbuckle as a rival actor who at one point gives Charlie gasoline to drink! His scene with Charlie, on opposite sides of a dressing-mirror in a dressing-room, is a classic of timing and facial expressions and has the feel of improvisation.
MartinHafer I've seen quite a few Chaplin shorts from early in his career and I've noticed that his early stuff (done for Keystone Studios) is pretty dreadful stuff. Unlike his wonderful full-length films from the 20s and 30s, the films from 1914-1915 are incredibly poorly made--having no script but only vague instructions from the director. In most cases, the films had almost no plot and degenerated to people punching and kicking each other.This movie has a very thin plot. Charlie is either working at a movie set or he sneaks in--it's not sure which. And, he makes a mess of everything until he's thrown out,...only to return in drag! The director thinks Charlie's a hot tamale and begins making passes at him/her! Actually, I was shocked just how GOOD Chaplin looked as a girl! He probably could have passed as a woman in public.FYI--this is the second film in which Chaplin appeared in drag. It also features Fatty Arbuckle in a cameo playing, I think, himself.
rbverhoef I am not really sure whether I liked this Charlie Chaplin short or not. Compared to his more famous shorts from 1915 to 1918 this is not that good but since it is Chaplin I found myself smiling almost constantly.Here he plays an actor who messes up several takes. He is fired but returns dressed up as a woman. He kind of seduces the movie's director who likes the woman.The problem with this short is that the only real joke here is Chaplin dressed up as a woman. Of course that is fun to see, but we don't see the real Chaplin and I guess that it makes this Chaplin short a little disappointing.