ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Kayden This is a dark and sometimes deeply uncomfortable drama

blanche-2 I really wasn't expecting to see a documentary when I saw the names Merle Oberon and Ralph Richardson, but a documentary it was. "The Lion Has Wings" is a propaganda film produced by Alexander Korda, showing the world as the Nazis begin to take over Europe.If you know about England at this time in history, and I do, you perhaps won't be as interested in this as others. The British really wanted to fight, but they were afraid that America wouldn't join them, and they really didn't know how they could stave off the Germans without the U.S.Whether they could withstand the Germans or not, the Brits wanted to show that they were ready to fight. Some interesting actual footage. Oberon and Richardson were just there to get people into the theaters. This is pretty dry stuff, although back then, a film of this type was important for morale.

Jimmy L. I rate THE LION HAS WINGS (1939) a 7/10 on the strength of the fascinating documentary footage that makes up much of the first half of the film. (The scenes involving the actors are considerably less fascinating.)THE LION HAS WINGS is a British propaganda film that seeks to stir up support for the war effort by appealing to a sense of British pride, with particular focus on Britain's air supremacy in its war with Germany.The early portion of the film uses documentary footage to paint a picture of idyllic British life, in sharp contrast to the military state being run by Adolf Hitler. Hitler, surrounded by a sea of guards, is contrasted with Great Britain's King George VI, who walks openly among his people. The film succeeds in demonizing Hitler as an unscrupulous leader with an outdated hunger for conquest. The film even makes use of archival footage of one of Hitler's early speeches as it drives home the point that he's broken lots of promises by annexing neighboring lands. Excerpts are highlighted from "Mein Kampf" outlining the true ambitions of a man who does not want peace (at least until Germany rules Europe).The movie is very interesting from a historical standpoint. It covers recent events in world history and also offers a look at British society in the 1930s, touching upon things like sports and recreation, hospital care, and housing improvements. There's footage from an air show, demonstrating the talents of British flyers, as well as some really cool looks at airplane and ammunition manufacture and the "balloon barrage" defense against air strikes. In addition to the archival footage of Hitler and King George VI, we get to hear British Prime Minister Neville Chamberlain's radio address informing the British people that war is declared. With the narrator guiding you along, the movie is quite educational.The actors take over around the halfway point and the film becomes more of a dramatization of bombing raids abroad and the RAF's defense of the homeland. This may have been just the thing to arouse patriotism at the time, but it's rather hum-drum now. These dangerous and exciting missions have been brought to life much better in other films.The main players are Ralph Richardson and the always lovely Merle Oberon, as a young couple who answer the call when their country needs them. What story is there is no great shakes, but it serves its purpose within the film. There are others in the cast, though most of the parts are minor. Flora Robson has a cameo as Queen Elizabeth I in a scene about England's defense against the Spanish Armada (a scene borrowed from the 1937 film FIRE OVER ENGLAND).THE LION HAS WINGS ties England's proud naval heritage with Britain's more recent mastery of flight, comparing the ace pilots of the RAF with Sir Francis Drake and the other great English seamen. And the film makes it very clear that Great Britain had no choice but to go to war with Hitler's Germany, after repeated offenses on the continent and no effort to discuss a peaceful settlement. As the narrator puts it, the British people prefer to win sports matches, but they can win wars, too, if they must. It's also stressed that the highly skilled airmen of the RAF bomb only strategic military targets, not cities full of innocent civilians (another dig at the evil dictator).Released at a time when Great Britain had just entered what would become World War II, THE LION HAS WINGS makes sure the British people know what they're fighting for and appeals to their nationalistic pride to win support for what may have been, at the time, an unpopular war.

atlasmb Released in 1939 as Britain was engaging Hitler's war machine, this B&W film cannot property be called a documentary. It is a dramatized propaganda film that masquerades as a fact-based call to arms.The film portrays Britain as an idyllic land of goodwill and happy citizens. In contrast, Germany is portrayed by shots of Nazi soldiers spurred into action by Hitler's hateful histrionics. This is not a film of unbiased observation, obviously. It is the kind of cinema that inflames the emotions and plays on the heartstrings with stirring speeches of patriotism and images of ruddy-cheeked children and self-sacrificing lovers.Be sure to read the "Goofs" section for this film as the film does contain inaccuracies. Accuracy was not the primary concern of its makers. They wished to motivate British viewers while assuring them that Britain is prepared, just, and in the right. I wonder if viewing the film was considered a patriotic duty at the time?This film is well worth seeing for its historic footage and as an artifact of its time. Note that--like almost all who go to war--they underestimate the duration of impending hostilities. They forecast the war in Europe to be a 3-year struggle. This is partly due to an overestimation of British power. The film assures one that British resources are superior and British craftsmanship is second to none.The narrator, who often sounds like a broadcaster at a football match, invokes various examples from British history to create an impression of invincibility. And the film quaintly promises that British resolve will overcome the "frightfulness".In 1939, American cinema was enjoying its greatest year. In just two years, America would be dragged into the worldwide conflict and its cinematic resources would also produce propaganda that now looks quaint, biased, and sometimes shameful. "The Lion Has Wings" was paving the way for an unfortunate chapter in cinema that can be illuminating and interesting.

Cinema_Fan War movies, and in particular, World War II propaganda war movies do not come as blatant as this piece of English cinema. Produced by London Films with Hungarian born Alexander Korda (1893 - 1956), part director, part producer and this being his bit for the British war effort shows the world both at peace and on the verge of Nazi domination. The Lion Has Wings was to become one of the most influential and pivotal war movies to date, if one can call it "war movie".This style, this technique is more akin to the documentary and the stiff upper-lip newsreels, an extended newsreel so to speak here, seen for so long in the English cinemas around this time. This is exactly the point of this film. To show the people of Britain, who, on the verge of their second great war, that England, its principles, its freedoms and its history, when compared and conjoined with news footage of the German armies' and the oppressive might of Hitler and his black plague slowly spreading across Europe during the nineteen thirties, was the fairer, peaceful and more tolerant nation. Seeing the English perceptive can, for a short while, also be seen as a little problematic, it in itself can seem a little too narcissist, too biased and while giving the impression of a them and us scenario, to the "other side" just may be seen as too wonderful and too modest for its own good. One only has to listen to the narrative spoken here, and it really is un-reassuring, in parts, shown are the parallels of the German war machine being nurtured during peace time in the 1930's and the film footage of the English factories hard at work in readdressing this unbalance via the making of vast amounts of bullets, bombs and long range guns. We make these weapons of our own free will to justify this strategy is because it is "they" who are armed for the "wrong reasons". Our cause is righteous and just. Starring Ralph Richardson (1902 - 1983) as the Royal Air Force Commander willing and ready to do his duty and nurse Merle Oberon (1911 - 1979) as his sweetheart, and both having worked with Alexander Korda on numerous occasions before, play their parts eloquently, very eloquently, the stiff-upper-lip of the English nation stands on these two enduring shoulders. Stout and proud are these two peacetime winged angels who tread on pastures new, staged and rehearsed to the point of perfection and astonishment.This three directional film by Adrian Brunel, Brian Desmond Hurst and Michael Powell, each had their parts to play. The twelve-day shoot and two weeks of putting this work together made it impossible for one director alone. This was wartime propaganda at its zenith, the shape of things to come. Like the pulling together of these three directors, we also see the country, of all classes, pulling together to defend and defeat this plague. With its resources of weapons and modern technology fighting to withhold the might of Hitler with "good Chaps" and the brave women of England. This delivery of patronage as Merle Oberon is giving her monologue on the plight of the women and their husbands and sons of England, and don't forget, written by men, is shot up tight to her face, her spirit, her resolve and experiences shine through as the brave consciousness of a well prepared, but, only too daunting people. This is The Lion Has Wings coming into its own, pure undiluted propaganda. The Ministry of Information would be proud; this is an extremely well calculated publicity stunt for the British Colonies', her allies, her foes and beyond.As in yesterday's methods, and looking at today's methods too, we are not too far removed from how propaganda exploits it favourite medium: from the large screen of yesteryear to the small screen in the corner of our living rooms today. The medium of cinema was a powerful tool, during The Great War of 1914 to 1918 cinemas were closed down and propaganda took other routes, but, during the 1930's and beyond and before the advent of television, the medium of cinema was to reach out to the minds of its peoples. Soon after the release of The Lion Has Wings there were other, more successful, films of this ilk, jumping on the band-wagon with differing styles and techniques, films such as The Life and Death Of Colonel Blimp (1943), 49th Parallel (1941) and the stunning Ealing Studios great Went the Day Well (1942) were to play their part for freedoms and morality. On the other hand, too, there are just as great propaganda films from the dark side of Nationalism: Joseph Goebbels's Nazi Cinema; With soundtracks of note such as Titanic (1943), S.A.-Mann Brand (1933) and also from 1933 Hitlerjunge Quex. Some to enlighten, some to dictate, some to frighten, but all to propel a message of fervour in some shape and form and depending on which side of the fence you may sit, the rest are just historical films of propaganda from "the other side".The effect of The Lion Has Wings on the British war machine was slight, though crude but effective propaganda cinema, spliced together to form both newsreel and acting, it set the standard. With World War 2 gone, the Cold War had too come then disbanded, and then during the eighties and nineties, we had the demise of the Eastern Bloc and the division of Yugoslavia. All this had great consequence that shaped the European Union once more, these were the events and their opportunities for the propaganda machine to keep itself in perpetual motion, and having left its mark for all to see. Finally, and rightly so, leaving the last word to the now defunct Belgrade underground radio station RADIO B92, with its passing epitaph: "Trust no one - not even us - but keep the faith…"