Evengyny Thanks for the memories!

MamaGravity good back-story, and good acting

Console best movie i've ever seen.

Raymond Sierra The film may be flawed, but its message is not.

Horst in Translation (filmreviews@web.de) It seems as if it all fits: Italian western starring Franco Nero, music by Ennio Morricone and a good atmospheric setting with a lonesome fighter. Too bad this 8-minute movie does not make a whole lot of all this and instead shows us what happens when our hero simply has no enemies anymore to go up against. Was that a symbolism of western being dead? I hope not as it certainly is not as there are good genre films coming out every once in a while, even if the actors today who star in these films are not defined by the genre like maybe Wayne, Eastwood and of course Nero were back then. Anyway, back to this one, all in all a great story was missing here to go with the strong basic additions I mentioned earlier. I do not recommend the watch.

cappi-5 It's great to see Franco Nero (who else?) back as "the last gunfighter" of the title, in a wonderful black and white photography. Nero - hero of some of the greatest Italian-made western movies, starring in one of the absolute masterpieces of the genre, Corbucci's "Vamos a matar, companeros" - doesn't say a single word, he simply acts with his presence and his face. And that's enough to recreate the legend. The movie was actually filmed in a dismissed industrial area outside Turin, converted in a postmodern western location. Every detail is simply perfect, from the beginning to the end, making this short movie the latest masterpiece in Italian western.

MARIO GAUCI Franco Nero is a gunslinger, per the film's title the last of his breed; he goes to an abandoned warehouse - the setting, presumably, is the present - and commits ritual suicide. An 8-minute short that's clearly an ode to the Spaghetti Western subgenre (though shot in black-and-white) and featuring one of its more durable stars. Even if very little actually happens - and, rather than utilizing music from Nero's own Westerns, the soundtrack draws on the instantly-recognizable scores composed by maestro Ennio Morricone for the Clint Eastwood/Sergio Leone films - it manages, in its limited duration, to be oddly elegiac and, indeed, is quite nicely done in every department.

Davide Great interpretation of Franco Nero! Very good the cinemathography of Dominici. Morricone's music arranged very well by italian pop group "Subsonica"