Brightlyme i know i wasted 90 mins of my life.

Steineded How sad is this?

Iseerphia All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.

mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

Petelecaster The Kingdom of Dreams and Madness stays true to its name, offering a deep, touching, and realistic insight into the dreams and madness rampant in the production of Hayao Miyazaki's 'last' masterpiece, 'The Wind Rises'. To the surprise of many, the documentary doesn't dive into Studio Ghibli's rich heritage. With the exception of Miyazaki's partnership with Isao Takahata, we learn little to nothing of his life, family, education, and works. Even less documented is the production process from concept to film. If you're looking for structure, biopsy, behind the scenes, and feel-good tangents, this is not it.'Hello, please allow me to observe you working.' - the hanging note in the opening scenes summarizes the film's 'unobtrusive' approach. Unlike the typical American documentary, the Kingdom of Dreams and Madness drops the head-on interviews, spotlights, and overall busy atmosphere, in favour of capturing the routine of the team at Ghibli. Lacking the excitement and glorification one would expect from such a talented budget, the already 120 minute long time line feels slow. Watching sometimes feels as tedious as the animation process itself. Though, the result is a treasure: an unbiased look at what it means to be, and work for Miyazaki; the crew's timid involvement allows Miyazaki to open up, giving us an unexpected glimpse into what goes on in his head, and leads to a touching, raw, understanding of 'the suffering of film making'.There's one thing to take away from The Kingdom of Dreams and Madness: Miyazaki's philosophy. In a place where we expect happiness, motivation, and fusion, we instead find cynicism, bitterness, frustration, and chaos. Albeit delivered politely and comically, Miyazaki's words are not what we expect to hear. Through rants about bowing to not being able to draw A6M Zero's, Miyazaki channels his surrender within the modern world. 'Today, all of humanity's dreams are cursed somehow'. You can't create your own happiness, because you cannot control how others see your creations. 'The notion that one's goal in life is to be happy, that your own happiness is the goal... I just don't buy it.' The Kingdom of Dreams and Madness is nothing you would expect, and everything you need to know. At first hard to follow, it quickly immerses you in a philosophical trance. Be sure to leave time to ponder at this solid 10.

kennybass-25907 The Kingdom of Dreams and Madness is a documentary following the life of legendary anime writer Hayao Miyazaki. This documentary focuses on the mannerisms, quirks, and what drives Miyazaki to do what he does as both an artist and a storyboard creator. The ideal audience for this film would obviously be fans of the works of Hayao Miyazaki, but even if you are not familiar with his works you could still watch it and get full enjoyment out of it. Before you watch this film I do recommend watching other films by Miyazaki such as Spirited Away, The Wind Rises, and My Neighbor Totoro, so as to gain understanding of his style. While watching this film you may notice the great detail Miyazaki goes into in each aspect of his life, both professional and personal. Notice the way he writes his storyboards diligently every day, or watches the sunset every evening. Miyazaki is not one to leave others to do his work for him while he sits idly by. The documentary focuses on the struggles he has pushed through to be as successful as he currently is, though I doubt he would own up to his success due to his humility. Miyazaki writes more than stories, he writes metaphors and wisdom. If you watch this film with an open eye you will see the symbolism that seems to be prevalent throughout his movies. The way the camera will focus on the sunset or close in on a phrase seen on the wall all have inverse meanings. Keep your eyes open and you will see between the blurred lines of the camera lens. A main point Miyazaki pushes is to not lose focus on the deeper meaning of his grand tales because they are animated and supposedly for children. This film notes that in his youth Miyazaki lived through an air raid that left him with an awe and appreciation towards flight. Specifically in the A6M3 Zero or just Zero aircraft which he has had an addiction to draw perfectly for many years now. During the film Miyazaki follows the life of Jiro Horikoshi, the creator of the Zero and notes that all of men's dreams are cursed. He believes that no matter what you do or create, it will eventually be used for evil. Miyazaki even believes that philosophy about his own works. Miyazaki feels that the government has become too restrictive of what he can and cannot write about which makes him even more militant to what he wants to write. Though he is vigorous, his vigor will one day run out and he fears there will not be anyone to take his place. In my humble opinion I would say this film is very informative and exciting to the audience it is trying to reach. Others may find it dragging in some places, but may still find it intriguing.

LilyDaleLady I was majorly disappointed in this documentary about legendary animator Hiyao Miyazaki and his famous Studio Ghibli (that produced such iconic animated films as My Neighbor Totoro, Kiki's Delivery Service, Spirited Away, Princess Mononoke to name a few.First let me say that I near-worship Miyazaki. When I first found his work in the mid-90s, I had a fantasy of flying to Japan, prostrating myself at the front door of Studio Ghibli and begging for a job as the lowest underling -- sweeping floors, making tea -- just to be near the artists & their work. OK, a silly mid-life fantasy. But still. I adored them, and I still consider Miyazaki the most pre-eminent animator of the last 35 years, and Studio Ghibli makes Disney, Pixar and Dreamworks look a bit lame (his hand drawn animation blasts their computer graphics into space dust).But this documentary is the epitome of bad documentaries. It's fragmented. It's boring. If you have not seen most of films, it won't even make sense. They give no framework for understanding WHO he is or why he is important (or why his presumed retirement is an irreplaceable loss for the world of animation). A good documentary could be on rice farmers in the Sub-Sahara, and be seen by someone who has never heard of them, and actually make you understand and appreciate the subject. This documentary does the OPPOSITE -- it took someone and something I absolutely adore and revere, and made them more boring than math homework.For starters, the film is in Japanese, and they thought so little of it as to not dub any of it. It's grueling to watch. (There is more footage of the studio's adorable snub-tailed cat than Miyazaki!) The subtitles are so poorly done, you often cannot read them against the backdrops. This is inexcusable. It would have taken very little effort to have the narration dubbed into English.About all I got out of this (besides meeting their cat!) was that the studio itself is interesting - - a light filled and charmingly modest space. We also see what I THINK was Miyazaki's home (they do not make it clear) and again, it's a large and homey space, but nothing fancy. I imagine if one toured the home of John Lassiter or Brad Bird or any Disney exec, you'd see something on an entirely different scale of bling. You get to see nature surrounding Studio Ghibli and the rooftop garden, which is a glimpse into the natural beauty often reflected in the films. That much is nice. But there isn't too much of it.Most of the film is the rather dark and depressing personality of MIyazaki. Good thing I never became his gofer/tea girl, because I thought he would be a warm, grandfatherly person full of light and imagination. Ummm....not. He's an "end of the world" type, and strikes me as depressed. His colleagues and co-workers come off as non-entities (though I am sure they do important work). I was surprised not to see evidence of his family (besides the son, Goro, whom Miyazaki makes painfully clear is not talented enough to take over the studio). Supposedly Miyazaki based the characters of May, Seitsuke, Kiki and San on his granddaughters. They must be young adults by now. It would have been nice to have seen them or at least some photos of his family. (If he is married, they do not mention his wife.)I have probably seen films like Totoro and Kiki 10-12 times each, if not more and remain fascinated with all Miyazaki's work. I like some better than others, but all of them form a rich cultural treasure chest. THIS documentary -- I fell asleep somewhere around the last third. FELL ASLEEP. It is unbelievably dull. How you can make such a fascinating person dull is beyond me.

Mozjoukine Detailed observational doco filmed in Hayao Miyazaki's Studio Gibli building. The studio cat gets as much screen time as Takahata working down the road on The TALE of PRINCESS KAGYUA.The bulk of the footage covers Miyazaki finalizing AS the WIND RISES working in his computer free headquarters, recording voice tracks and music and showing the finished film to his staff.The only person in a suit is the legal rep.Not an unblemished study, as this is likely to be the last film of both these major figures in animation, the record of their work has an extra, slightly melancholy feeling.