Tetrady not as good as all the hype

Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

FrogGlace In other words,this film is a surreal ride.

Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

stevenanderson624 "You really love to look for trouble, don't you man". These words, spoken by our hero's doomed best friend Bobby, are at the heart of this haunting psychological urban western. Not since the days of John Ford's collaborations with John Wayne has there been such a persuasive portrait of the mental anguish suffered by the men who exist outside of societies remit, forever condemned to stalk the badlands.Men like Alex Tarambuan, or Rambu to his friends. As essayed with skill and clarity by Peter O'Brian, he is a man unable to hold down any job, such is the rage and bitterness inside, which he regularly takes out on the pitiless criminal element, personified in a brilliant opening scene by his nemesis, "Charlie the Hit-man". Totally reliant on his long suffering girlfriend Jenny (a touching, sensitive performance from Yenni Farida), he is absolutely one of the outcasts. This world, located on the outskirts of downtown Jakarta (viewed briefly in one stunning cityscape), has no need for men of honour, dignity and simplicity like Rambu.After the horrendous rape and subsequent murder of Jenny (an sadistically elongated sequence, staged with great skill and precision by director Jopi Burnama in one of many bravura set pieces), Tarambuan turns his grief into unholy anger, and decides to do the impossible – take on single handed outrageously evil crime lord John White (a sinister, glowering Craig Gavin).What follows is nothing short of an existentialist journey into Rambu's psyche, with O'Brian's unflinching performance as a man driven by emotions he barely comprehends himself coming to the fore. At this point, some extremely fine performances emerge from the intense din – the legendary Dana Christina is magnificent as Clara, hard bitten moll to White; Harry Capri, pilling on the sexual ambiguity as Steven, personal assistant to the shady Mr Andre (Kaharudin Syah, on typically fine form, this time blitzing his goody goody "Stabilizer" image).But the stand out is undoubtedly Adang Mansyur, as Rambu's mirror image nemesis Charlie. He's detestable certainly but also rather pathetic (witness him bitch slapped by his superior in one shocking scene), but played with great empathy by Mansyur. He is symbolic of the hierarchal structure of the crime network portrayed. When his grimy villainy is replaced by Craig Gavin's more measured approach as White, the film looses a certain spark. Having said that, Gavin has some choice moments - a scene of wanton intimidation and attempted rape on the daughter of local big cheese Hendrick (curiously never seen) resonates with mania and menace.And despite the emphasis on character through action and a decidedly anarchic, intentionally messy feel, some of the action set pieces are up there with the best. Indeed, a second act rescue competes with the village raid in Coppola's inferior "Apocalypse Now", if you replace helicopters with adapted milk floats, and underlines Burnama and screenwriter Deddy Armand's feel for combining heart stopping action with a sense of the surreal.Burning with intensity and genuine fire, "The Intruder" has enough ideas to fill several movies. Full of twists and turns, unexpected ambiguity (witness the extraordinary homosexual overtones in a scene between O'Brian and Capri, two master's at work ala De Niro & Pacino in Michael Mann's "Heat") and award worthy acting, this is an experience you won't want to miss.

olejen I have asked my self frequently, which movie, in at cost(price)-benefit(entertainment)ratio, have succeeded the most? The Intruder! I will keep i short, cause after i have been screening the brilliant comments that have been submitted, i have really nothing more to add. But i have to say, that the mean character of Charlie is something special. I wonder how he, one day after another, can step out of bed and think "...today i'm gonna beat the crap out of Rambu..." and actually believe in it. I think he is a role-model to all goons! And then of cause the man with the white hat: shot dead, blasted to oblivious and so on. I've lost count, but i estimate, that he dies every 10 minutes. Funniest movie ever!

jimsamx (warning, some spoilers ahead!!! :-D )First there was Orson Welles with "Citizen Kane". Then there was Akira Kurosawa with "Yojimbo" and "Seven Samurai". Although these films are considered... let's say, "good" they really can't stand a chance to this masterpiece. directors can learn many things from Jopi Burnama's "The intruder" a.k.a "Rambu". It's a giant step towards a new way of thinking. Jopi Burnama is a revolutionary director and his way of storytelling is ahead of our time. Alex Tarambuan (Rambu) is an unemployed bum who fights evil crime lord John White who killed our hero's wife. Seems pretty lame right? Ideed IT IS! But it's the little details that make this movie shine. How many times will you see a stuntman getting himself killed about 6-7 times in a scene? (it's a guy wearing a white hat near the final battle!) Another scene depicts a dancer inside a box/pyramid/something like that, taking off her clothes and throwing them back at the audience (even though she is inside a box with closed doors!)There are many Easter Eggs in this movie, I will not spoil them all, it's more fun to discover it on your own. However there is a scene I MUST describe it. The FLY. The most innovating aspect is definitely the (uncredited) fly walking around Rambu's lips and face in the "beach scene". No other actor but Peter O'Brian (whom I actually admire, no one ever made me laugh and feel that way as he did) would agree to do this. I really believe it wasn't a blooper in the film, Jopi Burnama would never do such a thing!As many other reviewers say, you have to see it to believe it. It's true. The acting, the dialog, the wonderfully bad music score - it all blends perfectly - and when we get to see Rambu's SUPER ROUND THING -TENNIS BALL-WHATEVER (or is it an orange?) striking it's master's enemies and then returning to his hands... Ladies and Gentlemen we have a masterpiece. Rambu knows no fear, he is here to destroy with a steel rod, our dinner dinner table, to snatch whips from cruel gangsters, to climb like spider-man on skyscrapers, to shoot a (obviously painted) missile... to scream like a maniac while shooting on walls.I think Ed Wood would be proud. Though it's not his kind of movies (vampire Rambu would be awesome) I think the Intruder proves how much we need B-Movies... "B" for "BAD". And Rambu is a BAD MOVIE. But so hilarious, so unintentionally funny. It takes itself so seriously, especially the scenes where we get to see Rambu's grimaces, his fury, his twisted mind when he tries to kill poor (murderous minion) Charlie.However I am impressed that this movie was rediscovered only now. I had seen this many years ago and I was deeply moved by it. I bet every kid would like to be Rambu and run with his Super-Bulletproof-Three-Wheeled-Vehicle (which I call the RAMBU-MOBILE). I thought this movie would be at the top in every movie - list in the world by now. I am glad that this movie today finally gets the recognition it deserves. For years we had to live with lower-quality movies like Rambo, Kickboxer, Ninja Demon massacre, Apocalypse Now, Ran and Blade Runner... It's time for a REAL movie with a REAL plot.So, is this worth watching.? Of course! It will make you laugh. You will like it even if it's not your favourite genre. The Intruder is a cult - classic.Thank you Jopi for making this movie. Thank you Peter for participating in this difficult task of bringing Rambu to life. hank you all you who worked so hard to bring us such a magnificent piece of film - making.Corny dialogs + awful story + horrible music + mediocre direction = The greatest B-Movie in cinema history. Don't miss it. There are many other things I could say about it, I could talk about it for hours, even days, trying to understand the deepest meaning and moral of this movie. But words cannot describe such accomplishment. See it. It will forever stay in your heart10/10

garethwilmot Before I begin, let me make it clear that I am a serious film critic. I take cinema very, very serious. It is my only passion, and for that reason alone it is my whole life. Like any normal film fan, I appreciate a good action thriller once in a while. Of course, I don't stand for any old witless piece of celluloid: I'm talking solid, well directed action pieces. And so it is that I recomend the 1986 techno-thriller 'The Intruder', directed by action maestro Jopi Burnama. This is his 'Citizen Kane'. It is a action masterpiece of such adept style and class, I am bewildered that it never recieved a) critical acclaim b)recognition c) public adulation or e)a wide theatrical release. Let me tell you more... We begin with the leading man, Peter O'Brian a.k.a Rambu. Peter is an actor of such subtle craftsmanship and charasmatic magnitude that he literally blows the screen apart. You find yourself unable to take your eyes of his stunning phyique and unable to process his acting chops. He is magnificent in this, his first leading role. Brian is ably supported by the great Craig Gavin (as the evil John Smith) and the sultry Dana Christina. The opening pre-credit set piece is quite simply explosive (when was the last time you saw gangster befowled by a flying outspan orange?). Rambu has the uncanny and envious ability to turn your average citrus fruit into a boomerang-like killing device. It is a credit to actor Brian that he did all his own orange throwing, no double was employed. The glorious mid section set-piece when Rambu takes on the entire Columbian drugs cartel using only a three wheeled golf cart is astounding. Never before has one man made 6 miles-per-hour seem so hair-raising. And so to the dynamic climax, where Rambu wears a belt. He also hits a filing cabinet with a lamp, then proceeds to kiss the wall. It is a show stopper that brings to mind the climax from Joseph Lai's 1988 opus Platoon Warriors, starring Mike Abbott and Mark Watson. Although this film lacks the pace of Godfrey Ho's masterpiece, it passes the time perfectly. If you can track this underated gem down, watch it. It could change your life*.*Probably won't. At all.