ChampDavSlim The acting is good, and the firecracker script has some excellent ideas.

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Jenna Walter The film may be flawed, but its message is not.

mark.waltz Not a great film by any means, this is still an interesting study of a woman standing by her man in the hardest of times and stepping aside when she believes that she is no longer needed in his life. Barbara Stanwyck give one of her typically multi-dimensional performances as a woman over 100 years old who tells her story to a rising female biographer, flashing back to her days as a very young girl in Philadelphia society and moving on to the wild west when tragedy separates her from the man she loves, rising politician Joel McCrea.While the narrative is excellent, dragging segments and some convoluted details makes for a missed opportunity for what could have been a classic. It is similar in many ways to the Greer Garson/Walter Pidgeon teaming, "Mrs. Parkington", and is a tribute to the bravery and integrity of the men and their women who helped the foundation of our country. Directed by William A. Wellman, it is not just a women's story, but like the best marriages focuses on what partnership. It was a propaganda film of a different sort for World War II, and holds up still on many levels. Brian Donlevy is excellent as the man who stands between Stanwyck and McCrea, while Thurstan Hall is her imperious father. Young K.T. Stevens is sincere as the young girl who reminds Stanwyck (hidden behind old age make- up and a Whistler's Mother dress) that everything is important when your young. So while this isn't one of her best known films, performance wise, it is a true sleeper.

Claudio Carvalho When the statue of the founder of Hoyt City, Ethan Hoyt (Joel McCrea) is dedicated, the sensationalist reporters and a biographer (Katharine Stevens) head to the house of the one hundred year-old Hannah Sempler (Barbara Stanwyck), where Ethan died, to know the relationship between them. Ms. Hannah sends them all out but the lady. Then she tells her life since she was a teenager and felt in love with the pioneer Ethan. In 1848, in Philadelphia, Ethan dreams on building Hoyt City, but he needs financiers and influent people to change the route of the railroad. Hannah decides to leave her upper-class father and marries with Ethan. Eight years later, she meets the gambler Steely Edwards (Brian Donlevy) and they become close friends. When Ethan discovers silver, Steely lends money to Hannah with the condition that she does not go to the mines with Ethan. Along the years, Ethan becomes rich and far from Hannah that he believes had died in a flood. Years later, they meet each other again in Hoyt City but their love is doomed since Ethan has raised a family of his own."The Great Man's Lady" is a classic with some of my favorite directors (William A. Wellman), actresses (Barbara Stanwyck) and actors (Joel McCrea and Brian Donlevy); and haunting music score by Victor Young. Unfortunately the story is a confused romance with a not well-explained triangle of love. I did not understand the quote "spring never comes again", since spring returns every year. My vote is six.Title (Brazil): "Até Que a Morte nos Separe" ("Till Death Do Us Apart")

vincentlynch-moonoi There were two Joel McCreas. One was the fairly noted actor in Western films. But before that, McCrea made many "regular" pics as a leading man, and he was usually very good, if not excellent. I always bypassed this particular film because I was not a fan of McCrea in Westerns.But, although this film takes place in the West, I would not really call it a Western. It's a sort of love story between McCrea and Barbara Stanwyck that happens to take place in the West.The story begins when a statue is being dedicated to the late founder of "Hoyt City", and there's a controversy that he may have been guilty of bigamy. So reporters attempt to interview the 100 year old wife (or is she mistress). A young female writer does get an interview, and Stanwyck (whom you won't even recognize at age 100) explains her story in flashbacks. I'm not a big fan of flashbacks -- I think it's a technique in films that is overdone -- but here it really works.McCrea's character, in my view, does not come off particularly well here, although his acting is perfectly fine. Oddly enough, the man who tries to steal Stanwyck from McCrea comes off as a more likable character, and is well played by Brian Donlevy. There are many trials and tribulations that the main characters have to survive here -- floods, hate, the loss of children, the belief that the wife is dead (which unintentionally does lead to bigamy), and so forth.Stanwyck is excellent here, and apparently this was one of her favorite film roles, and deservedly so.I didn't particularly like the very ending of the film, but aside from that it really held my attention because it is a different kind of film and has uniformly strong acting.I highly recommend it, and savor Joel McCrea before he became a cowboy actor.

eebyo This is a mess of a movie that, frankly, should not have been made, especially not by a pro's pro like Wellman, not even as a favor to the dependably phenomenal Miss Stanwyck. Italian grand opera has never featured a plot gone this far off the rails. Nor are any of opera's leading saints or scoundrels accorded the admiration plainly directed at the leads in this film, who show less common sense, valor, or candor than Wile E. Coyote brings to a bad day on the mesa. I won't spoil this turkey for intrepid or optimistic viewers, but I will note that the story nods (so quickly you might miss it) to an entire off-screen family whose existence, if contemplated for more than 10 seconds by any character, would've given some interesting version of this film a problem and points of view worth watching. "Reefer Madness" handled continuity better than this. Many of the lavish costumes are out of place on relatively bare sets. Joel McCrea's mustache, for heaven's sake, looks like it's about to slip off his handsome face through many scenes! Turner Classic, bless them, just showed this, earning my continued thanks for gallantly refusing to do my quality control for me.