NekoHomey Purely Joyful Movie!

Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Kinley This movie feels like it was made purely to piss off people who want good shows

dougdoepke Ace Cassidy western. It's only Boyd's second of the series, so many of the later trademarks are not yet in place. Instead of "Hoppy", for example, he's called "Bill". Plus his first horse, a black one, tosses him into a swamp of quicksand of all places! Good thing he soon gets the trustworthy Topper. Familiar cohorts Hayes and Ellison are on hand to help, but not yet as a team. There're also a number of uncharacteristic twists I didn't expect, along with great mountain scenery you haven't seen a hundred times before. Plotwise-- Cassidy is trying to get little Pablo back to his sometimes outlaw granddad, El Toro, before baddie Big Henry kills him. After all, little Pablo's seen Henry's gang kill his parents, so now he's hiding out in the mountains, thanks to saloon dancer Delores. But can she evade the killer gang before they find out, and can little Pablo survive in the wilderness.Speaking of Delores (Woodbury), her opening scenes put her in the tightest bustle this side of Mae West. And catch Cassidy's many hard-eyed stares, proving he could go toe-to-toe with Eastwood any time. In fact, even though he's still a force for good, our hero shows a shifty side that soon disappears from standard Hoppy. Anyway, I'm still not sure what Bartender Spike (Hayes) kept trying to do with one hand. I think it was a roll-your-own cigarette, old style. See if you can figure it out.Anyway, it's an unusual Hoppy, well staged and well worth catching up with, including more surprises than usual.

JohnHowardReid Paramount. 10 October 1935, Howard Bretherton. Screenplay by Doris Schroeder and Harrison Jacobs. Based on the 1931 novel, Hop-along Cassidy and the Eagle's Brood, by Clarence Edward Mulford. William Boyd, Jimmy Ellison, William Farnum, Addison Richards, George Hayes, Joan Woodbury, Frank Shannon, Dorothy Revier, Paul Fix, Al Lydell, John Merton. 59 minutes. (Available on an excellent Passport or Platinum Disc or Echo Bridge and also a VintageFilmBuff DVD). In this one, Bill Boyd is referred to as "Bill Cassidy" rather than Hopalong. It's a minor entry with all the action saved for the last reel - and pretty tame action it is too! True, there are some attractive location exteriors and one or two deft touches in Bretherton's direction. And Joan Woodbury dances to the Sam H, Stept (music) and Sidney Mitchell (lyrics) song, "Free With Love".

chipe This is one of the best Hopalong Cassidy movies I have seen, and it is also most unusual for a Hoppy movie. Mainly it has a small narrow plot that drives the action every step of the way. The other Hoppy movies are more like epics with large forces of horsemen on each side; usually the bad guys slip up at the end which unleashes a furious battle of riders. Here it is more like a well-tuned detective mystery with every little discovery initiating a counter move.On one side you have several bad guys, led by Big Henry, who murdered El Toro's (a famous retired Mexican bandit) son during a gold shipment robbery. They warn Gabby Hayes to stay quiet about the son and the gold passing their way, and in doing so learn that there was El Toro's grandson there who must have witnessed the murder-robbery and who has vanished. So the bad guys set about to locate the kid and kill him.On the other side, Dolores, an honest dance hall girl, finds the kid in the woods. She decides to ask her boss, Big Henry, to help return the kid to his grandfather in Mexico, but before she can open her mouth, she overhears Big Henry discussing his part in the robbery-murder. So she hides the kid in the woods and writes a letter to El Torro to find her and get his grandson.El Torro, on his way to Dolores, bumps into lawman Hoppy, saves Hoppy's life, and ends up giving Hoppy Dolores' letter so Hoppy will find the kid and bring him to El Torro (payment for saving Hoppy's life).By now, Big Henry becomes wise to Dolores and kills her. Both the bad guys and Hoppy are looking for the kid. I won't say more about the intricate plot.Other pluses for the movie: wonderful scenery and cinema photography; lack of comic side kick and cornball humor; and James Ellison as Hoppy's best sidekick.

Mike-764 Pablo Chavez watches his parents killed by a band of outlaws who are after the elder Chavez' gold. Pablo runs away from the scene of the murder to get help and runs into Dolores, a dancer in the town's saloon, who hides Pablo in her cabin, and then goes to town for help from her boss, Big Henry, but when she arrives, she overhears that Big Henry was responsible for the Chavez murders. Dolores hides Pablo in a more secluded place and writes a letter to Pablo's grandfather, Pedro, who lives across the Mexican border as a notorious bandit known as El Toro,who rides to the saloon where Dolores works, En route he saves the life of Hopalong Cassidy (a county deputy), who was searching for the outlaw. El Toro begs Hoppy to let him go after his grandson, but Hoppy won't let the outlaw go across the US border. Instead, Hoppy agrees to go after the boy himself and rides (with fellow deputy Johnny Nelson, who have both turned in their badges) to meet with Dolores. Meanwhile, Big Henry learns that Pablo is still alive and can recognize the bandits and that Dolores is hiding him. Dolores is killed by Big Henry, right after promising Hoppy information on the boys' whereabouts. Hoppy gets a job as one of Big Henry's gun hands, thinking he can prevent Big Henry from making anymore attempts against Pablo, but the outlaws believe that Hoppy might be double crossing Big Henry and decide to take him out. A very gritty entry in the Hoppy series, with the character being less noble and more meaner than in the subsequent entries. Farnum is excellent as the former outlaw El Toro, evoking a lot of sympathy from the audience. Hayes gives another great performance as Big Henry's bartender who is trying to help Hoppy, behind his boss' back. Bretherton creates loads of action and suspense in this worthy entry. Many nuances Hoppy shows in the film (buying drinks for the ladies, rolling a cigarette, and his stern disposition) would disappear in the later films in the series. Rating, based on B westerns, 8.