Platicsco Good story, Not enough for a whole film

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.

jotix100 Rene Sterne, a painter living in a Brittany coastal town, has resorted to taking private students that he guides in the art of drawing. A small girl is seen with Rene as the film begins. As she finishes for the day, the girl is sent home, but she never makes it. Her body will be found in a forest area not far from the Sterne's home, where she was left by a criminal who raped her. All eyes focus on Rene as the police comes to investigate.The painter is married to Vivianne, a physical therapist. They seem to be happy in their environment until Rene is questioned about his possible involvement with the crime. Vivianne wants him to cooperate because she believes in her husband, a man with a bad leg whose work is not selling. The new police inspector is Frederique Lesage, a Parisian woman. Being new to the area, she relies on her colleague Inspector Loudun, a practical man who knows the area better.Into this milieu walks a wealthy author, Germain Desmot, who lives in the vicinity. He has sent Vivianne a copy of his latest novel. It is clear Desmot likes Vivianne. He realizes she is somewhat dowdy with the things she wears. He goes as far to suggest she will look stunning in blue. Rene, is the background, seems to resent the familiarity between his wife and the sophisticated man. He has reasons to be because Vivianne has agreed to meet Desmot in a hotel. She lies to Rene, although the tryst turns out to be a failure.One night while Germain Desmot has been at the Sternes, he drinks too much, being unable to drive, Rene offered a boat ride to his house. When Desmot's body is found by a maid in a sort of courtyard, brings Inspectors Lesage and Loudun to the scene. Death was caused by a heart attack.Claude Chabrol directed this psychological study about a tormented man. The director co-wrote the screenplay with Odile Barski, his usual collaborator. The last part of Mr. Chabrol film legacy is not as interesting as his earlier period. In spite of that, this film shows Cabrol in a sobering mood. The girl's murder is only a distraction that resonates with Rene because he is made a suspect for doing it. Rene realizes Vivianne's infidelity, but he never says anything about what he knows happened between her and Desmot. At the end it is Vivianne who comes out stronger as her husband falls into depression for a crime he might, or might not have committed.Jacques Gamblin gives a good performance as Rene. Sandrine Bonaire had a bigger role in Chabrol's more satisfying film "La Ceremonie", she has a limited opportunity in this film to shine, but her Vivianne is a complex character. Antoine De Caunes is perfectly suave as Desmot. Valeria Bruni-Tedeschi's inspector is not one of the best things she has done in the cinema.Eduardo Serra, the man who was closely associated with Claude Chabrol was the cinematographer. Mr. Serra gets the right atmosphere of the small Brittany town in the off season. The musical score is credited to Mathieu Chabrol, the director's son. This film should be seen by all Chabrol's fans. While not one of his best, it shows the director at a different period of his long career.

FilmCriticLalitRao For Claude Chabrol,a cinéaste who has made over 50 films,this film must be like one of his loving children.However,his admirers might view it in a different light as it might appear as a minor work for them but many serious viewers would nevertheless feel that there are some nice things to observe in this film.Au coeur du mensonge is a film about people who are grappling with truths and lies in their lives.This film is more of a character study even though it is true that there are two crimes depicted in the film.These vile acts are merely a pretext for small town people to talk of pretentiousness and infidelity.Au coeur du mensonge is also a story about two artists;one of them is a fake and other one is not so sure of his inherent abilities.There is also a woman in their midst who is torn between these two men.The message of this film is simple:To understand a lie,one has to go to its heart.When we watch Sandrine Bonnaire and Jacques Gamblin, we realize that the truth is not so complicated as it is always visible on surface level.

MarioB Claude Chabrol had directed about 50 movies since 1957. Sometimes, he's very good, but when he's bad, he's really boring. This movie is boring, despite the good efforts of asking the spectators who had killing the little girl and the writer. It's too long, too low key. But the biggest problem of the movie is Valeria Bruni Tedeschi. I never saw such a weak actress. She don't have any credibility in the role of the police inspector. She's inexpressive and had an horrible voice. She can't articulate and most of the time, we don't understand or hear what's she's saying! Sandrine Bonnaire seems to be anywhere except in her role, but Jacques Gamblin is good. Too bad for Chabrol's fans!

Ana-4 The hypothesis of Chabrol: that life in society is only possible if it is based on lies, in the film, is a total lie! Also, it's interesting that the narrator at the actual time of these problems: pedophilia, unemployment, female cops (on television), was neurotic. It seems contrived in many situations: the infidelity of Vivianne (the nude painting of her), the assassin (the photo that was found in the assassin's bag).