Matcollis This Movie Can Only Be Described With One Word.

Supelice Dreadfully Boring

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Ken Cosentino (LittleSicily) I feel like all of the 1 star reviews for this film are people who get paid by big Hollywood Studios to suppress decent indie films and sweep them under the rug. This movie was awesome. The script was great, very well written and the characters were developed intelligently. The actors were great, the effects were great. The plot was great and the execution was great. The movie is not perfect but it's way better than 99% of the crap pumped out today. I'm very critical of horror, especially modern horror, and I THOROUGHLY enjoyed this film. It had some parts that were truly scary and it threw it back to old school horror more than a couple of times. Don't listen to the trolls, watch this one for yourself.

torstensonjohn A film that is a cross between fantasy/supernatural/horror/slasher, comes across with little to no real direction. The plot begins with an excavation site in the 1920's where a demonic game is found. The curators recreate said game and next we fast forward to today on an island in Maine. Like most of the typical slasher style films a group of friends come to the island for the week and you guessed it, find the game and play it. What comes next is insuing WTF chaos as the members of the group turn on one another and the slashing begins. The weapons utilized are interesting in their creative points. The acting is dreadful through the entire film. I actually only watched for Danielle Harris and Robert Patrick. The editing is shaky, direction is meaningless, the actors could have mailed in these awful performances. # out of 10 and THAT is pushng it

Adam Peters (5%) An amazingly bad and impossible to remember title for a pretty awful film. This is very much something that starts poor and never really recovers with its terrible script, lack of ideas, bad acting, and total sense of pointlessness. The concept of turning themes taken from the family film Jamanji and turning them into an adult horror movie could have worked out, but it would have needed more capable hands than the hacks who produced this mess. Robert Patrick is the biggest name here, though his character is largely pointless as he dips in and out of scenes like a drunk who can't find his way home, while most of what happens to the other characters is so poorly crafted that you begin to stop caring way before they even begin to get hacked up. There are some messy gore effects here and there but not enough to warrant this even close to a worthy watch. Stay away.

delaG-Lisa It was one hell of a roller coaster ride! I really liked how each character's psyche unraveled after they played the game. So often in horror we watch killings take place but we never learn WHY. The psychological aspect of this film is what makes it original. I was also really fascinated how accusations and jealousy would spin out of control over seemingly innocuous incidents. For example, the character, Josh, is certain that Renee had an affair with Anton when she was in Anton's room, why? - because the door was locked. When Josh confronts Renee, she insists that the door was, in fact, jammed - not locked. He then interrogates her with the question, "Then why was it closed anyway?" How many times in relationships have we had arguments with our significant other over seemingly trivial events that spiral into an all-out fight? Perhaps, when this is actually what happens when people that we read about in the papers, people whom we never would have expected to have committed a homicide, the "buttons" that get pushed, the "hot-spots", and relationship taboos that come up as a "lover's quarrel" spins out of control - this is where the lines between and murder. even lurking below the surface of Josh and Renee's quarrel, is a bottomless pit of resentment - for example, all the while, swimming in the back of Josh's mind, is the repressed anger and envy that Renee's first boyfriend was his best friend Anton, whose room she came out of with a "guilty expression," at least that what Josh swears he saw on her face. These type of relationship tiffs lurk beneath the surface of every couple in the film.