Linbeymusol Wonderful character development!

Tedfoldol everything you have heard about this movie is true.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Edgar Allan Pooh . . . are thieving crooks with this 1932 offering, THE BIG STAMPEDE. Sam "S.Crew-the-Little-Guy" Crew is New Mexico's richest resident, worth about 18 Trumps (adjusted for inflation). You might wonder what beneficial product Mr. Crew discovered, invented, or manufactured to earn his fabulous wealth. Your answer is: None. He simply hires gun-wielding assassins to filch all the cattle in three states. Is it any surprise that polls show 91% of U.S. gun owners backing America's current Robber Baron, Trump? Or that Trump's main "products" are the 4,000 lawsuits documented by USA TODAY that he's used to shirk 89% of his tax obligations, 62% of his contractors' bills, 74% of his Hotel Workers' overtime pay--all while retaining 95% of the gross on his scams, such as Trump U? Or that his business savvy is worse than his People Skills, so that Russia's KGB schemer Vladimir "Mad Dog" Putin has bailed Trump out of at least $5 billion worth of bankruptcy debt, as the WALL STREET JOURNAL reveals? Warner Bros. decides that S.Crew must be Trumpled to Death in THE BIG STAMPEDE. Perhaps this is the proverbial "word to the wise" one always is hearing about.

classicsoncall I happened to catch this film back to back with "Cahill, U.S. Marshal", and you couldn't ask for a better contrast between the John Wayne who appeared in one of his very first movies, and the one who finished out a career in one of his very last Westerns. Wayne was strikingly handsome in these early oaters, and because he appeared rail thin, looked somewhat taller than he did in his films of the late Seventies portraying characters like Cahill, Big Jake and Rooster Cogburn, all notably huskier and gruffer looking."The Big Stampede" was one of six movies Wayne appeared in under the 'Four Westerns" banner, an offshoot of the Warners studio. He was paired with a white horse named Duke, a conscious choice because Duke needed to resemble Ken Maynard's horse Tarzan when they sometimes appear in silent film stock footage used by the Four Westerns pictures. I hadn't noticed it before, but Duke bore what looked like an 'A1' mark or brand on his left hindquarter in this picture. I'll have to keep an eye out for it in other films.As far as the story goes, it's somewhat unusual in that newly deputized sheriff John Steele (Wayne) sees fit to team up with a Mexican bandit named Sonora Joe (Luis Alberni) in order to break up a cattle rustling operation run by outlaw Sam Crew, played by Noah Beery. What makes the situation even more incredible is that earlier, Steele stopped Sonora Joe and his banditos from stealing cattle that was part of the wagon train Steele was riding with.Apparently, story continuity wasn't one of the primary concerns for these early Westerns. There was an instance where Steele left the wagon train to make his way to Fort Cummings to see if the Army could use some beef cattle. However right after he left, the very next scene shows Steele playing harmonica back in camp with the rest of the cattle men. It could be that the version I watched on Turner Classics was an incomplete print because there were also a distracting number of flaws in the picture about fifteen minutes in.Still, if you're a John Wayne fan or a follower of these early Westerns, it's a fun flick that blows by in just under an hour. Like many of his first couple dozen films, Wayne's character wins the female lead, in this case Mae Madison, at the end of the picture. This time however, Sonora Joe has to stop Ginger's younger brother Patrick (Sherwood Bailey) from interrupting the romance - "All is fair in love and war, but no sling shot"!Addendum**** 6-7-2016 - Doing a little research on 'Duke', you can see a pretty good screen capture of the brand noted in my review here at: http://www.b-westerns.com/hoss-jwayne.htm. Apparently it's a combination of the letters AH as one can see from the picture.

MartinHafer Through the 1930s, most of John Wayne's films were B-westerns--much like the films of the like of Gene Autry and Roy Rogers--though (in most cases) without the singing (don't even get me started on the silly 'Singing Sandy' films he made). In general, the films are above average for these sort of movies, though series B-movies were never meant as high art. The writing was extremely simplistic as were the characters, but thanks to Wayne's nice acting and some exceptional stunt-work, most of the films are a lot of fun for lovers of the genre. Now not all of his films of this type were created equal. Some (such as his Three Mesquiteer series) were very enjoyable while others (many of his films done for Leon Schlesinger) were really, really bad. As this is a Schlesinger film, my hopes were not set really high, as the last two I watched ("Ride Him Cowboy" and "Haunted Gold") were just awful--a surprise since the films were distributed by Warner Brothers-Vitaphone Studio--a bigger-name company and higher status company than than those that usually produced cheap B westerns. Is this one any better? I could only hope! The film begins with Wayne meeting with the governor and volunteering to become a marshal in New Mexico and bring its lawlessness under control. This is a very typical sort of plot but is interesting because the governor portrayed was a real-life guy--General Lew Wallace (Berton Churchill). Wallace was a Civil general, governor and author of "Ben Hur" and seeing him as a character surprised me.Like his other films, his co-star is his horse, 'Duke'. This is a bit ironic, as 'the Duke' was later Wayne's nickname and, in general, this smart horse was the best thing going for these movies! It was so smart and talented, it could have rivaled Roy Rogers' beloved Trigger in intelligence and acting ability! As marshal, Wayne makes an apparently insane move and makes a low-down Mexican bandit-sort, Sonora, his deputy. Clearly, he must have read that he should do this in the script, as it made no sense--any sane lawman would have thought twice or three times before handing a badge to this guy! Yet, as I said, it was in the script, so you know it will work out for the better by the end of the film! And together they take on the chief baddie (Noah Beery). Can you guess who wins in the end?! The film has a better plot than most of the Schlesinger/Wayne films. The bad guy is also better and more memorable than most. As for the stunts, they are once again the highlight of the film. I assumed that it's Yakima Canutt in charge of the great stunt-work, but IMDb did not indicate this--meaning there must have been some other great stunt men doing some of these insanely dangerous and cool stunts OR it was a Canutt job after all but he just isn't credited. Regardless, the work is impressive even today and you wonder how they got anyone crazy enough to do these tricks! Overall, it's a very pleasant little B-film. Compared to other films in this crowded genre, it's very good. It certainly cannot be compared to a typical full-length western, but for what it is it's nice. My score of 7 is relative to other B westerns. What a pleasant surprise! By the way, if the name Schlesinger is familiar, it should be. He's the guy who oversaw production of cartoons for Warner Brothers for several decades. Apparently, I heard he hated cartoons and his job, but he was certainly a lot more successful with them than with B westerns.

bsmith5552 "The Big Stampede" was the second of six "B" westerns starring John Wayne and his horse "Duke" made by Warner Bros. for the 1932-33 season. As was the case in this series, this film was a re-make of a Ken Maynard silent (in this case, 1927s Land Beyond the Law).Sam Crew (Noah Beery Sr.) is luring settler's wagon trains (and their cattle) to New Mexico where he rustles the cattle for himself. Governor Lew Wallace (Berton Churchill), who in real life wrote "Ben-Hur", assigns John Steele (Wayne) as a Deputy Sheriff to clean up the problem.He drifts into town and poses as a shiftless drunk to gain knowledge of the situation. A wagon train led by Cal Brett (Lafe McKee) comes to town and turns to Crew for help in settling in the area. But Crew has other ideas.When Crew's gunman, Arizona (Paul Hurst) murders Brett, Steele vows to bring in the killer. It just happens that Brett had a young daughter, Ginger (Mae Madison) and a sling shot slinging son Patrick (Sherwood Bailey). Steele naturally takes to the two.Bandito Sonora Joe (Luis Alberni) and his gang compete with Crew for the settler's cattle. Steele for some unknown reason has enough faith in Sonora Joe to have him throw in with him to bring down Sam Crew. In the final showdown there is a "big stampede" (lifted from the Maynard film) and.........................................Wayne's inexperience really shows In this film. His acting is mediocre at best but he would gain valuable experience over the next seven years in films like this. There seems to have been a scene or two cut from this film. Wayne's transition from the drunken drifter to heroic sheriff is missing. He just suddenly becomes the upstanding hero without explanation. This film is boosted somewhat by the casting of Noah Beery Sr. as the snarling villain Crew. Alberni is also good as Sonora Joe, providing the film's comedy relief. Berton Churchill would appear as Gatewood the banker in Wayne's breakthrough film, "Stagecoach (1939).