Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.

Skyler Great movie. Not sure what people expected but I found it highly entertaining.

pylgrym It was my privilege to see this movie at the Plaza Theater in Atlanta on a Saturday afternoon with about 150 Vietnamese: grandparents, parents, and kids obviously "made in the U.S.A." . . it was even a greater privilege to be allowed to sit next to a typical third grader who's command of English is far better than his understanding of the parlance of the Old Country. His folks and grandparents, uncles, etc. were all around us, but allowed the lad to ask me questions during the movie while giving his family leisure to thoroughly enjoy it. I whispered my replies as plainly as I could, given the situation, and as we walked out of the show he wished me well and genuinely thanked me (with a little familial prodding).... My situation is that I am a Vietnam veteran whose reckless, existential behavior in 1971 may well have resulted in a son or daughter, as another reviewer, ''huckfinn'', above.... Amazingly, the LORD saw fit in His grace and mercy to save me in 1973, and off and on I cast about for a way to make peace with that part of my sordid past.... well, after I had been married for almost four years, Dung Tanh Phu came into my life, a blessing from World Vision. "Young", as we called him, born just after I left The Nam, had had no little difficulty arriving to America as one of the Boat people. His aunt, Mui and he were the only ones of his family to escape in 1979. So traumatized was Young that he was a problem child in his first, foster home. When we received him (in the name of Christ), he was tubercular. The wife put him on macrobiotics for six months and amazed the folks at the St. Louis County Health Department. We kept him for three formative years and turned him back over to his aunt in somewhat less than delightful circumstances, but that's a longer story.... I won my war by having such wonderful opportunities given to me for ministry to the wonderful Vietnamese and may yet win another of my wars - if God wills - but three's a story yet to be written... suffice it to say that I dearly loved my experience of this film, and hope to share it with my grown children someday. Blessings!

stevespelling Well worth seeing. It serves to give one a good understanding of the types of back stories, trials and travails that dispossessed immigrants coming to America might have experienced. I guess in some ways it could be similar to the story of many poor immigrants who came here in the past. Therefore it should have a universal appeal to American audiences. Next time we look at a first generation immigrant to this country we might have more of an appreciation of the humanity that we are encountering. Great performances all round, good screenplay, and thoughtfully directed. Bai Ling gives an excellent performance, and Damien Nguyen is outstanding in a first time lead role. He's in every scene and carries the entire picture... an incredible performance. One of the better movies of 2004.

Charles Delacroix I just saw this movie today, although it's been in release here for several weeks, I think. I was deeply moved.This is truly a beautiful movie: above all about Beauty and Ugliness. The main character, Binh, we're told very early in the movie, is Ugly; his mother is Beautiful; and the rest of the film displays a constant tension between the question What is Beauty? and the question What is Ugliness? The hooker's looks contrast sharply with Binh's. The limpid, natural beauty of Vietnam contrasts sharply with the cold, commercial ugliness of New York. The ugly interior of the ship contrasts sharply with the beauty of the sea. The culminating sequence in which Binh finds his father also says things about perception of Ugliness and Beauty that I don't think I can comment too much on without, perhaps, giving too much of the story away.The actor who played Binh was truly superb, in my opinion. Nick Nolte was excellent, but really more of a cameo; Binh is the main character in the story, and carries his persona well.I do have to note some disappointing features.First, it is perhaps natural in a movie about Vietnam not to include social commentary on ethnicity and race. Yet the 100% uniform (no exception, as far as I know) depiction of White Anglos as either racist or exploitive or both, is literally racist. I guess this kind of depiction is "PC" but if so, frankly it's time for "PC" to grow up. No one who's actually been to Texas, for example, would think that all white Texans go around calling everybody else "boy". Please. This kind of obvious inauthenticity is bound to call into question much else in the film's racial and ethnic commentary.There were some technical problems. In the open boat, when Binh awakes to find a fruit floating in the water, he looks first to his left, then to his right, and only then straight ahead to find land prominently on the horizon directly in front of him. It's a small thing but very inauthentic. People tend to look dead ahead first, not to the side. And a few other items like this too I think, can't recall offhand, but I remember noticing them at the time.But none of this detracts from the overall beauty of The Beautiful Country ... and the complex and challenging examination it poses of Beauty and Ugliness in many, many expressions. A wonderful movie.

Harry T. Yung (watched in Toronto) extra spoiler warning When talking about a movie, I sometimes slip into the bad habit of starting from the end. But this time, I think it's forgivable.When I read in some of the local (Toronto) reviews that top-billed Nick Nolte appears only in the last fifteen minutes of the 2-hour movie but is well worth waiting for, I reserved my judgment. After seeing the movie, I'll have to borrow Vince Lombardi's famous quote: seeing Nick Nolte is not everything about watching this movie; it's the only thing. Well, maybe I exaggerated. But let me start from the beginning."The beautiful country" might have been an alternative plot for Puccini to end Madam Butterfly, or Webber to end Miss Saigon. The movie is actually structured neatly into 4 acts.Act 1, in two scenes (the home village and Saigon), sets the stage for Binh (Damien Nguyan) to set out on an epic journey to look for his American father in Taxes, a G.I. who legally married his mother but was there one day, gone the next, leaving behind only a picture of the couple and their infant son Binh.Act 2 takes place in a Malaysian refugee camp, where he encounters Chinese refugee Ling (BAI Ling), initially through the kid half-brother his mother has asked him to take along.Act 3 depicts the trio's ordeal on a refugee-smuggling ship run by Captain Oh (Tim Roth) and the little boy's tragic death from illness.The final Act could be one with multiple scenes: Binh and Ling's experience in New York's Chinatown, Binh's southbound quest and his final reunion with his father Steve (Nick Notle).Starting with some extraordinarily beautiful photography of Vietnam's serene countryside, the movie tells the story of Binh in such a sensitive, honest way that, even when some familiar cliché scenes are inevitable, it is never mawkish. Development of the relationship between Binh and Ling is handled tastefully, and their communication in broken English is the most natural thing, just as it would be for a German and a Frenchman whose common language is English, which neither really knows well.Nguyan, billed under "introducing", carries the entire movie from beginning to end, with an uncanny ability to touch the audience through his sincerity. Bai is cast in her best role to-date and she portrays the defiance, devotion and passion of this complex woman perfectly. Tarantino's favourite Tim Roth (or one of them at least) also puts in a memorable performance as the ruthless but benevolent protector (of Binh), in fact quite a familiar Charlie Dickens character.But in the end, it's all Nick Nolte, whose performance last year against Maggie Cheung in "Clean" is one of the best in any film (she won best actress in Cannes; his was only in a supporting role but would have won had there been such a category). That last, 15-minute scene of reunion of father and son in The Beautiful Country, played to perfection by Nolte and Nguyan, is reason enough for me to go and see the movie again.