The Adventurer
The Adventurer
| 22 October 1917 (USA)
The Adventurer Trailers

The daring convict no. 23, known as The Eel, escapes from prison and, after mocking his inept persecutors, saves the lives of three people in peril: a beautiful girl, her mother and an annoying suitor, only to get exhausted and almost drowned. Once he regains his strength at Judge Brown's home, he participates on an upper-class social party where he competes with the suitor for the favors of the charming Miss Brown. But prison guards are still after him…

Reviews
Unlimitedia Sick Product of a Sick System
MamaGravity good back-story, and good acting
GazerRise Fantastic!
Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
binapiraeus Whereas the other eleven shorts Charlie Chaplin made for Mutual Films, having for the first time full artistic freedom to develop his VERY own style, all had some serious or even tragic elements in them, this last one of them (and the biggest box-office success) gives us just plain, simple comedy that reminds us of his beginnings at the Keystone Studios - only with more wit and artistic ambition; and with quite an unusual protagonist, too: Charlie (who usually wasn't on the best of terms with the police in his movies, anyway) is a convict here who, just with the beginning of that wonderful 25-minute short story, escapes from prison in the most hilarious way! (He'd do the same thing 6 years later in "The Pilgrim", but in a different style that time...) So we see him running and hiding from the cops with his usual, inimitable movements; only not in his 'tramp' apparel this time, but in prisoner's clothes... We see a whole bunch of policemen hunting him, shooting at him, and yet ending up rolling down hills or being tricked out by the little fellow in some other way! And then - something entirely different happens: down at the beach, where he's finally found rescue, he's got to save a mother, daughter and her fiancée from drowning; and the thankful family, of course, take him to their home and dress him like a real gentleman! And of course, our hero develops tender emotions very soon for the lovely daughter (a blonde Edna Purviance this time) and vice versa, while he and the big fat fiancée (Charlie's friend Eric Campbell at his best once again) pick on each other with every opportunity - until the jealous suitor sees Charlie's 'WANTED' picture in a newspaper... Well, from that moment on, of course, the chase continues!So, for all those who keep accusing Charlie Chaplin of being 'too much of a sentimentalist': they should SURELY watch "The Adventurer", to see that Charlie could also be just plain funny - and INGENIOUSLY funny, for that matter! Even after almost 100 years, this wonderfully crazy, fast-paced short FULL of unbelievable ideas still looks as fresh and entertaining as the day it first reached the movie theaters!
packofk9s I've seen The Adventurer well over a dozen times and each time it is just as funny as the time before. I repeatedly find myself thinking during the first scenes (where Charlie is on the beach and on the lamb from the police) that those scenes must be the high of the movie and as such that the movie will progessively sink from the close of those scenes on. Yet each time I watch the film I am pleasantly refreshed to the fact that the whole film is equally great.Chaplin is excellent in the film, and his frequent foil in the early movies, Eric Campbell, is also perhaps at his best.This film is well worth watching (several times).
Petri Pelkonen Charles Chaplin plays an escaped convict, who saves a rich girl and her mother, and is treated as a hero.But how long can he hide from the law.The Adventurer is a great short silent comedy movie from 1917.The movie has many funny scenes, like when Charlie is chased by the cops.It is great fun to watch these old silent movies and see how much the movies have changed from those days.
Stefan Kahrs Not all the early Chaplin films are classics, but this one is. The best bits are the chasing scenes, especially at the beginning (Charlie escaping from prison) and in the middle. The way Chaplin makes excellent and varying use of a humble lampshade should put many modern filmmakers with their inflated budgets to shame.
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