Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.

SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

avenuesf I finally got a chance to see a (poor) print of this film today after wanting to see it for years. I could appreciate its originality and sophistication for the time that it was made, but I was left wondering just what the film was really trying to say. It worked more as a character study than a film. The theme of the cruel and impersonal big city seemed to be a recurrent one in the 1970's (much like "Midnight Cowboy"), and seemed to be a symbol for the lost individual trying to find meaning in life. I've never been able to believe Candice Bergen in any role I've ever seen her play, and this film is a good example. She's stiff and virtually emotionless in most of this, except for two scenes where her acting became so exaggerated that it was almost embarrassing; once where she laughs uncontrollably (more like shouts) when she is conversing with Peter Boyle and another at the end where she cries after a telephone conversation with her parents. They both sounded exactly the same, and were frankly kind of startling, leaving me wondering why the director allowed her to go so far and didn't ask for another take where she toned it down a little.The "plot" never really goes anywhere. T.R. seems vacant, zombie-like and sarcastic, and the flashbacks gave me the impression they were being intentionally inserted to make a point when the film would come to an end. They didn't. The scenes in the film could have been played in real time as they happened and it wouldn't have made any difference at all.There's some dialogue between Bergen and Caan in which she tells him that he "talks like a typewriter." I felt like this described a lot of the film; people don't talk or act this way, and I'm sure it looked great on paper. I can appreciate that this film portrayed a character and her experiences in a very different way for its time, but it didn't really seem to make a conclusion about anything.

sr60627 When will Paramount Studios release the movie T.R.Baskin (1971) to DVD? I suggest that every fan of Candice Bergan/Peter Boyle/James Caan write to the studio. They are located at 5555 Melrose Avenue, Hollywood, California 90038. The website Cinemanow offers a download. I found that it is of poor quality. A DVD would be so much better. Let Paramount know. I had the great fortune to be cast as an Extra in a crowd scene at Chicago's O'Hare airport. I remember seeing Ms. Bergan in her makeup chair. I will never forget how much fun I had that day even though I prop I was carrying was stolen. I even got to see a screening at a theater downtown months later. You can also write to television stations to air it.

elettra-2 I saw this on a television set at home, so many years ago I forget WHY it made me cry. Have not been able to contact Miss Bergen to ask her about it. Of course, Murphy Brown was "required" watching. and I followed as long as I was in the Country. Without answers to my questions, I can hardly pad this into 15 lines. Autobiographically, I can tell stories similar to T.R.'s but I don't think they would draw a tear from anyone but me. As a matter of fact, more likely to make one die laughing. Career attempts in Europe and New York. Mother footing all the bills and never giving up on me, bless her. So after all this time, and deaths of both my long-suffering parents, I am becoming a writer, not capitalized yet. So after I am reminded of that superb performance by the Bergen, and after I have heard from herself, perhaps I can hold the proverbial candle to her sensitive portrayal of a girl seeking a career. Buona Fortuna a tutti !, Elettra

trudyr_1999 This film is in some ways a guilty pleasure--it's occasionally hokey--but I like it because it reminds me of the wonder I felt on my first few visits to Chicago (I'm a small-town girl too). I eventually moved there, staying more than a decadebefore moving on to L.A.; my experience was, on the whole, much more positive than T.R.'s, but I can relate to her and to what she's going through. That's a good deal of this movie's appeal--the characters and the situations all have the ring of truth. Kudos to writer Peter Hyams and director Herbert Ross. T.R. may be lonely and lacking in direction, but she's also intelligent, feisty, and nobody's fool, and it's easy to understand how she feels as she tries to build an independent life and find personal and professional satisfaction. Candice Bergen's delivery of her lines is sometimes a bit stilted, but her performance is largely praiseworthy; so are those of the supporting cast, especially Marcia Rodd, James Caan, Peter Boyle, and Howard Platt (very convincing as a real jerk). The filmmakers also make good use of the Chicago setting, with shots of Carson's State Street store, the el, and other landmarks, and the movie's full of early-'70s atmosphere--the clothes, the music, the singles bars, and the fact that the modern women'smovement had a lot of work to do.